Palazzo Isnello

The Church of Saint Anne the Mercy (Italian: Chiesa di Sant'Anna la Misericordia or simply Sant'Anna) is a Baroque church of Palermo. It is located in the area of the ancient market of Lattarini, in the quarter of the Kalsa, within the historic centre of Palermo. The church is kept by the Third Order Regular of St. Francis of Penance.

Santa Sofia dei Tavernieri is a former oratory or small church building located in central Palermo, region of Sicily, Italy. It is located just off the main street of the city, the ancient Cassaro now Corso Vittorio Emanuele, in the quarter of the Loggia. About a block and a half east of Via Roma, to the north opens a narrow vicolo Mezzani, off which a few meters in opens the vicolo Santa Sofia, opening to a small piazza with the ruins of the facade of the church. This small church was commissioned by the a Lombard confraternity of Tavernieri (inn-keepers). Initially meeting in the church of the Crocifisso, in the Albergheria, In 1589, they bought land at this site, and erected first a chapel, enlarging it in 1606 with the site of an adjacent house. Over the years, the site became little utilized, including when it became part of a confraternity of the injured victims of war. An allied aerial bomb in 1943 left the site in ruins. Despite claims of restoration, it remains a ruin.

The Modern Art Gallery of Palermo (Italian: Galleria d'Arte Moderna Palermo) is a civic art gallery of Palermo, displaying works from the 19th until the early 20th century, located on Via Sant'Anna #21, adjacent to the church of Sant'Anna la Misericordia in the ancient quarter of the Kalsa of the city of Palermo, region of Sicily, Italy. The collections were moved to this site, consisting of the former Franciscan convent associated with Sant'Anna and the adjacent Palazzo Bonet.

The Church of Saint Francis of Assisi (Italian: Chiesa di San Francesco d'Assisi or simply San Francesco d'Assisi) is a Gothic-style, Roman Catholic church of Palermo. It is located near a major and ancient street of the city, via Cassaro, in the quarter of the Kalsa, within the historic centre of Palermo. The building represents the main Conventual Franciscan church of Sicily, and has the title of minor basilica.

The Oratory of Saint Lawrence (Italian: Oratorio di San Lorenzo) is a Baroque oratory of Palermo. It is located near the Basilica of Saint Francis of Assisi, in the quarter of the Kalsa, within the historic centre of Palermo.The oratory was built in 1569 to replace a former smaller church dedicated to St Lawrence. Construction was funded by a confraternity of mainly Genovese merchants, and linked to Conventual Franciscans. In 1699-1706, Giacomo Serpotta realized a sumptuous stucco decoration, depicting the life of St Francis.The oratory is particularly famous because of the masterpiece altarpiece Nativity with St. Francis and St. Lawrence (1600 or 1609) by Caravaggio. This important painting was stolen, probably by Cosa Nostra, on October 18, 1969. It has never been recovered. In 2015 a hi-tech replica of the altarpiece was placed inside the oratory.

Palazzo Valguarnera-Gangi is an urban palace, first of the Princes Valguarnera and then of the Princes Gangi, situated in the Piazza Croce dei Vespri, in the ancient quarter of the Kalsa in the city of Palermo, region of Sicily, Italy. The palace still retains its original rich Rococo interior decoration, and is located a block south of the church of Sant'Anna la Misericordia.

The Battle of Panormus was fought in Sicily in 250 BC during the First Punic War between a Roman army led by Lucius Caecilius Metellus and a Carthaginian force led by Hasdrubal, son of Hanno. The Roman force of two legions defending the city of Panormus defeated the much larger Carthaginian army of 30,000 men and between 60 and 142 war elephants. The war had commenced in 264 BC with Carthage in control of much of Sicily, where most of the fighting took place. In 256–255 BC the Romans attempted to strike at the city of Carthage in North Africa, but suffered a heavy defeat by a Carthaginian army strong in cavalry and elephants. When the focus of the war returned to Sicily, the Romans captured the large and important city of Panormus in 254 BC. Thereafter they avoided battle for fear of the war elephants which the Carthaginians had shipped to Sicily. In late summer 250 BC Hasdrubal led out his army to devastate the crops of the cities of Rome's allies. The Romans withdrew to Panormus and Hasdrubal pressed on to the city walls. Once he arrived in Panormus, Metellus turned to fight, countering the elephants with a hail of javelins from earthworks dug near the walls. Under this missile fire the elephants panicked and fled through the Carthaginian infantry. The Roman heavy infantry then charged the Carthaginian left flank, which broke, along with the rest of the Carthaginians. The elephants were captured and later slaughtered in the Circus Maximus. This was the last significant land battle of the war, which ended nine years later in a Roman victory.

