Globe Theatre

Anchor Terrace is a large symmetrical building on the east side of Southwark Bridge Road in London, situated very close to the River Thames. It was built in 1834, and its original inhabitants were senior employees of the nearby Anchor Brewery, Southwark, which was then owned by Barclay Perkins & Co. Ltd. The building was later used as the brewery's offices. It overlooks the site of the former brewery and is next to the headquarters of the Financial Times. It originally comprised eight residences, and above the door to the centre of the building are written the words "Anchor Terrace". Among the original residents were the brewer John Hoy Waterman and Charles Spurrell (1783–1866), a member of the Spurrell family of Thurgarton, Norfolk, who, along with his brother, James Spurrell (1776–1840), was employed at the Anchor Brewery.It was discovered that Anchor Terrace stands on the site of the original Globe Theatre after part of the foundations were found underneath the car park to its rear. However, as Anchor Terrace itself is a grade II listed building, there may never be a full excavation of the site. The BBC television drama series This Life was partly filmed there. The building was converted into luxury flats in the late 1990s.

Southwark St Saviour ( (listen) SUDH-ərk) was a civil parish in the metropolitan area of London, England, and part of the ancient Borough of Southwark. It was formed in 1541 from the union of the parishes of St Margaret and St Mary. It was abolished in 1930, however residents of the former parish receive a rebate against local taxation because of the presence of Borough Market. It included the Liberty of the Clink which was a special jurisdiction until 1889.

The Rose was an Elizabethan theatre. It was the fourth of the public theatres to be built, after The Theatre (1576), the Curtain (1577), and the theatre at Newington Butts (c. 1580?) – and the first of several playhouses to be situated in Bankside, Southwark, in a liberty outside the jurisdiction of the City of London's civic authorities. Its remains were excavated by archaeologists in 1989 and are listed by Historic England as a Scheduled Monument.

The Office of Communications (Welsh: Y Swyddfa Gyfathrebiadau), commonly known as Ofcom, is the government-approved regulatory and competition authority for the broadcasting, telecommunications and postal industries of the United Kingdom. Ofcom has wide-ranging powers across the television, radio, telecoms and postal sectors. It has a statutory duty to represent the interests of citizens and consumers by promoting competition and protecting the public from harmful or offensive material.Some of the main areas Ofcom presides over are licensing, research, codes and policies, complaints, competition and protecting the radio spectrum from abuse (e.g., pirate radio stations). The regulator was initially established by the Office of Communications Act 2002 and received its full authority from the Communications Act 2003.

The Anchor Brewery was a brewery in Park Street, Southwark, London, England. Established in 1616, by the early nineteenth century it was the largest brewery in the world. From 1781 it was operated by Barclay Perkins & Co, who in 1955 merged with the Courage Brewery, which already owned the nearby Anchor Brewhouse. The Park Street brewery was demolished in 1981.

The Bramah Tea and Coffee Museum was a museum in southeast London. It was the world's first museum devoted to the history of tea and coffee, covering 400 years of commercial and social history of two commodities, since their arrival in Europe from Africa and the Far East. The museum was opened by Edward Bramah in 1992, 40 years after he had first had the idea. It was formerly at Butler's Wharf. It then moved to 40 Southwark Street in SE1, very close to London Bridge station and Borough Market. At this location the museum and tearoom would open daily serving coffee and tea. Edward Bramah died aged 76 at Christchurch, Dorset, on 15 January 2008. Despite his illness, Bramah had been working on a book which was to be called Britain's Tea Heritage. The museum closed that year, according to its website for redevelopment or possible relocation, but never reopened.

The Bunker was a fringe theatre in Southwark, London, England, from 2016 to 2020.The theatre was a converted underground car park at 53A Southwark Street, London, and had 110 seats. It opened in October 2016, the first production being Skin a Cat.It was awarded "Fringe Theatre of the Year" in The Stage Awards 2020. Productions at The Bunker that were finalists for The Offies, London's Off West End awards, included Cardboard Citizens (2018, Ensemble); Eyes Closed, Ears Covered (2018: Best supporting male in a play, Lighting Design, Most Promising New Playwright); Box Clever (2020, Best Female Performance), Little Miss Burden (2020, Best new play, Best director). In 2020 the theatre won the Offies People’s Vote Winner for Best Programming Policy and People’s Vote Winner for Best Social Media Presence & Activities, and Chris Somex, its artistic director, was given a Special Award "for his ambitious achievements at the theatre".The theatre closed in March 2020 for redevelopment.

The Anchor is a pub in the London Borough of Southwark. It is in the Bankside locality on the south bank of the River Thames, close to Southwark Cathedral and London Bridge station. A tavern establishment (under various names) has been at the pub's location for over 800 years. Behind the pub are buildings that were operated by the Anchor Brewery.The Anchor started life as the "brewery tap room" for the Anchor Brewery, first established in 1616. Michelin's travel guide incorrectly states that the Anchor was rebuilt in 1676 after the Great Fire of London in 1666 destroyed it. This was impossible as the fire never reached the southern side of the Thames outside of the limits of the City of London. The book The Rough Guide to London states that the establishment was first built in 1770. The establishment was also rebuilt again in the 19th century.The establishment has been described as "Bankside's oldest surviving tavern" in the book Secret Bankside: Walks in the Outlaw Borough.

The Ferryman's Seat is the last remaining example of the boatmen's perches that once dotted the south bank of the Thames in Southwark, London.

