Stadio Giovanni Zini

San Michele is a Romanesque-style, Roman Catholic church located in the city of Cremona, region of Lombardy, Italy.

The province of Cremona (Italian: provincia di Cremona; Cremunés: pruvìncia de Cremùna; Cremish: pruìnsa de Cremùna; Casalasco-Viadanese: pruvìncia ad Cramòna) is a province in the Lombardy region of Italy. Its capital city is Cremona. The province occupies the central section of Padana Plain, so the whole territory is flat, without any mountains or hills, crossed by several rivers, such as the Serio and Adda, and artificial canals, most of which are used for irrigation. The river Po, which is the longest Italian river, is the natural boundary with the adjoining province of Piacenza, while the Oglio separates the province from Brescia.

The Battle on the Po was a battle of the Wars in Lombardy. It occurred in June 1431, on the Po River, near Cremona. The battle was fought between 85 Venetian galleys, sent towards Cremona to support Count of Carmagnola's army, and a somewhat superior number of Milanese galleys. The Venetians were commanded by Niccolò Trevisani. The battle resulted in the defeat of the Venetians, who could not be helped by Carmagnola's field army, with a loss of c. 2,500 men, 28 galleys, and 42 transport ships.

The Battle of Cremona took place on the night of 31 January to 1 February 1702, during the War of the Spanish Succession, between a French force under Maréchal Villeroi and an Imperial/Austrian army led by Prince Eugene of Savoy.

The Diocese of Cremona (Latin: Dioecesis Cremonensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in northern Italy. It is a suffragan diocese in the ecclesiastical province of the metropolitan Archdiocese of Milan. The bishop of Cremona's cathedra is in the Cathedral of the Assumption of the Virgin Mary. As of 2008, the Diocese of Cremona had 223 parishes, all located within the region of Lombardy, and the majority (174) within the Province of Cremona, besides 28 in the Province of Mantua, 17 in the Province of Bergamo, and 4 in the Province of Milan.

San Facio, also commonly called the Chiesa del Foppone, is a late Baroque architecture, Roman Catholic, now deconsecrated church in Cremona, region of Lombardy, Italy. The church was completed in 1781, to officiate the burials in the surrounding ossuary of those dying in the adjacent hospital (Ospedale Maggiore e Ospedale Vecchio) of Cremona. It was called Foppone because of it operational similarity to the Nuovi Sepolcri (1695) in Milan. The surrounding large cemetery crypts in the portico formed part of an 18th-century urge to provide, systematize, and formalize the burials for the indigent. From the courtyard, the architecture seems dour except for the domes of the church. The interior of the church in Greek Cross layout, is decorated by Giovanni Manfredini with Grotteschi, an ornamentation then utilized in cemetery churches due to their prevalence in Roman catacombs. A guide from 1820 cites the first altar on the right of the entrance has a Caravaggesque canvas depicting Christ healing the blind man, by Pietro Martire Neri or Negri. The main altarpiece is a Deposition from the Cross with the Virgin Mother, the Magdalen, and Joseph d' Arimathea (1569) by Vincenzo Campi. The altar on the left, has a Virgin and Child with San Facio with a Basket of Bread dispensing food to the poor and maimed (1593) by Andrea Mainardi (called il Chiaveghino). The site was closed for burials in the 1970s and administration transferred to the Commune.

The PalaRadi (officially Palasport Mario Radi, formerly known as Palasport Ca' de Somenzi) is an indoor arena located in Cremona, Italy. The capacity of the arena is 3,519 people and it opened in 1980. It is the home of Vanoli Cremona of the Lega Basket Serie A and Pomì Casalmaggiore of the Women's volleyball Serie A1. The venue capacity was first increased in the eighties to 2,918 spectators, and then to 3,519 after a second renovation in 2009, in which the arena was also renamed after Mario Radi.

