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West Hotel

Buildings and structures demolished in 1940Buildings and structures in MinneapolisDemolished buildings and structures in MinnesotaDemolished hotels in the United StatesDisasters in Minnesota
History of MinneapolisHotel buildings completed in 1848Hotels in Minnesota
West Hotel
West Hotel

Opened in 1884, the West Hotel was Minneapolis's first grand hotel. It had 407 luxuriously furnished rooms, 140 baths, and featured an immense and opulent lobby which was claimed to be the largest in the nation. These elements combined to make what was considered for a time to be the most luxurious hotel west of Chicago. The West was designed by LeRoy Buffington and built on land that was once owned by the first resident of Minneapolis, John H. Stevens. Buffington created the West in the Queen Anne style that was quite popular in the last decades of the 19th century. The Queen Anne style featured an elaborate architectural look that included gable roofs, projecting bay windows, towers, and dormer windows. The West combined most of these concepts into a grand, larger than life look that seems graceless to some modern observers but was a popular building style at the time, a style that was introduced in 1876 at the Centennial Exposition in Philadelphia. The West hotel was situated on the southwest corner of the intersection of Hennepin Avenue and Fifth Street (the site currently occupied, in part, by the Shubert Theatre, moved there in 1999), in the center of a burgeoning entertainment district that started coming together in the 1880s and was a temporary home to such well-known public figures as Mark Twain and Winston Churchill. It also catered to delegates of the 1892 Republican National Convention (held at the Exposition Building across the Mississippi River). It was Minneapolis's largest and most luxurious hotel for many years after its construction. In 1906 a large fire burned through the hotel killing 10 people. The adjacent Unique Theater was used as a morgue. That and a general business downturn caused the West to go through a period of decline and finally in 1940 the West Hotel was demolished.

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West Hotel
Hennepin Avenue, Minneapolis

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Latitude Longitude
N 44.979583333333 ° E -93.272777777778 °
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Butler Park

Hennepin Avenue
55403 Minneapolis
Minnesota, United States
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Warehouse District/Hennepin Avenue station
Warehouse District/Hennepin Avenue station

The Warehouse District/Hennepin Avenue station is a light rail station on the METRO Blue Line and Green Line in Minneapolis, Minnesota. This was the original northern terminus of the Blue Line until the new Target Field station opened on November 14, 2009 to provide access to the new Northstar Commuter Rail line. The Warehouse District station is located on 5th Street North, between 1st Avenue North and Hennepin Avenue in downtown Minneapolis. This is a center-platform station with one traffic lane to the south of the platform. Service began at this station when the Blue Line opened on June 26, 2004, and this station is where the opening ceremony was held. The first train departed at 11:00 a.m. on that day. The station was designed by ESG Architecture & Design, who also designed the adjacent Nicollet Mall station. To reflect its neighborhood, the station incorporates brickwork and metal columns into the design. The public art installation, Untilted, by Penny Rakoff and Bill McCullam depict labor disputes that occurred in the city in the first half of the 20th century, most notably the Minneapolis Teamsters Strike of 1934. Images are printed onto ten 15.5 × 12.25 inch and two-hundred 2.75 × 2.75 inch tiles.This station is planned to a stop on the METRO E Line. The Target Center, home of the Minnesota Timberwolves, is a block from the station. Although Target Field station is the official stop for the Minnesota Twins' Target Field, Warehouse/Hennepin also sees significant traffic during Twins games.

