Le Château Apartments

The 1972 Montreal Museum of Fine Arts robbery, sometimes called the Skylight Caper, took place very early in the morning of September 4 of that year. Three armed robbers used a skylight under repair to gain entry to the museum from its roof, tied up the three guards on duty, and left on foot with 18 paintings, including a rare Rembrandt landscape and works by Jan Brueghel the Elder, Corot, Delacroix, Rubens, and Thomas Gainsborough, as well as some figurines and jewellery. One of the Brueghels was returned by the thieves as an initiative to start ransom negotiations. None of the other paintings has ever been recovered and the robbers have never been arrested or even publicly identified, although there is at least one informal suspect. Collectively, the missing paintings have been valued at $11.7 million in 2017 dollars; although their value may have diminished since the theft as scholars have called the attribution of some of the works into question. However, the Rembrandt alone has been valued at $1 million; in 2003 The Globe and Mail estimated it to have appreciated in value to $20 million. The thieves appeared to know what works they were looking for; many of the works had been part of Masterpieces from Montreal, a travelling exhibition that had been to many museums in the U.S. and Canada prior to Expo 67, as well as some other special exhibits put on by the museum in the preceding years. It is not only the largest art theft in Canada but the largest theft in Canadian history.Investigation of the crime proved difficult in the early going, since it occurred over the Labour Day holiday weekend, when many of the museum's officials including its director were vacationing far away from Montreal. It was further complicated by continuing news coverage of the Blue Bird Café fire, Montreal's deadliest arson, three days earlier, dominating the headlines; the next day the killings of Israeli athletes by Palestinian terrorists at the Olympics in Munich further diminished media coverage. A sting operation conceived after the thieves returned the Brueghel (later reattributed to his students) and mailed photos of the other works to the museum seeking a ransom payment went awry; a later attempt to negotiate their return cost the museum $10,000 with no results. The thieves took advantage of weakened security, resulting from the renovations at the museum, which had left the skylight's alarm disabled. The renovations and the security flaws were themselves a consequence of the museum's tightening finances, which had worsened during the 1960s as many of the wealthy Anglophone community in Montreal that had supported the museum since its founding in 1860 began to leave for Toronto due to increasing concerns over Quebec separatism, especially after terrorist acts by the Front de libération du Québec had led to martial law in the Montreal area two years earlier. Sûreté du Québec, the Royal Canadian Mounted Police and Interpol continue to investigate the crime. Theories as to who might be responsible have ranged from the Montreal Mafia to Quebec separatists.

The Montreal Museum of Fine Arts (MMFA; French: Musée des beaux-arts de Montréal, MBAM) is an art museum in Montreal, Quebec, Canada. It is the largest art museum in Canada by gallery space. The museum is located on the historic Golden Square Mile stretch of Sherbrooke Street. The MMFA is spread across five pavilions, and occupies a total floor area of 53,095 square metres (571,510 sq ft), 13,000 (140,000 sq ft) of which are exhibition space. With the 2016 inauguration of the Michal and Renata Hornstein Pavilion for Peace, the museum campus was expected to become the eighteenth largest art museum in North America. The permanent collection included approximately 44,000 works in 2013. The original "reading room" of the Art Association of Montreal was the precursor of the museum's current library, the oldest art library in Canada.The Montreal Museum of Fine Arts is a member of the International Group of Organizers of Large-scale Exhibitions, also known as the Bizot Group, a forum which allows the leaders of the largest museums in the world to exchange works and exhibitions. Founded in 1860, it is the oldest art museum in Canada. In 2020, it was the most visited art museum in Canada.

The 2011 Montreal Museum of Fine Arts theft took place in two separate incidents during September and October of that year. In both instances, the same thief took a small ancient stone piece that was openly exhibited, without a protective case, and smuggled it out of the museum. One has since been recovered; however, the thief remains unidentified and the whereabouts of the other is not known. On September 3, one day before the anniversary of the 1972 robbery of 18 paintings, a visitor took a sandstone Achaemenid Empire relief. In late October, he returned to take a Roman marble head from its pedestal. The two works were collectively valued at $1.3 million, with the relief accounting for almost all of that amount. The museum did not disclose the theft until February 2012 to avoid compromising the joint investigation by its insurance company and Sureté du Québec's art theft unit. Security camera footage allowed them to obtain a description of the thief; investigators believed he was local. A reward was offered for the return of the works. In 2013, police were led to Simon Metke, an Edmonton man who had bought the Achaemenid piece for CDN$1,400 during a visit to Montreal two years earlier, believing it to possibly be a replica, after it was seen on a wall behind him during a CBC interview unrelated to the case. The museum ultimately declined to buy it back from their insurer and it was put on the market in late 2016. Charges laid against Metke were disposed with a conditional discharge after he pled guilty to possession of stolen property. Metke's story inspired a character in Kevin Smith's 2016 film Yoga Hosers, as well as the film's title. The relief itself was later found to have been taken from Iran illegally, and returned there after being seized from a dealer's wares during a New York art fair.

