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Bunker (Berlin)

Art museums and galleries in BerlinBuildings and structures completed in 1943Buildings and structures in MitteBunkers in GermanyElectronic dance music venues
Heritage sites in BerlinNazi architectureNightclubs in Berlin
Bunker Berlin
Bunker Berlin

The Bunker (also Reichsbahnbunker) in Berlin-Mitte is a listed air-raid shelter. Originally based on plans of the architect Karl Bonatz, it was constructed in 1943 by Nazi Germany to shelter up to 3,000 Reichsbahn train passengers. The square building has an area of 1,000 square metres (11,000 sq ft) and is 18 metres (59 ft) high; its walls are up to 3 metres (9.8 ft) thick. There are 120 rooms on five floors. In May 1945, the Red Army took the building and turned it into a prisoner-of-war camp. From 1949, it was used to store textiles and from 1957, as storage for dry and tropical fruit. In the summer of 1992, it was turned into a hardcore techno club. Gabba, hard trance, house and breakbeat parties were held on four floors. However, after a raid in 1995 the events became more irregular. A further raid in 1996 placed severe building restrictions on the tenants, causing the club to close. In 2001, real estate investor Nippon Development Corporation GmbH bought the building from the government. In 2002, it was the venue of the Berlin art festival "Insideout".

Excerpt from the Wikipedia article Bunker (Berlin) (License: CC BY-SA 3.0, Authors, Images).

Bunker (Berlin)
Reinhardtstraße, Berlin Mitte

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N 52.523333333333 ° E 13.383888888889 °
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Reichsbahnbunker Friedrichstraße

Reinhardtstraße 20
10117 Berlin, Mitte
Germany
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sammlung-boros.de

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Bunker Berlin
Bunker Berlin
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International Peace Bureau
International Peace Bureau

The International Peace Bureau (IPB) (French: Bureau international de la paix), founded in 1891, is one of the world's oldest international peace federations. The organisation was awarded the Nobel Peace Prize in 1910 for acting "as a link between the peace societies of the various countries". In 1913 Henri La Fontaine was also awarded the Prize "[For his work as] head of the International Peace Bureau". As of 2012, eleven other Nobel Peace Prize laureates have been members of the IPB.Its membership consists of 300 organizations in 70 countries. IPB's headquarters is located in Berlin, Germany with offices in Barcelona, Spain, and Geneva, Switzerland. Prior to 2017, the headquarters was based in Geneva. Its main programmes are the Global Campaign on Military Spending (GCOMS) and disarmament for sustainable development, which focuses both on nuclear and conventional weapons, as well as biological weapons, landmines, and small arms.IPB holds Consultative Status with the United Nations Economic and Social Council (ECOSOC) and associate status with the United Nations Department of Global Communications.IPB was founded under the name Permanent International Peace Bureau (Bureau International Permanent de la Paix). From 1912 onward it used the name International Peace Bureau. Between 1946 and 1961, it was known under the name International Liaison Committee of Organizations for Peace – ILCOP (Comité de liaison international des organisations de paix – CLIOP).

Deutsches Theater (Berlin)
Deutsches Theater (Berlin)

The Deutsches Theater is a theater in Berlin, Germany. It was built in 1850 as Friedrich-Wilhelm-Städtisches Theater, after Frederick William IV of Prussia. Located on Schumann Street (Schumannstraße), the Deutsches Theater consists of two adjoining stages that share a common, classical facade. The main stage was built in 1850, originally for operettas. Adolf L'Arronge founded the Deutsches Theater in 1883 with the ambition of providing Berliners with a high-quality ensemble-based repertory company on the model of the German court theater, the Meiningen Ensemble, which had been developed by Georg II, Duke of Saxe-Meiningen and his colleagues to become "the most widely admired and imitated company in Europe", thanks to its historically accurate sets and costumes, vividly-realized crowd scenes, and meticulous directorial control.Otto Brahm, the leading exponent of theatrical Naturalism in Germany, took over the direction of the theater in 1894, and applied that approach to a combination of classical productions and stagings of the work of the new realistic playwrights.One of Brahm's ensemble, the legendary theater director Max Reinhardt, took over the directorship in 1904. Under his leadership, it acquired a reputation as one of the most significant theaters in the world. In 1905, he founded a theater school and built a chamber theater. Reinhardt remained the artistic director of the theater until he fled Nazi Germany in 1933.The Deutsches Theater remains one of the most prominent companies in Berlin.