Hennepin Center for the Arts
Hennepin Center for the Arts

The Hennepin Center for the Arts (HCA) is an art center in Minneapolis, Minnesota, United States. It occupies a building on Hennepin Avenue constructed in 1888 as a Masonic Temple. The building was designed by Long and Kees in the Richardsonian Romanesque architectural style. In 1978, it was purchased and underwent a renovation to become the HCA. Currently it is owned by Artspace Projects, Inc, and is home to more than 17 performing and visual art companies who reside on the building's eight floors. The eighth floor contains the Illusion Theater, which hosts many shows put on by companies in the building. HCA is now a part of the Cowles Center for Dance and the Performing Arts (formerly the Minnesota Shubert Performing Arts and Education Center). The new performing arts center is a three-building complex that includes the renovated Shubert Theatre building (renamed the Goodale Theater) and a new glass-walled atrium connecting the two historic buildings and serving them both as a common lobby. The Cowles Center hosted a three-day Grand Opening Gala September 9–11, 2011. The building was listed as the Masonic Temple on the National Register of Historic Places in 1975 for its local significance in the theme of architecture. It was nominated for the craftsmanship and integrity of its design by a significant local architectural firm, and for being one of the last well-preserved Richardsonian Romanesque business buildings in Minneapolis.

Lumber Exchange Building
Lumber Exchange Building

The Lumber Exchange Building was the first skyscraper built in Minneapolis, Minnesota, United States, dating to 1885. It was designed in the Richardsonian Romanesque style by Franklin B. Long and Frederick Kees and was billed as one of the first fireproof buildings in the country. It is the oldest high-rise building standing in Minneapolis, and is the oldest building outside of New York City with 12 or more floors.Franklin Long had formerly worked with Charles F. Haglin, while Frederick Kees had worked with Leroy Buffington for about four years. The partnership of Long and Kees, lasting from 1884 to 1897, was particularly successful and led to the construction of many of the largest buildings in the city in the 1880s and 1890s. Other buildings by these partners included the Public Library (1884), Masonic Temple (1888) (now the Hennepin Center for the Arts), Flour Exchange (1893–1897), Minneapolis City Hall (1889), and the Kasota Block (1884). The building was built in multiple stages. Originally a tall, thin structure, an additional wing was added in 1890. Later, two stories were added at the top of the building. James Lileks, Minneapolis writer and architectural critic, says, It's one of the few survivors from the early skyscraper era – and perhaps the ugliest. Of all the buildings on Hennepin, it's the least significant; across the street, the Masonic Temple – a near contemporary – is far more intriguing. The Lumber Exchange survived, though; perhaps it was just too big to knock down. It survived a fire, disrepair, neglect … it just won't go away." The Lumber Exchange Building was listed on the National Register of Historic Places in 1983.

Rifle Sport Gallery
Rifle Sport Gallery

Rifle Sport Alternative Art Gallery was an underground art space open from 1985 to 1988 in the Block E segment of Hennepin Avenue in downtown Minneapolis, Minnesota. It was an important and groundbreaking venue for non-mainstream and punk-rock art in the Twin Cities. Writer Andy Sturdevant has noted that the gallery's memory and influence have lasted among Twin Cities artists long after its closure, "like it might have happened in a Jacques-Louis David painting."The gallery was founded in September 1985 by artist Colleen Barnett. It was named after the defunct arcade (whose signage remained) which had previously occupied the space. The neighborhood around Block E attracted a broad cross-section of punks, artists, and musicians, and, because of the infamous bar Moby Dick's next door, as well as the similarly troubled bar Brady's Pub directly below, was also notorious for attracting criminals, vagrants, and alcoholics.In the three years it was open, around 130 artists, musicians and performance artists used the space. Artists who exhibited work at Rifle Sport include Shannon Brady, Phillip Johnson, Michael Joo, Ross Knight, Ruthann Godollei, Jan Elftman, Frank Gaard, Melissa Stang, W. Joe Hoppe, Julia Scher, The Slime Clowns (Zingo & Bloppo), Steve Grandell (Venus De Mars), Mann Hawks, Robert Grassel, and Ken Avidor. Bands that performed at the gallery include The Slime Clowns, The Swabs, Ting Kong, Lies Inc., and Chris Strouth's King Paisley and The Pscho-del-ics.The building that housed Rifle Sport was demolished with the rest of Block E in 1988, the victim of downtown redevelopment. The gallery lived on after the demolition, moving near Loring Park, but closed after a year. Its final show was a dual exhibition by artists Stuart Mead and Dean Lucker.An unrelated local band, Rifle Sport, also named after the arcade, established their name before the gallery in 1981.