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Francis Crick Institute

2007 establishments in EnglandBuildings and structures in the London Borough of CamdenCancer organisations based in the United KingdomCharities based in LondonFrancis Crick Institute
Health in the London Borough of CamdenMedical research institutes in the United KingdomOrganisations based in the London Borough of CamdenPages containing links to subscription-only contentResearch in the United KingdomResearch institutes established in 2007University College LondonUse British English from January 2012Wellcome Trust
Francis Crick Institute, September 2016 (29634828786)
Francis Crick Institute, September 2016 (29634828786)

The Francis Crick Institute (formerly the UK Centre for Medical Research and Innovation) is a biomedical research centre in London, which was established in 2010 and opened in 2016. The institute is a partnership between Cancer Research UK, Imperial College London, King's College London (KCL), the Medical Research Council, University College London (UCL) and the Wellcome Trust. The institute has 1,500 staff, including 1,250 scientists, and an annual budget of over £100 million, making it the biggest single biomedical laboratory in Europe.The institute is named after the molecular biologist, biophysicist, and neuroscientist Francis Crick, co-discoverer of the structure of DNA, who shared the 1962 Nobel Prize for Physiology and Medicine with James Watson and Maurice Wilkins. Unofficially, the Crick has been called Sir Paul's Cathedral, a reference to Sir Paul Nurse and St Paul's Cathedral in London.

Excerpt from the Wikipedia article Francis Crick Institute (License: CC BY-SA 3.0, Authors, Images).

Francis Crick Institute
Midland Road, London Somers Town (London Borough of Camden)

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N 51.5315 ° E -0.1289 °
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The Francis Crick Institute

Midland Road 1
NW1 1AT London, Somers Town (London Borough of Camden)
England, United Kingdom
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crick.ac.uk

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Francis Crick Institute, September 2016 (29634828786)
Francis Crick Institute, September 2016 (29634828786)
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Ossulston Estate
Ossulston Estate

The Ossulston Estate is a multi-storey council estate built by the London County Council on Chalton Street in Somers Town between 1927 and 1931. It was unusual at the time both in its inner-city location and in its modernist design, and all the original parts of the estate are now Grade II listed buildings. The estate was built to rehouse those poor who were not being served by the LCC's new suburban estates, and was significantly denser to suit the urban site. It was located on the site of the Somers Town slum, between Euston and St Pancras stations. The original proposal made in 1925 was for 9-storey blocks on the American model, which would have required lifts, and with more expensive flats for private tenants on the highest floors. This was rejected and the height reduced to a maximum of 7 storeys, with fewer lifts and no private flats. The provision of central heating was also eliminated, but the buildings were unusual in providing electricity from the start, and Levita House had the first central heating system installed by the LCC. The design, by G. Topham Forrest, chief architect of the LCC, and his assistants R. Minton Taylor and E.H. Parkes, was influenced by Viennese modernist public housing such as Karl Marx-Hof, which Forrest had visited. The estate consists of blocks grouped around three courtyards, and small greens, reached by archways from Ossulston and Chalton Streets; some of the original plantings survive. The buildings have some neo-Georgian features in the treatment of roofs and windows, but are modernist in being of steel-frame construction with unornamented roughcast walls, the facades instead enlivened by spatial features such as the archways in front of the balconies which lead to the individual flats. Chamberlain House, three blocks of flats, was built in 1927–29; Levita House, south of it and named for Cecil Levita, who was chairman of the LCC's Housing Committee in the 1920s, was built in 1930–31 and consists of the 7-storey section and wings enclosing a grand courtyard which was originally intended to lead to the premium flats. Walker House was begun in 1929–30, but the other side of the courtyard was completed in 1936–37 with more traditional brick 6-storey buildings. The total number of flats was 310. Chamberlain House, Levita House, the southern part of Walker House and the associated shops and The Cock Tavern public house are all Grade II listed buildings.In 2004–07, Levita House was extensively refurbished by Sprunt Architects, which included creating larger flats, external refurbishment of the fabric and transformation of the courtyard areas.

Statue of William Shakespeare (Roubiliac)
Statue of William Shakespeare (Roubiliac)

In 1757, the actor David Garrick commissioned the sculptor Louis-François Roubiliac to make a full-size marble statue of William Shakespeare for Garrick's octagonal Temple to Shakespeare, erected near his villa beside the River Thames at Hampton, to the west of London. The sculpture cost 300 guineas and was installed at Garrick's temple in 1758; it remained there until it was bequeathed to the British Museum along with Garrick's books in 1779. The sculpture was transferred to the new British Library in 2005, where it is displayed on a new travertine plinth beside the main staircase in the main entrance hall. The sculpture depicts Shakespeare standing, leaning with his right arm on a lectern covered with a fringed cloth. His right foot is forward and body leaning to the right, with his hips thrust out awkwardly to the left. His right hand is holding a quill pen while the left hand is raised to his chin with the index finger extended along the jawline, as if in thought. The subject is balding but bearded, with ringlets of hair at his temples. Rather than Tudor costume, he is wearing anachronous 17th century "Van Dyke" dress, including a shirt with an elaborate lace collar and cuffs; a long jacket with many buttons, but unbuttoned over the lower body; short trousers with fringed legs; stockings and heeled shoes; all draped in a billowing cloak. The art historian Margaret Whinney describes Roubiliac's bust as having "Van-Dyckian elegance" and notes that "he has greatly ennobled the head".