Montparnasse Cemetery

The Kiss (in Romanian: Sărutul /səruːtul/) is a sculpture by Romanian Modernist sculptor Constantin Brâncuși. It is an early example of his proto-cubist style of non-literal representation. This sculpture is considered the first modern sculpture of the twentieth century. This plaster was exhibited at the 1913 Armory Show and published in the Chicago Tribune of 25 March 1913. This early plaster sculpture is one of six casts that Brancusi made of the 1907–08 The Kiss. It is a symbolistic work of two lovers embracing, a theme represented in numerous pieces of art full of erotism, from Auguste Rodin and Edvard Munch, to Gustave Moreau. VersionsThe original Marne stone carving is at Craiova Art Museum, in Romania. Brâncuși created many versions of The Kiss, further simplifying geometric forms and sparse objects in each version, tending each time further toward abstraction. His abstract style emphasizes simple geometrical lines that balance forms inherent in his materials with the symbolic allusions of representational art. Here, the shape of the original block of material is maintained. Another version of The Kiss serves as an adornment of a tomb in Montparnasse cemetery in Paris, France but has since August 2017 been covered up in a box. Another version still can be seen at the Philadelphia Museum of Art.This version of The Kiss is one of the artist's most well known works, along with Sleeping Muse (1908), Prometheus (1911), Mademoiselle Pogany (1913), The Newborn (1915), Bird in Space (1919) and The Column of the Infinite (Coloana infinitului), known as The Endless Column (1938).

Edgar Quinet (French pronunciation: ​[ɛdɡaʁ kinɛ]) is a station on Line 6 of the Paris Métro. Located at the intersection of Boulevard Edgar Quinet, the Rue du Montparnasse and Rue de la Gaîté, it is situated in the 14th arrondissement.

La Comédie-Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation.The present-day Comédie-Italienne is situated at 19 rue de la Gaîté, where it was established in 1980 by the director Attilio Maggiulli, after the closing of his Teatrino Italiano, founded in 1975 on the avenue du Maine. The Comédie-Italienne remains the only Italian theatre in France and performs exclusively plays by Italian writers, classic and contemporary, in French translation.

Bobino at 20 rue de la Gaîté, in the Montparnasse area of Paris (14th arrondissement), France, is a music hall theatre that has seen most of the biggest names of 20th century French music perform there. During its long history it was also known as Les Folies Bobino (1873), Studio Bobino (1991), Gaieté Bobino and Bobin’o (2007).

The Théâtre Montparnasse is a theatre at 31, rue de la Gaîté in the 14th arrondissement of Paris.

The Théâtre Rive Gauche is a theatre in Paris in France located at 6, rue de la Gaîté in the 14th arrondissement of Paris. It is owned by the Edgar Entertainment Society, which also owns the Edgar Café and the Edgar Theatre located at 58 Edgar-Quinet Boulevard in the same borough. The auditorium has 400 seats and hosts contemporary productions.

Raspail (French pronunciation: ​[ʁaspaj]) is a station of the Paris Métro, serving Line 4 and Line 6 in the 14th arrondissement. The station is now fitted with Platform screen doors, due to the Line 4 being fitted for automation.

From 1916 to 1920, the Salle Huyghens located at 6 rue Huyghens in the 14th arrondissement of Paris, was the name given to the studio of painter Émile Lejeune (1885–1964) (former stables), which the latter put at the disposal of musicians, poets and painters friends to use as a theater and exhibition hall.The venue was occupied by the members of Les Six: (Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre). It also gave young painters the opportunity to exhibit their first works: Georges Braque, Juan Gris, Amedeo Modigliani, and Pablo Picasso. Some evenings also included declamations by fashionable poets, such as Jean Cocteau or Blaise Cendrars. The performances, called "Lyre et palettes" after the name of a collective named "Société lyre et palettes" created in 1916, were financed by Pierre Bertin, Blaise Cendrars, and Félix Delgrange. They welcomed a diverse public, very chic and very bohemian, like the Montparnasse district at its peak. Delgrange had abandoned the cello to devote himself entirely to the cause of the nascent art. He also organized concerts in the Salle Huyghens. The benches without backs were uncomfortable, the atmosphere was unbreathable because of smoke from the stove, but any high society of Paris, both the artists and the new music lovers, played elbows to be there.

