Stedelijk Gymnasium Haarlem

The City Hall in Haarlem is the seat of the city's government. It was built in the 14th century replacing the Count's castle.

The Ten Boom Museum is a museum in Haarlem, the Netherlands, dedicated to The Hiding Place, the subject of a book by Corrie ten Boom. The house where the museum is located was purchased and restored in 1983 by the Corrie ten Boom Fellowship, a non-profit 501(c)(3) corporation governed by a board of directors. Mike Evans serves as the chairman of the Board. The Ten Boom family ran a watch shop (horlogerie) on the corner of an alleyway and the main shopping street of Haarlem, the Netherlands. During the Nazi occupation of Haarlem starting in 1942, they provided safe harbour for Jews and other underground refugees in a hiding place they built upstairs. Their large social network in church charities and watchmaker circles made the family quite successful in smuggling refugees until it was betrayed on February 28, 1944. In the alleyway, it would place a small triangular sign to indicate that the coast was clear. After the betrayal, the Nazis were able to collect many more prisoners by falsely placing the triangle in the window. Casper ten Boom, the father, died on March 9, 1944, less than two weeks later, in Scheveningen prison, at 84. Betsie ten Boom died on December 16 in Ravensbrück concentration camp, at 59. Willem died on December 16, 1946, in Hilversum, at 60. His son Christiaan ("Kik") died sometime in April 1945, at 25. Corrie ten Boom survived Ravensbrück and returned to Haarlem and the watch shop. She died in 1983, on her 91st birthday. She wrote several books about her experiences, and this museum opened on her birthday in 1988. The museum is open from 10:00 to 15:30 Tuesday to Saturday.

The Remonstrantshofje is a hofje (courtyard surrounded by almshouses) in Haarlem, Netherlands. It is one of the hofjes in Haarlem that is traditionally used to provide housing for elderly people.It was founded in 1773 by Justus and Isabella van Leeuwarden on the site of the old Ursula cloister. The hofje has places for six women. The entrance of the hofje is in a remaining wall of the old cloister, and the old cloister chapel serves as the entrance hall.

The siege of Haarlem was an episode of the Eighty Years' War. From 11 December 1572 to 13 July 1573 an army of Philip II of Spain laid bloody siege to the city of Haarlem in the Netherlands, whose loyalties had begun wavering during the previous summer. After the naval battle of Haarlemmermeer and the defeat of a land relief force, the starving city surrendered and the garrison was massacred. The resistance nonetheless was taken as an heroic example by the Orangists at the sieges of Alkmaar and Leiden.

Haarlem (Dutch pronunciation: [ˈɦaːrlɛm] (listen); predecessor of Harlem in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropolitan areas in Europe; it is also part of the Amsterdam metropolitan area. Haarlem had a population of 162,543 in 2021. Haarlem was granted city status or stadsrechten in 1245, although the first city walls were not built until 1270. The modern city encompasses the former municipality of Schoten as well as parts that previously belonged to Bloemendaal and Heemstede. Apart from the city, the municipality of Haarlem also includes the western part of the village of Spaarndam. Newer sections of Spaarndam lie within the neighbouring municipality of Haarlemmermeer.

The Doopsgezinde kerk is a historical hidden Mennonite church dating from the 17th century between the Grote Houtstraat, Peuzelaarsteeg and the Frankestraat in Haarlem, Netherlands.

The Grote Markt is the central market square of Haarlem, Netherlands. According to the 1911 Encyclopædia Britannica; In the great market place in the centre of the city are gathered together the larger number of the most interesting buildings, including the quaint old Fleshers' Hall, built by Lieven de Key in 1603, and now containing the archives; the town hall; the old Stadsdoelen, where the burgesses met in arms; the Groote Kerk, or Great Church; and the statue erected in 1856 to Laurens Janszoon Koster, the printer. The Great Church, dedicated to St Bavo, with a lofty tower (255 ft.), is one of the most famous in Holland, and dates from the end of the 15th and the beginning of the 16th centuries. Its great length (460 ft.) and the height and steepness of its vaulted cedar-wood roof (1538) are very impressive. ... In the belfry are the damiaatjes, small bells presented to the town, according to tradition, by William I, Count of Holland (d. 1222), the crusader. The town hall was originally a palace of the counts of Holland, begun in the 12th century, and some old 13th-century beams still remain; but the building was remodelled in the beginning of the 17th century. It contains a collection of antiquities (including some beautiful goblets) and a picture gallery which, though small, is celebrated for its fine collection of paintings by Frans Hals.