The Beargarden or Bear Pit was a facility for bear-baiting, bull-baiting, and other "animal sports" in the London area during the 16th and 17th centuries, from the Elizabethan era to the English Restoration period. Baiting is a blood sport where an animal is tormented or attacked by another animal, often dogs, for the purpose of entertainment or gambling. Samuel Pepys visited the venue in 1666 and described it as "a rude and nasty pleasure". The last recorded event at the Beargarden was the baiting of "a fine but vicious horse" in 1682.

The Hope Theatre was one of the theatres built in and around London for the presentation of plays in English Renaissance theatre, comparable to the Globe, the Curtain, the Swan, and other famous theatres of the era.The Hope was built in 1613–14 by Philip Henslowe and a partner, Jacob Meade, on the site of the old Beargarden on the Bankside in Southwark, on the south side of the River Thames — at that time, outside the legal bounds of the City of London. Henslowe had had a financial interest in the Beargarden (the ring for bear-baiting and similar "animal sports") since 1594; on 29 August 1613 he contracted with the carpenter Gilbert Katherens to tear down the Beargarden, and to build a theatre in its place, for a fee of £360. (After the Hope was built, it was often still called the "Beargarden" in common parlance and in the extant documentary record.) Construction was slow, taking over a year. The Hope may have been delayed because the Globe was being rebuilt at the same time — it had burned down on 29 June 1613 — and two such large jobs, done simultaneously, may have taxed the personnel and resources of the "construction industry" of Southwark, such as it was at the time. (The Hope was located just to the northwest of the Globe, so that the two projects could have competed directly for men and material.) Also, the Hope was likely a more complex construction job, since it was designed as a dual-purpose facility from the start. The contract calls for a: Plaiehouse fitt & convenient in all thinges, bothe for players to playe in, and for the game of Beares and Bulls to be bayted in the same, and also a fitt and convenient Tyre house and a stage to be carryed and taken awaie, and to stande vppon tressels....So, the Hope would have required facilities for keeping animals that the Globe did not need. Because Henslowe's original contract with Katherens survives, we know something about the specifics of the construction of the Hope, more so than for other theatres of the period. The contract states that the Hope must be built according to the pattern of the Swan, with two staircases on the outside, and the "heavens" built over the stage, without posts or supports on the stage to disrupt the audience's view — a somewhat different concept from current ideas about the theatres of the period. (The Hope's stage had to be removable, to make room for the "Beares and Bulls.") The Hope was completed and opened to the public in October 1614. On 31 October, Ben Jonson's Bartholomew Fair was acted in the Hope by the Lady Elizabeth's Men. In the printed text of his play, Jonson describes the Hope as being "as dirty as Smithfield and stinking every whit" — Smithfield being the district of London dominated by the livestock market and slaughterhouses. On Henslowe's death in 1616, his son-in-law Edward Alleyn inherited Henslowe's share in the Hope, which Alleyn then leased to Meade. The Hope remained an active facility for the coming decades. In its early years the Hope was used more for playing than animal baiting — the days devoted to dramas outnumbered those devoted to animal sports by three to one. Lady Elizabeth's Men were joined by Prince Charles's Men around 1615; when the Lady Elizabeth's company left to tour the provinces in 1616, Prince's Charles's Men remained for another three years. Yet the mix of the two activities was never easy, and the actors grew more unhappy with the arrangements at the Hope as time went on. The actors left for the Cockpit Theatre in 1619, and the Hope was thereafter used for bear and bull baiting, prizefighting, fencing contests, and similar entertainments. The Corporation of London outlawed both play-acting and bear-baiting at the start of the English Civil War in 1642. Animal sports were suppressed by the Puritan regime in 1656. The last seven surviving bears were shot to death by a company of soldiers; the dogs and the cocks kept there were also killed. (The Commonwealth commander Thomas Pride was responsible for this action; in 1680 – 24 years after the bears' deaths, and 22 years after Pride's — an anonymous satirist composed Pride's confessional Last Speech...being touched in Conscience for his inhuman Murder of the Bears in the Beargarden.)By one (questionable) account, the Hope Theatre was "pulled down to make tenements, by Thomas Walker, a petticoat maker in Canon Street," on Tuesday, 25 March 1656. Yet the practice of animal sports resumed at the Restoration in 1660; if the Hope had been torn down, a replacement facility was soon established. The Diary of Samuel Pepys records a visit Pepys and his wife made to the Beargarden on 14 August 1666. The last word of animal sports at the facility dates from 12 April 1682. By 1714, a development called Bear Garden Square had been built on the site of the old Hope. The buried archaeological remains of The Hope and three bear gardens are listed as a Scheduled monument.

Gordon Archibald Semple (13 June 1956 – 1 April 2016) was a British Metropolitan Police officer who was murdered by Stefano Brizzi on 1 April 2016.Stefano Brizzi arranged on Grindr to meet Gordon Semple for a chemsex party at his apartment in the Peabody Estate in Southwark, London, where Brizzi strangled Semple to death. He then attempted to dispose of the body but was arrested by police on 7 April.Brizzi went on trial in October 2016. During the trial, he denied committing the murder but admitted to obstructing a coroner in the execution of their duties. On 13 November, he was convicted for both crimes. In December, Brizzi was given a life sentence with a minimum of 24 years.On 5 February 2017, Brizzi committed suicide by hanging at HMP Belmarsh.