Cremona Cathedral (Italian: Duomo di Cremona, Cattedrale di Santa Maria Assunta), dedicated to the Assumption of the Blessed Virgin Mary, is a Catholic cathedral in Cremona, Lombardy, northern Italy. It is the seat of the Bishop of Cremona. Its bell tower is the famous Torrazzo, symbol of the city and tallest pre-modern tower in Italy. Also adjoining is the baptistery, another important medieval monument.

The Torrazzo is the bell tower of the Cathedral of Cremona, Lombardy, in northern Italy. The Torrazzo measures 112.54 metres (369+1⁄4 ft), and it is known as the third tallest brickwork bell tower in the world, the first being the tower of St. Martin's Church in Landshut, Bavaria, and the second at the Church of Our Lady in Bruges, Belgium. However, the Torrazzo (completed in 1309) is older than the Landshut tower (completed in 1500) and the Bruges tower (completed in 1465), and it is the oldest brick structure taller than 100 m that is still standing. According to popular tradition, construction on the tower began in 754. In reality, it was built in four phases: a first dating back to the 1230s, up to the third dripstone, a second, between 1250 and 1267, up to the dripstone under the quadriphore, a third around 1284, and the completion of the marble spire in 1309. Its height is announced by a plaque embedded in the wall at the base of the Torrazzo itself, stating 250 arms and 2 ounces, which in the ancient measuring system of the Lombard towns translates to approximately 111 metres. Archaeological excavations made in the 1980s have discovered the presence of underlying structures which are supposed to be the remains of a more ancient churchyard (or a cemetery associated to it), or even previous Roman buildings.

The Cremona Baptistery (Italian: Battistero di Cremona) is a religious edifice in Cremona, northern Italy. It is annexed to the city's Cathedral. Built in 1167, it is characterized by an octagonal plan, a reference to the cult of St. Ambrose of Milan, symbolizing the Eight Day of Resurrection and, thenceforth, the Baptism. The edifice mixes Romanesque and Lombard-Gothic styles, the latter evident in the preference for bare brickwork walls. To the 16th century restorations belong the marble cover of some walls, the pavement and the baptismal font (1531) and the narthex (1588) of the entrance, in Romanesque style, work by Angelo Nani. The interior has a 14th-century Crucifix, over the St. John altar, and two wooden statues portraying "St. Philip Neri" and "St. John the Baptist" by Giovanni Bertesi. Over the ceiling is a 12th-century statue of the Archangel Gabriel.

Cremona (, also UK: ; Italian: [kreˈmoːna]; Cremunés: Cremùna; Emilian: Carmona) is a city and comune in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the Pianura Padana (Po Valley). It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family.

Santi Clemente e Imerio (or sometimes called Sant'Imerio alone) is a 17th-century Roman Catholic church on Via Aporti 16, in Cremona, region of Lombardy, Italy. The church was commissioned in 1606 by the Marchese Cesare de Soresina Vidoni, in part to house his brother Pietro, who had become a monk in the Order of Discalced Carmelites, and established a convent alongside this church. The exterior was left unfinished in part to demonstrate the vows of poverty of the order. In 1805, the order was suppressed and the remaining monks were relocated to Lodi and Crema. This church was joined to the parish church of San Clemente, thus adding the name. The church has three chapels on each side. The semi-Corinthian columns are odd, since they end in laurel, and not acanthus, leaves. The main altarpiece once held a painting depicting the Virgin and child with St Bishop Imerio and St Jerome, by Luigi Miradori. He also painted a canvas with Saints of the Carmelite order. The main altarpiece is now a Virgin and Child by Margherita Caffi. The first chapel altarpiece on the right depicts the Virgin and Child with St. Anthony (1687) by Giovanni Battista Natali. The third chapel has Rest on the Flight to Egypt by Luigi Miradori (known as il Genovesino). In the first chapel on the left is an altarpiece depicting St John preaching in the Desert by Roberto De Longe, while in the third chapel there is a St Teresa in Prayer (1648) by Angelo Massarotti. Additionally, this church has two paintings moved here from the church of Santa Maria Magdalena: a Meeting of St Dominic with St Francis attributed to Gervasio Gatti, and a Beheading of St John the Baptist(1597) by Luca Cattapane.