The Peuzelaarsteeg is a narrow lane in Haarlem, the Netherlands, that connects the Grote Houtstraat to the Frankestraat. The lane is famous as the former living quarters of Frans Hals and other Haarlem artists, though it was changed unrecognizably when the Mennonite church was built there in the 17th century.

The Verweyhal is an exhibition space next to the Vleeshal on the Grote Markt, Haarlem. The Verweyhal was built in the 19th century as a gentlemen's society of the former drama society, later a cultural social club, Trou moet Blycken. In the second half of the 19th century the earlier building of the drama society, which was on the same spot, was too small. In 1876 the society held a competition for a new design. The Amsterdam architect A.J. van Beek won, and his plan was carried out with the help of local builder A. Raasveld. The building was occupied in 1880. The building is in the Eclectic style that was very popular at the end of the 19th century in Haarlem, but later fell out of fashion. In the first half of the 20th century, the building received a great deal of criticism. It was considered much too large and pompous. ‘An object of general contempt,’ according to the description of the distinguished gentlemen's society. Almost immediately, the gentleman's society had financial problems. Perhaps the building project had been a bit too prestigious. The gentlemen initially tried to alleviate the situation by raising their membership contribution. That did not help, because the number of members declined. As the increased contribution did not solve the problem, the ground floor was rented out as a shop. This income did not help either, and in 1922 the gentlemen were forced to sell the building to the city, which became the new owner for 125,000 guilders, and they moved to their current premises further down the Grote Houtstraat at number 115.The society building was converted in 1924 into the Spaarnebank. The safe was on the ground floor; offices were set up on the first floor. The building was called ‘an unsuccessful box of blocks’ in 1947 by the engineer G. Friedhoff, who wanted to demolish the building and replace it with traditional façades. More renovations were carried out in 1978 when the first floor was remodelled to house the Department of Cultural Affairs, the local City Planning Authority and the office of the City Architect. Fourteen years later, in 1992, the building was renovated again as a future exhibition hall to house the collection of the Haarlem artist Kees Verwey. With support from his newly formed Kees Verwey Foundation, the first floor received a new name: the Verweyhal. The former city architect Wiek Röling made a design for the new layout together with architect Jan Bernard. Opinions about the building changed in the 1970s, and for the first time, words of praise were heard. Today, the building is an official monument and still has a museological function. The entrance today to the upper exhibition floors is through Museum De Hallen, Haarlem on the Grote Markt and no longer through the original main entrance on the Grote Houtstraat.

Frans Hals Museum - Hal (until March 29 2018: De Hallen Haarlem) is one of the two locations of the Frans Hals Museum, located on the Grote Markt, Haarlem, Netherlands, where modern and contemporary art is on display in alternating presentations. The emphasis is on contemporary photograph and video presentations, with the focus on Man and society. The museum consists of three different buildings, the Vleeshal (Flesher's hall) on the east side and the Verweyhal (named for Kees Verwey) on the west side are two large "halls" sandwiching the small entrance building. All three buildings are National Heritage sites today.

The Archeologisch Museum Haarlem is a museum in the cellar of the Vleeshal on the Grote Markt in Haarlem, the Netherlands, dedicated to promoting interest and conserving the archeological heritage of Kennemerland.

Smedestraat 33 (Dutch: Smedestraat 33) is the address of a doorway in Haarlem. The brickwork of the doorway, including a round false window, is from the second half of the 17th century, and has been declared one of the national monuments of The Netherlands. This brick doorway only recently acquired the lock on the door and was originally an open access gateway to an alley that separated two houses and joined up with the small public garden called the Wijngaardtuin. The lock has been added so it can be used as the front door to access the apartment located above the shop on the left and the house in the rear of number 35 on the right. In the Haarlem shopping district, most former front doors of homes have been replaced by shop fronts extending over the entire property line on the shopping street side. For homes without a rear or side alleyway, the upper apartments have become inaccessible and are used as warehouses. In larger Dutch cities, where many former alleyways have been absorbed into shopfronts, this has led to whole sections of town with very few residents, as there is no room left for access to the upper apartments except from within the shops themselves. Seen as a possible fire hazard and prone to decay, efforts have been made in recent years to "unlock" these inaccessible spaces and make them suitable for student or other rental housing. The city of Haarlem hopes to avoid such situations by formally protecting all historical alleyways and not allowing them to be "added" to shop frontage. In Vermeer's Little Street, two such 17th century alleyways can be seen side by side; neither has such interesting brickwork, however.