Großes Schauspielhaus
Großes Schauspielhaus

The Großes Schauspielhaus (Great Theater) was a theatre in Berlin, Germany, often described as an example of expressionist architecture, designed by Hans Poelzig for theatre impresario Max Reinhardt. The structure was originally a market built by architect Friedrich Hitzig, and it retained its external, gabled form. It then became the Zirkus Schumann, a circus arena. It was renovated by Poelzig and reopened in 1919, contained seating for 3500 people. Max Reinhardt wanted to attract a working-class audience. The large size allowed for people who could pay top prices for the best seats to support low-cost seats, in the back of the theater. Painted red, it was a cavernous, domed space and had no balconies, which contributed to its vastness. Its dome and the pillars were decorated with Muqarnas, a honeycombed pendentive ornament, which resembled stalactites. When illuminated, the ceiling's lightbulbs formed patterns of celestial constellations, and the vaulted ceiling took on another concept, the night sky. In the lobby and elsewhere, Poelzig used coloured lightbulbs to create striking visual backdrops. Separate entrances were provided for the expensive and the cheap seats. The theatre also included a restaurant for the wealthy audience members, a cafeteria for the poorer audience members, and a bar. The performers and technicians enjoyed their own bar, a barber shop, ample dressing room space, and the modern stage equipment. The Nazis took over in 1933 and changed its name to Theatre of the People. They described the building as an example of Entartete Kunst and refurbished its interior by adding a hung ceiling to hide the stalactite forms. After World War II, it was used for variety shows under the name of Friedrichstadt-Palast until 1988, when it was condemned and demolished. There was a strong subsidence of the foundation and moulding of the supporting piles. The new Friedrichstadt-Palast has been erected on Friedrichstraße 107.

Theater am Schiffbauerdamm
Theater am Schiffbauerdamm

The Theater am Schiffbauerdamm (German pronunciation: [teˈaːtɐ ʔam ˈʃɪfbaʊɐˌdam]) is a theatre building at the Schiffbauerdamm riverside in the Mitte district of Berlin, Germany, opened on 19 November 1892. Since 1954, it has been home to the Berliner Ensemble theatre company, founded in 1949 by Helene Weigel and Bertolt Brecht.The original name of the Neo-baroque construction by the architect Heinrich Seeling was Neues Theater. The first performance was Johann Wolfgang von Goethe's play Iphigenie auf Tauris. Die Weber, a naturalistic drama by Gerhart Hauptmann, had its premiere in a private audience at the theatre on 26 February 1893. From 1903 to 1906, the Neues Theater was under the management of Max Reinhardt; it later became the site of numerous operetta performances. With the premiere of the comedy Der fröhliche Weinberg by Carl Zuckmayer on 22 December 1925, the theatre returned to dramatic art, followed by the first performances of The Threepenny Opera (Die Dreigroschenoper) on 31 August 1928 and of the Italienische Nacht by Ödön von Horváth on 20 March 1931. Bertolt Brecht staged Marieluise Fleißer's play Pioneers in Ingolstadt on 30 March 1929, causing a scandal. The theatre saw Gustaf Gründgens giving his debut as a director with Jean Cocteau's Orphée and guest performances by the Truppe 31 stage company of Gustav von Wangenheim. From 1931 on, the theatre was called Deutsches Nationaltheater am Schiffbauerdamm. Notable actors included Lotte Lenya, Carola Neher, Hilde Körber, Helene Weigel, Ernst Busch, Ernst Deutsch, Kurt Gerron, Theo Lingen, and Peter Lorre. With the Nazi takeover in 1933, the theatre declined and was finally closed in 1944. Veit Harlan made his directoral debut there in 1935 with Wolfgang Böttcher's musical comedy Marriage on the Panke. Reopened after World War II, the theatre was finally taken over by Bertolt Brecht. Today, it is considered one of the most glamorous theatres in Germany and the building is currently undergoing historic preservation.