Fondaco del Megio

Palazzo Belloni Battagia (also spelled Palazzo Belloni Battaglia) is a palace on the Canal Grande, Venice, northern Italy. It is located in the sestiere (district) of Santa Croce, between the Fondaco del Megio and Ca' Tron, near the church of San Stae.It was built in the mid-17th century, possibly to a design by Baldassarre Longhena, as the residence of the Belloni family.

The Fondaco dei Turchi (Venetian: Fontego dei Turchi, Turkish: Türk Hanı) is a Veneto-Gothic style palazzo, later on named as the Turks' Inn, on the Grand Canal of Venice, northeast Italy. It was described by Augustus Hare in the 19th century as "a Byzantine palace of the 9th century, and one of the earliest buildings, not ecclesiastical, in Venice. .... A few years ago it was one of the most unique and curious buildings in Europe, and the most important specimen of Italo-Byzantine architecture, but it was modernised and almost rebuilt by the ... government in 1869".

Ca' Tron is a palace in Venice, northern Italy, facing the Canal Grande. Part of the sestiere (quarter) of Santa Croce, it is situated between the Palazzo Belloni Battagia and Palazzo Duodo, near the church of San Stae. It is owned by the Università Iuav di Venezia and houses the Department of Design and Planning in Complex Environments. The palace was rebuilt in the late 16th century to the design of an unknown architect influenced by Jacopo Sansovino as the residence of the Tron family, who lived here until their extinction in the 19th century. The Tron had lived in this parish from the time of the start of the Patriciate. The family produced one Doge, Niccolo Tron in 1471, and nearly a half dozen procurators, and many other Venetian statesmen and generals. Maximilian, Elector of Bavaria, stayed here in 1684; and in 1775 Andrea Tron entertained the Emperor Joseph II with a magnificent ball. Senator Francesco Tron, grandson of Andrea, died here in 1793. In the 19th century the palace nearly fell into ruin.It has been owned by the Università Iuav di Venezia since 1972.

Museo di Storia Naturale di Venezia (English: Natural History Museum of Venice) is a museum of natural history housed in Fondaco dei Turchi, located on the Grand Canal, Venice, Italy. Its collections relate mainly to the natural history of the Venetian lagoon that surrounds the city. Today it is one of the 11 venues managed by the Fondazione Musei Civici di Venezia.

Palazzo Duodo is a Gothic-style palace on the Canal Grande, located between the Ca' Tron and the Palazzo Priuli Bon, in the sestiere of Santa Croce, in Venice, Italy. There is a second Palazzo Duodo a Campo Sant'Angelo. The palace was built in the 15th century. In 1712 it was let to Marchese Orazio Lancilotti, and in 1740 there were several tenants. In 1808 it belonged to Carlo Duodo of S. Maria Zobenigo

The Palazzo Priuli Stazio is a Baroque architecture palace located near San Giacomo dell'Orio in the sestiere of Santa Croce in Venice, Italy.

The church of San Marcuola is a religious building facing the Grand Canal and located in the sestiere of Cannaregio in Venice, Italy. It is dedicated to the saints Hermagoras and Fortunatus ("Marcuola" is a Venetian contraction of "Ermacora"). Palazzo Memmo Martinengo Mandelli is a neighboring building.

San Stae is a church in central Venice, in the sestiere of Santa Croce. San Stae, an abbreviation for Saint Eustachius, was founded at the beginning of the 11th century and reconstructed in the 17th century, and has a main facade (1709) on the Grand Canal of Venice, constructed by Domenico Rossi, and richly decorated with statuary by Giuseppe Torretto, Antonio Tarsia, Pietro Baratta, and Antonio Corradini. The interior has a tomb for the Mocenigo family. The right wall contains altars with works by Niccolò Bambini, Giuseppe Camerata, and Antonio Balestra. The three chapels on the left house works by Giuseppe Torretto, Pietro Baratta, Francesco Migliori, and Jacopo Amigoni. The roof of the presbytery has a ceiling decorated with a large canvas by Bartolomeo Letterini, while the walls have canvases by Giuseppe Angeli and small canvases dedicated to the Apostles, including a Martyrdom of St. Bartholemew (1721) (right lower) by a young Giambattista Tiepolo; The Martyrdom of Saint Thomas by Giambattista Pittoni, a Martyrdom of St. James the Greater by Giambattista Piazzetta; and a Liberation of St. Peter by Sebastiano Ricci (left lower). The sacristy contains a Death of Christ by Pietro della Vecchia and a Trajan orders Sant'Eustachio to pray to the idols by Giambattista Pittoni.

The church of San Zan Degolà, which in Venetian dialect abbreviates for San Giovanni Decollato, in English St John (the Baptist) beheaded, is a Byzantine-Romanesque-style church and belltower in the sestiere of Santa Croce in Venice, Italy.

The Curti Valmarana is a Renaissance-style palace in located on the Grand Canal, between the Palazzo Querini Benzon and the Palazzo Corner Spinelli in the sestiere of San Marco of Venice, Italy. It stands across the canal from the Palazzo Querini Dubois.

The Palazzo Flangini is a Baroque style palace on the Grand Canal, located adjacent to Campo San Geremia in the sestiere of Cannaregio in Venice, Italy.

La Maddalena (Italian: Santa Maria Maddalena in Cannaregio, usually referred to simply as La Maddalena) is a church in Venice, Italy, in the sestiere of Cannaregio. A religious edifice is known in the site as early as 1222, owned by the Balbo patrician family. When, in the mid-14th century, the Venetian Senate established a public holiday for Mary Magdalene's feast, it was decided to enlarge the church, including a watchtower which was turned into a bell tower. The church was restored in the early 18th century, but in 1780 it was entirely rebuilt under design by Tommaso Temanza, with a circular plan inspired by the Pantheon in Rome. The bell tower was demolished in 1888. The most notable feature is the portal, with masonic symbols over the door (probably connected to the Balbo's membership in the Knights Templar). The interior has an hexagonal plan with four side chapels and a presbytery. Outside the apse is a 15th-century basrelief of the Madonna with Child.