Ca' Tron

Palazzo Duodo is a Gothic-style palace on the Canal Grande, located between the Ca' Tron and the Palazzo Priuli Bon, in the sestiere of Santa Croce, in Venice, Italy. There is a second Palazzo Duodo a Campo Sant'Angelo. The palace was built in the 15th century. In 1712 it was let to Marchese Orazio Lancilotti, and in 1740 there were several tenants. In 1808 it belonged to Carlo Duodo of S. Maria Zobenigo

Palazzo Belloni Battagia (also spelled Palazzo Belloni Battaglia) is a palace on the Canal Grande, Venice, northern Italy. It is located in the sestiere (district) of Santa Croce, between the Fondaco del Megio and Ca' Tron, near the church of San Stae.It was built in the mid-17th century, possibly to a design by Baldassarre Longhena, as the residence of the Belloni family.

The Fondaco del Megio (Venetian, also Fontego; Italian: Fondaco del miglio, lit. 'fondaco of millet') is a palace in the sestiere (quarter]) of Santa Croce in Venice, northern Italy. Located near the Palazzo Belloni Battagia and the Fondaco dei Turchi, it faces the Canal Grande and is opposed to the church of San Marcuola of Cannaregio. It was built in the 13th century as a grain depot, but later was used to store millet, maintaining this function until the fall of the Republic of Venice in 1797. It currently houses an elementary school. The palace is built in brickwork. There are three portals at the ground floor and thirteen small windows. Decorations include a row of merlons at the top, and a basrelief with the Lion of St. Mark (a modern reconstruction of the original, which was placed on every public building of the Republic).

San Stae is a church in central Venice, in the sestiere of Santa Croce. San Stae, an abbreviation for Saint Eustachius, was founded at the beginning of the 11th century and reconstructed in the 17th century, and has a main facade (1709) on the Grand Canal of Venice, constructed by Domenico Rossi, and richly decorated with statuary by Giuseppe Torretto, Antonio Tarsia, Pietro Baratta, and Antonio Corradini. The interior has a tomb for the Mocenigo family. The right wall contains altars with works by Niccolò Bambini, Giuseppe Camerata, and Antonio Balestra. The three chapels on the left house works by Giuseppe Torretto, Pietro Baratta, Francesco Migliori, and Jacopo Amigoni. The roof of the presbytery has a ceiling decorated with a large canvas by Bartolomeo Letterini, while the walls have canvases by Giuseppe Angeli and small canvases dedicated to the Apostles, including a Martyrdom of St. Bartholemew (1721) (right lower) by a young Giambattista Tiepolo; The Martyrdom of Saint Thomas by Giambattista Pittoni, a Martyrdom of St. James the Greater by Giambattista Piazzetta; and a Liberation of St. Peter by Sebastiano Ricci (left lower). The sacristy contains a Death of Christ by Pietro della Vecchia and a Trajan orders Sant'Eustachio to pray to the idols by Giambattista Pittoni.

The Fondaco dei Turchi (Venetian: Fontego dei Turchi, Turkish: Türk Hanı) is a Veneto-Gothic style palazzo, later on named as the Turks' Inn, on the Grand Canal of Venice, northeast Italy. It was described by Augustus Hare in the 19th century as "a Byzantine palace of the 9th century, and one of the earliest buildings, not ecclesiastical, in Venice. .... A few years ago it was one of the most unique and curious buildings in Europe, and the most important specimen of Italo-Byzantine architecture, but it was modernised and almost rebuilt by the ... government in 1869".

Museo di Storia Naturale di Venezia (English: Natural History Museum of Venice) is a museum of natural history housed in Fondaco dei Turchi, located on the Grand Canal, Venice, Italy. Its collections relate mainly to the natural history of the Venetian lagoon that surrounds the city. Today it is one of the 11 venues managed by the Fondazione Musei Civici di Venezia.

The Palazzo Priuli Stazio is a Baroque architecture palace located near San Giacomo dell'Orio in the sestiere of Santa Croce in Venice, Italy.

The church of San Marcuola is a religious building facing the Grand Canal and located in the sestiere of Cannaregio in Venice, Italy. It is dedicated to the saints Hermagoras and Fortunatus ("Marcuola" is a Venetian contraction of "Ermacora"). Palazzo Memmo Martinengo Mandelli is a neighboring building.

La Maddalena (Italian: Santa Maria Maddalena in Cannaregio, usually referred to simply as La Maddalena) is a church in Venice, Italy, in the sestiere of Cannaregio. A religious edifice is known in the site as early as 1222, owned by the Balbo patrician family. When, in the mid-14th century, the Venetian Senate established a public holiday for Mary Magdalene's feast, it was decided to enlarge the church, including a watchtower which was turned into a bell tower. The church was restored in the early 18th century, but in 1780 it was entirely rebuilt under design by Tommaso Temanza, with a circular plan inspired by the Pantheon in Rome. The bell tower was demolished in 1888. The most notable feature is the portal, with masonic symbols over the door (probably connected to the Balbo's membership in the Knights Templar). The interior has an hexagonal plan with four side chapels and a presbytery. Outside the apse is a 15th-century basrelief of the Madonna with Child.

The Curti Valmarana is a Renaissance-style palace in located on the Grand Canal, between the Palazzo Querini Benzon and the Palazzo Corner Spinelli in the sestiere of San Marco of Venice, Italy. It stands across the canal from the Palazzo Querini Dubois.

The Palazzo Flangini is a Baroque style palace on the Grand Canal, located adjacent to Campo San Geremia in the sestiere of Cannaregio in Venice, Italy.

The Ca' Pesaro is a Baroque marble palace turned art museum, facing the Grand Canal of Venice, Italy. Today it is one of the 11 museums run by the Fondazione Musei Civici di Venezia system. The building was originally designed by Baldassarre Longhena in the mid-17th century, the construction was completed by Gian Antonio Gaspari in 1710. As at Longhena's Ca' Rezzonico, a double order of colossal columns and colonnettes flanking arch-headed windows, reinterpreting a motif of Jacopo Sansovino, Longhena creates the impression of double loggias extending across the main Grand Canal frontage, above a boldly rusticated basement.