Sant'Antonio Abate (Saint'Antony Abbot) is a Gothic-style Roman Catholic parish church located on Via Roma #203A in the ancient quarter of Castellammare, in central Palermo, region of Sicily, Italy. The church sits at the west corner of the Vucciria market.

La Vucciria is an ancient, large market or bazaar area and neighborhood, with shops and tables selling products, produce, and foodstuffs located in the ancient quarter of Castellammare of central Palermo, region of Sicily, Italy. It consists of numerous pedestrian alleys and small piazzas in a crowded urban setting, is generally bounded to the North by the church and piazza of San Domenico, to the West by Via Roma, Palermo, and to the South by Via Vittorio Emanuele. Despite the dilapidated buildings and graffiti, the bustling spectacle of hawkers vociferously proffering their wares and the many food and drink establishments and dives, often open till late at night, are a draw for tourism in Palermo.

The Teatro Santa Cecilia or Real Teatro di Santa Cecilia is a neoclassical-style theater building located on Piazza Teatro Santa Cecilia at the intersections with Via Cantavespri and Vicolo Guarnernara, in the ancient quarter of Kalsa of central Palermo, region of Sicily, Italy.

The Church of Saint Matthew (Italian: Chiesa di San Matteo or San Matteo al Cassaro) is a Baroque-style, Roman Catholic church of Palermo, region of Sicily, Italy. It is located in the main street of the city, the ancient Cassaro now Corso Vittorio Emanuele, in the quarter of the Loggia, about a block east of the Quattro Canti, within the historic centre of Palermo. The church was built between 1633 and 1664 by the will of the Miseremini confraternity, dedicated to prayers for souls in Purgatory. The building was probably designed by the architect of the Senate of Palermo, Mariano Smiriglio, but was completed by Gaspare Guercio and Carlo D'Aprile. It is decorated with many works of important Sicilian artists like Vito D'Anna, Pietro Novelli, Giacomo Serpotta, Giuseppe Testa (painter), Bartolomeo Sanseverino, Filippo Randazzo, Antonio Manno, Francesco Sozzi. The church is also connected to the palermitan legend of the Beati Paoli.

The Church of St. Mary of the Admiral (Italian: Santa Maria dell'Ammiraglio), also called Martorana, is the seat of the Parish of San Nicolò dei Greci (Albanian: Klisha e Shën Kollit së Arbëreshëvet), overlooking the Piazza Bellini, next to the Norman church of San Cataldo, and facing the Baroque church of Santa Caterina in Palermo, Sicily, southern Italy. The church is a Co-cathedral to the Eparchy of Piana degli Albanesi of the Italo-Albanian Catholic Church, a diocese which includes the Italo-Albanian (Arbëreshë) communities in Sicily who officiate the liturgy according to the Byzantine Rite in the Koine Greek language and Albanian language. The Church bears witness to the Eastern religious and artistic culture still present in Italy today, further enhanced by the Albanian exiles who took refuge in southern Italy and Sicily from the 15th century under the pressure of Turkish-Ottoman persecutions in Albania and the Balkans. The latter influence has left considerable traces in the painting of icons, in the religious rite, in the language of the parish, in the traditional customs of some Albanian colonies in the province of Palermo. The community is part of the Catholic Church, but follows the ritual and spiritual traditions that largely share it with the Eastern Orthodox Church. The church is characterized by a multiplicity of styles that meet, since, through the succession of centuries, it was enriched by various tastes in art, architecture and culture. Today, it stands as a church-historical monument, and subject to protection. Since 3 July 2015 it has been part of the UNESCO World Heritage Site known as Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale.