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Two Lines Oblique Down, Variation III

1970 sculpturesCulture of IndianapolisOutdoor sculptures in IndianapolisSculptures in the Indianapolis Museum of ArtSteel sculptures in Indiana

Two Lines Oblique Down, Variation III is a kinetic artwork by American artist George Rickey and located at the Indianapolis Museum of Art, near downtown Indianapolis, Indiana. The sculpture was made in 1970, and it is constructed from stainless steel.

Excerpt from the Wikipedia article Two Lines Oblique Down, Variation III (License: CC BY-SA 3.0, Authors).

Two Lines Oblique Down, Variation III
Michigan Road, Indianapolis

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N 39.825336111111 ° E -86.185330555556 °
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Indianapolis Museum of Art

Michigan Road 4000
46208 Indianapolis
Indiana, United States
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imamuseum.org

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Indianapolis Museum of Art
Indianapolis Museum of Art

The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a 152-acre (62 ha) campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It is located at the corner of North Michigan Road and West 38th Street, about three miles north of downtown Indianapolis, northwest of Crown Hill Cemetery. There are exhibitions, classes, tours, and events, many of which change seasonally. The entire campus and organization was previously referred to as the Indianapolis Museum of Art, but in 2017 the campus and organization were renamed "Newfields" as part of a branding campaign. The "Indianapolis Museum of Art" now specifically refers to the main art museum building that acts as the cornerstone of the campus, as well as the legal name of the organization doing business as Newfields.The Indianapolis Museum of Art is the ninth oldest and eighth largest encyclopedic art museum in the United States. The permanent collection comprises over 54,000 works, including African, American, Asian, and European pieces. Significant areas of the collection include: Neo-Impressionist paintings; Japanese paintings of the Edo period; Chinese ceramics and bronzes; paintings, sculptures, and prints by Paul Gauguin and the Pont-Aven School; a large number of works by J. M. W. Turner; and a growing contemporary art and design collection. Other areas of emphasis include textiles and fashion arts as well as a focus on modern design.Founded in 1883 as the Art Association of Indianapolis, the first permanent museum was opened in 1906 as part of the John Herron Art Institute. In 1969, the Art Association of Indianapolis changed its name to the Indianapolis Museum of Art, and in 1970 the museum moved to its current location. Among the Art Association's founders was May Wright Sewall (1844–1920), known for her work in the women's suffrage movement. Other supporters have included Booth Tarkington (1869–1946), Eli Lilly (1885–1977), Herman C. Krannert (1887–1972), and Caroline Marmon Fesler (1878–1960). The associated John Herron Art Institute was established with the help of notable Hoosier Group artists T. C. Steele and William Forsyth.The museum is widely recognized as innovative in its development of open source technologies, institutional transparency, and collaboration between museums. In 2008, the IMA became the first fine art museum to be named an Energy Star partner due to its greening initiative and efforts to reduce energy consumption. In 2009, the IMA was awarded the National Medal for Museum and Library Service for public service, specifically the museum's free admission policy and educational programming. The free admission policy began in 1941 and remained in place until 2007, when an admission fee for non-members was instated. Free admission returned a year later and remained until 2014, when a fee was reinstated for non-members.

Golden Hill Historic District (Indianapolis, Indiana)
Golden Hill Historic District (Indianapolis, Indiana)

Golden Hill is an affluent and historic neighborhood overlooking the White River on the west side of Indianapolis's Center Township, in Marion County, Indiana. The district is bounded on the east by Clifton Street, which is west of Martin Luther King Jr. Boulevard (formerly Northwestern Avenue); on the west by the White River and the Central Canal; on the south by Thirty-sixth Street; and on the north by Woodstock Country Club, immediately south of Thirty-eighth Street. Golden Hill is noted for its collection of homes designed by several of the city's prominent architects. The estate homes reflect several styles of period revival architecture. The district is known as for its community planning and remains an exclusive enclave for the city's prominent families. Golden Hill was added to the National Register of Historic Places in 1991. Originally platted by 1872, the area remained undeveloped until David McLean Parry, a wealthy Indianapolis industrialist, acquired a 100 acres (40 hectares) tract on a ridge overlooking the White River between 1900 and 1907. The neighborhood takes its name from Parry's Golden Hill estate home. Scottish landscape architect George MacDougall designed its grounds. Further development began after Parry's death in 1915, when Parry's heirs hired MacDougall to plan an elegant residential subdivision. Platted as Golden Hill Estates, it was among the city's elite neighborhoods by the 1920s. Fifty-four grand homes, several of them designed by Indianapolis's leading architects, were built along Golden Hill's winding, tree-lined streets. All but eleven of them were built between 1915 and 1940, the historic district's period of significance. The neighborhood's oldest home dates to 1895. One of Golden Hill's unusual features was an Alaskan totem pole that once stood near on the Parry estate. Totem Lane is named in reference to the local landmark, which was one of fifteen totem poles that Alaska's district governor, John Green Brady, collected from villages in southeastern Alaska in 1903. They were displayed at the Louisiana Purchase Exposition in Saint Louis in 1904. (The one that ended up at Golden Hill was placed outside the Esquimau Village.) A replica of the Golden Hill totem pole is installed at The Eiteljorg Museum of American Indians and Western Art in Indianapolis.

Major Taylor Velodrome
Major Taylor Velodrome

The Major Taylor Velodrome is an outdoor, concrete velodrome in Indianapolis, Indiana, U.S., named for 1899 cycling world champion Major Taylor. The 333.34 m (364.55 yd) track with 28 degree banked turns and 9 degree straights. The Velodrome is located immediately north of the Marian University campus and is the home track of the 41-time USA Cycling National Champion Marian University Cycling Team. The velodrome was opened in July 1982 for the U.S. Olympic Festival. It was built at a cost of $2.5 million. It was a facility required to host that year's National Sports Festival, with money coming from a partnership between the Indianapolis Parks and Recreation Department and the Lilly Endowment. It was the first building built with public money in Indianapolis to be named after an African American. The proposal to name the facility for Taylor came initially from Tom Healy, a writer for the Indianapolis News, who contacted Taylor's daughter, Sidney Taylor Brown. The two advocated among the city's business community and Mayor William H. Hudnut.It has played host to many national and international competitions, including cycling events of the 1987 Pan American Games; USA Cycling's Collegiate Track National Championships in 2003, 2010, 2011, 2014, and 2017; and USA Cycling's Masters Track National Championships in 2005, 2013, and 2016. In May 2011, Marian University took over operations of the velodrome property, known as the Indy Cycloplex, which includes a BMX track, mountain bike trails, cyclocross course, and public green space. In the years following the shift in operation, the facility has focused on promoting youth health and fitness as well as the continuous development of the sport of competitive cycling. Weekly and daily programming takes place on the Velodrome from April through September, including a Thursday night race series, the Major Taylor Racing League.