The École spéciale d'architecture (ÉSA; formerly École centrale d'architecture) is a private school for architecture at 254, boulevard Raspail in Paris, France. The school was founded in 1865 by engineer Emile Trélat as reaction against the educational monopoly of Beaux-Arts architecture. It was endorsed by Eugène Viollet-le-Duc, who had abandoned his attempts to reform the École des Beaux-Arts, and who became one of its original stockholders, along with other notables including Ferdinand de Lesseps, Anatole de Baudot, Eugène Flachat, Dupont de l'Eure, Jean-Baptiste André Godin, and Émile Muller. Even at its beginning it included innovative courses such as domestic hygiene and urban public health. It was officially recognized as providing "public utility" in 1870, and recognized by the state as an institution of higher education in 1934. Today, the school issues the Architecte DE degree awarding a master's degree in architecture, and the Architecte DESA, HMONP degree, recognized by the European Union allowing architects to open their own architectural practice, and is organized into five departments: Architecture and Environment Visual Arts and Representation History and Human Science Building Science and Technology Computer applications and Communications.It is a "free school" governed in part by its students and alumni. Major decisions are taken by the administrative council and the general assembly consisting of students, alumni, teaching staff and administrators. It has an international exchange student program with the Cal Poly Pomona College of Environmental Design, in California, United States, and with the University of Cincinnati College of Design, Architecture, Art, and Planning, in Ohio, United States. Notable students and staff include Ricardo Larraín Bravo, Pierre Karkar, Albert Besson, Jon Condoret, Jules Dormal Godet, Robert Mallet-Stevens, Farah Pahlavi, Auguste Perret, Henri Prost, René Sergent, Paul Virilio and Christian de Portzamparc.

The Théâtre de la Gaîté-Montparnasse is a venue situated at 26, rue de la Gaîté, in the Montparnasse quarter of Paris, in the 14th arrondissement. It opened in 1868 and seats 399 people. In addition to functioning as a popular café-concert venue for many decades, it evolved into a legitimate theatre, offering not only commercial plays but also, by the end of the nineteenth century, occasional new experimentalist plays of the Independent Theatre movement. One such effort was Paul Fort's Théâtre d'Art disappointing presentation, on 5 February 1892, of a French translation of Marlowe's The Tragical History of Doctor Faustus.

The Dingo American Bar and Restaurant at 10 rue Delambre in the Montparnasse Quarter of Paris, France opened its doors in 1923. Most commonly called the Dingo Bar, it was one of the few drinking establishments at the time that was open all night. It became the favorite haunt of the many English-speaking artists and writers who gathered in Paris during the 1920s and 1930s.As recorded by Ernest Hemingway in his book A Moveable Feast, he first met F. Scott Fitzgerald at the Dingo Bar in late April 1925, two weeks after the publication of Fitzgerald's The Great Gatsby. Others who frequented the Dingo Bar included Pablo Picasso, Aleister Crowley, Nancy Cunard and Isadora Duncan would come over from her apartment across the street. James "Jimmie" Charters, a former English lightweight boxer from Liverpool was the highly popular barman at the Dingo and was responsible for much of its success. Charters' "This Must Be the Place; Memoirs of Montparnasse" was published in 1934, edited by Morrill Cody with an introduction by Ernest Hemingway, republished 1937, then 1989. The premises that was home to the Dingo Bar remains, but today is occupied by L'Auberge de Venise, an Italian restaurant.

The École Camondo is a five-year private school of product design and interior architecture located in Paris, France, which was created in 1944 and was recognized by the French Ministry of Education in 1989. It is named after the Camondo family, a European family of Jewish financiers and philanthropists.