The Ritz-Carlton Montreal is a luxury hotel located at 1228 Sherbrooke Street West, on the corner of Drummond Street, in Montreal, Quebec. Opened in 1912, it was the first hotel in North America to bear the Ritz-Carlton name. Its name was originally licensed by César Ritz directly, and while the hotel is now part of the chain managed by the Ritz-Carlton Hotel Company it uniquely retains its original branding stylisation. The original builders called themselves the Carlton Hotel Company of Montreal, with the concept of naming it after London's celebrated Carlton Hotel. However, one of the investors, Charles Hosmer, was a personal friend of César Ritz and persuaded his colleagues to incorporate the Ritz name, owing to the success of the Hôtel Ritz Paris that opened in 1898. For a fee of $25,000, César Ritz agreed to lend his name, but stipulated that in accordance with the "Ritz standards", every room was to have its own bathroom; there was to be a kitchen on every floor so room-service meals could be served course by course; and a round-the-clock valet and concierge service was to be made available to the guests for, amongst other duties, tracking lost luggage or ordering theatre tickets etc. Finally, the lobby was to be small and intimate yet with a curved grand staircase for the ladies to show off their ball gowns on their descent.

Kildonan Hall was a bourgeois house located in the Golden Square Mile district of the Ville-Marie borough in Montreal, Canada.

The Church of Saint Andrew and St Paul is a Presbyterian church in downtown Montreal, Quebec, Canada. It is located at 3415 Redpath Street, on the corner of Sherbrooke Street (Route 138). It is in close proximity to the Golden Square Mile, the Montreal Museum of Fine Arts, Concordia University (Sir George Williams Campus) as well as the Guy-Concordia Metro station. It is the regimental church of The Black Watch (Royal Highland Regiment) of Canada. This congregation is the 1918 merger of two congregations, both formed in the early years of the nineteenth century.

Alan Klinkhoff Gallery is a Canadian fine art corporation located in Montreal and Toronto. A member of the Art Dealers Association of Canada, the firm provides acquisition and evaluation services for collectors, as well as exhibitions and sales of Canadian art by such artists as Paul-Émile Borduas, Emily Carr, Marc-Aurèle Fortin, Lawren Harris, A.Y. Jackson, Jean Paul Lemieux, David Milne, Robert Pilot, and Marc-Aurèle Suzor-Côté. Alan Klinkhoff, a frequent commenter on Canadian art and art market, is quoted in the Montreal Gazette, The Globe and Mail, Toronto Star, Financial Post, The New York Times, and on CBC Television. The gallery, a successor to Galerie Walter Klinkhoff, is known for museum-quality, non-sale exhibitions of important Canadian painters.

The Mount Royal Club is a private social club in Montreal, Quebec. The club was founded as a gentlemen's club in 1899 by a breakaway group from the Saint James's Club, but in 1990 became mixed-sex. In its prime, the Mount Royal was Canada's most prestigious club and was an integral part of Montreal's Golden Square Mile society. During the age when Montreal was the center of commerce in Canada, the club's membership counted many of the country's most powerful executives, bankers, financiers, and industrialists. The Mount Royal's clubhouse on Sherbrooke Street was completed in 1906 and was designed by McKim, Mead & White of New York. In the latter half of the 20th century, the Mount Royal underwent a significant upheaval. Until the 1960s, the club's membership was almost entirely of English or Scottish descent, which mirrored the Protestant nature of Montreal business culture. In the wake of the Quiet Revolution, the commercial center of Canada shifted from Montreal to Toronto. Consequently, much of the city's Anglophone élite migrated out of Quebec, which deprived the club of its historic base. In recent decades, the club has become more Francophone and less associated with Canadian corporate power. Although the Mount Royal remains a prestigious institution, it no longer has the stature it did in its early history.

The Henry F. Hall Building (French: Édifice Henry F. Hall) is a building on the Sir George Williams Campus of Concordia University in Montreal, Quebec, Canada. It is located at 1455 de Maisonneuve Boulevard West, in between Mackay Street and Bishop Street in the Quartier Concordia neighbourhood.

The Concordia University massacre was a school shooting on August 24, 1992 in which Valery I. Fabrikant, an associate professor of mechanical engineering, killed four colleagues and wounded a staff member at Concordia University in Montreal, Quebec, Canada. He was convicted of murder and sentenced to life in prison.

Maison Alcan (English: Alcan House) is a building complex located on Sherbrooke Street in the Golden Square Mile district of Montreal. The complex was used to house the world headquarters for Alcan, now part of Rio Tinto Alcan, until 2015. Completed in 1983, the complex's integration of new construction with restored or renovated buildings marked a turning point in corporate Montreal's approach to development.Maison Alcan combined restored Golden Square Mile properties — Atholstan House, the Beique, the former Berkeley Hotel, the Holland House, as well as the Salvation Army's Montreal Citadel on Drummond Street — with a new aluminum-clad structure, known as the Davis Building. The Berkeley Hotel serves as the main entrance to the complex and its atrium, on Sherbrooke Street. According to the La Presse newspaper, Maison Alcan marked the first time a major corporation based in Montreal had sought to preserve historic properties as part of a new headquarters. In contrast to the controversial demolition of the nearby Van Horne Mansion, Maison Alcan preserved part of the architectural heritage of the Golden Square Mile.

Sir George Williams University was a university in Montreal, Quebec, Canada. It merged with Loyola College to create Concordia University on August 24, 1974.