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Duivelseiland (Amsterdam)

Amsterdam-ZuidNeighbourhoods of AmsterdamNorth Holland geography stubsPages with Dutch IPA
Pieter Basstraat 3
Pieter Basstraat 3

Duivelseiland (Amsterdam) (Dutch pronunciation: [ˈdœyvəls.ɛiˌlɑnt]) is a neighborhood of Amsterdam, Netherlands.

Excerpt from the Wikipedia article Duivelseiland (Amsterdam) (License: CC BY-SA 3.0, Authors, Images).

Duivelseiland (Amsterdam)
Pieter Baststraat, Amsterdam Zuid

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Geographical coordinates (GPS)

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N 52.353425 ° E 4.884689 °
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Pieter Baststraat 9-1
1071 TV Amsterdam, Zuid
North Holland, Netherlands
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Pieter Basstraat 3
Pieter Basstraat 3
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Museumplein
Museumplein

The Museumplein (Dutch pronunciation: [myˌzeːjʏmˈplɛin]; English: Museum Square) is a public space in the Museumkwartier neighbourhood of the Amsterdam-Zuid borough in Amsterdam, Netherlands. Located at the Museumplein are three major museums – the Rijksmuseum, Van Gogh Museum, and Stedelijk Museum – and the concert hall Concertgebouw.The area was originally a wax candle factory and marshy meadows. Construction began following the completion of the Rijksmuseum in 1885, with a street plan based on the design of Pierre Cuypers, the museum's celebrated architect. The area was the location of the International Colonial and Export Exhibition in 1883. The Museumplein was reconstructed after a design by the Swedish/Danish landscape architect Sven-Ingvar Andersson in 1999. It now includes underground parking spaces and an underground supermarket. In the winter, the pond can be transformed into an artificial ice skating area. The space is also used for (mass) events such as festivals, celebrations, and demonstrations and Armin Van Buuren honoured The Dutch Team at Museumplein in 2010 by playing Swedish House Mafia. In July 2017 the 2017 FIBA 3x3 Europe Cup, the European 3x3 basketball tournament, was held at the Museumplein.The main "I AMsterdam" sign was also located here in front of the Rijksmuseum, until 4 December 2018, when it was removed at the behest of the city council.The sculpture "Self Portrait of a Dreamer" by Joseph Klibansky was exhibited within the pond from 26 June 2018 to 28 Aug 2018.

International Colonial and Export Exhibition
International Colonial and Export Exhibition

The International Colonial and Export Exhibition (Dutch: Internationale Koloniale en Uitvoerhandel Tentoonstelling; French: Exposition Universelle Coloniale et d'Exportation Générale) was a colonial exhibition (a type of World's Fair) held in Amsterdam from May 1 to October 1, 1883. The event drew at least a million visitors and was the first international colonial exhibition, with 28 different nations presenting their colonial trade and wealth. The event was the brainchild of Edouard Agostini, a French entrepreneur. Agostini, who had previously been involved in organizing the 1878 Exposition Universelle in Paris, presented his plans to the city of Amsterdam and King William III of the Netherlands in 1880. The Dutch government was initially hesitant, but Agostini managed to secure funding from Belgian and French investors. The location chosen for the exhibition was an unused area of land behind the Rijksmuseum, which at that time was still under construction. This area is now Museumplein square. The main building was designed by the French architect Paul Fouquiau in "Moorish" style. It was constructed of wood covered with plaster and painted cloth, in order to give the impression of marble. Between the building's two large towers, a large cloth in "Indian" style was hung, with plaster heads of elephants and other animals. The building contained pavilions representing 28 different nations, including France, Germany, the United Kingdom, Belgium, Japan, the United States, China, Canada, the Ottoman Empire, Siam (Thailand), Transvaal, and the host country, the Netherlands. Items on show in the main building included a telephone, wood- and metalworking machines, and a safe large enough to fit eight people. The building's colonial section presented products such as tobacco and rubber, as well as a reconstructed Javanese-style settlement (kampung) with "natives". At that time, it was not considered degrading or racist to put humans on display; in fact, it became a regularly featured spectacle at such exhibitions (see further: Human zoo). Other structures included a music pavilion; the pavilion of the city of Amsterdam; the Dutch colonial pavilion; a Japanese bazar; various shops; and Dutch, English and German restaurants. In front of the Dutch colonial pavilion was a statue of Jan Pieterszoon Coen who, as governor-general of the Dutch East Indies, played a large part in the Dutch conquest of the Indonesian archipelago. A canal with a bamboo bridge and a Chinese junk intersected the exhibition grounds.

Skull of a Skeleton with Burning Cigarette
Skull of a Skeleton with Burning Cigarette

Skull of a Skeleton with Burning Cigarette (Dutch: Kop van een skelet met brandende sigaret) is an early work by Vincent van Gogh. The small and undated oil-on-canvas painting featuring a skeleton and cigarette is part of the permanent collection of the Van Gogh Museum in Amsterdam. It was most likely painted in the winter of 1885–86 as a satirical comment on conservative academic practices. Before it was common to use live humans as models, the academic routine included the study of skeletons to develop an understanding of human anatomy. Van Gogh was in Antwerp, Belgium at that time attending classes at the Royal Academy of Fine Arts, which he later said were boring and taught him nothing.Van Gogh included skeletons in another work from his Antwerp period, a sketch of a "Hanging skeleton and cat". In 1887–88, van Gogh painted two more paintings with skulls, the only other works of his (besides a drawing from the same period) to use skulls as a motif.The work measures 32 by 24.5 centimetres (12.6 in × 9.6 in). It is considered a vanitas or memento mori, at a time when van Gogh himself was in poor health. It may be influenced by works of Hercules Segers, a 17th-century Dutch artist, or of Félicien Rops, a Belgian contemporary of van Gogh. Although often interpreted as a criticism of smoking, Van Gogh was a keen smoker himself, and continued to smoke until his death in 1890.In 2008, the painting was used by graphic designer Chip Kidd on the first edition cover for When You Are Engulfed in Flames, a collection of essays written by David Sedaris. Sedaris is said to have been "fascinated with the image" after seeing it on a postcard during a trip to Amsterdam.The painting was held by Van Gogh's brother Theo Van Gogh at the time of his death in 1891. It was inherited by his widow Johanna van Gogh-Bonger until her death in 1925, and then by their son Vincent Willem van Gogh until 1962, when it was acquired by the Van Gogh Foundation. It was on loan to the Stedelijk Museum from 1962 to 1973, and has been on permanent loan to the Van Gogh Museum in Amsterdam since 1973.