Musée de la Vie romantique

Le Théâtre du Grand-Guignol (French pronunciation: ​[ɡʁɑ̃ ɡiɲɔl]: "The Theatre of the Great Puppet") – known as the Grand Guignol – was a theatre in the Pigalle district of Paris (at 20 bis, rue Chaptal). From its opening in 1897 until its closing in 1962, it specialised in naturalistic horror shows. Its name is often used as a general term for graphic, amoral horror entertainment, a genre popular from Elizabethan and Jacobean theatre (for instance Shakespeare's Titus Andronicus, and Webster's The Duchess of Malfi and The White Devil), to today's splatter films.

The Cabaret du Ciel (Cabaret of Heaven) was a well-known cabaret in the Montmartre district of Paris. The Cabaret du Ciel was an early version of modern theme restaurants, with a theme centered around celestial concepts connected to the afterlife in Paradise. The cabaret was located next to the Cabaret de L'Enfer (Cabaret of Hell) at the same address at 53 Boulevard de Clichy.The Cabaret du Ciel, along with the Cabaret de L'Enfer (Cabaret of Hell), and the Cabaret du Néant (Cabaret of Nothingness), was part of a trio of themed restaurants established at around the same time in Montmartre in the 1890s. The Cabaret du Ciel and the Cabaret de L'Enfer took advantage of their proximity and enhanced it further by taking radically different approaches on their exterior design, which led prospective patrons to want to visit both during an outing.

Cabaret de l'Enfer (The Cabaret of Hell) was a famous cabaret in Montmartre, founded in November 1892 by Antonin Alexander and demolished in 1950 to allow for the expansion of a Monoprix supermarket. The Cabaret de L'Enfer was the counterpart to The Cabaret du Ciel (The Cabaret of Sky), another cabaret which shared the same address on the Boulevard de Clichy. Antonin Alexander was the creator, director, and host of the twin ventures. Jules Claretie, who wrote that future historians of the mores of the Belle Epoque "could not silently pass by these cabarets", described them as "putting Dante's poem within walking distance". For Georges Renault and Henri Château, "Le Ciel and L'Enfer, gaping wide-open all in a row" was worthy of the label "spectacular". The flâneurs of Paris entered through the monumental jaws of Leviathan, devourer of the damned. The intimidating façade was "a stucco ode to female nudity being devoured by infernal flames".

The Boulevard de Clichy (French pronunciation: ​[bulvaʁ də kliʃi]) is a famous street of Paris, which lends its name to the Place de Clichy, resulted from the fusion, in 1864, of the roads that paralleled the Wall of the Farmers-General, both inside and out. It extends from the Place de Clichy to the Rue des Martyrs, nearly a kilometre away. During its tenure, the street has been known as the Boulevard des Martyrs, then the Boulevard Pigalle, and, finally, the Boulevard de Clichy. It is equally well known as the Boulevard Clichy.

Blanche (French pronunciation: [blɑ̃ʃ] (listen)) is a station on Paris Métro Line 2, on the border of the 9th and the 18th arrondissements.

Chez Moune is a Parisian nightclub that originally opened as Le Fetiche in 1936 in the Place Pigalle. It has been described as the first lesbian club with dancing and cabaret in Europe. Since the late 1980s, it has been a nightclub for mixed clientele.

The Christuskirche is the church and parish of German Protestants in Paris (25 rue Blanche, 9th arrondissement). Initially founded as a Lutheran church, today it is a United church. The present building was completed in 1894. The official name is Deutsche Evangelische Christuskirche – Église protestant allemande à Paris. The church is a member of the Evangelische Kirche in Deutschland (EKD). It has a tradition as a concert venue of church music, with Helga Schauerte as the organist from 1982.

Cabaret des Quat'z'Arts ("cabaret of the four arts") was a venue at 62 Boulevard de Clichy, in Paris, France. The interdisciplinary mixture of the arts created avant-garde collaborative performances. Similar to Le Chat Noir, the Quat'z'Arts was a gathering place for artists, composers, musicians, performers, poets, illustrators, and theater critics, attracting newcomers such as Pablo Picasso and Apollinaire. It provided space for permanent and temporary art exhibits by the likes of Emile Cohl, Jules-Alexandre Grün, Charles Léandre, Georges Redon, Lucien-Victor Guirand de Scévola, Henri de Toulouse-Lautrec, Louis Abel-Truchet, and Adolphe Willette.

Museum of Eroticism (French: Musée de l'érotisme) was a sex museum in Paris devoted to the erotic art collections of antique dealer Alain Plumey and French teacher Jo Khalifa. It closed its doors on November 7th, 2016. Founded in 1997, the museum was situated in the Pigalle district of Paris, at 72 Boulevard de Clichy. The collection ranged from the ancient religious art of India, Japan and Africa right up to contemporary art with an erotic focus. There were five floors, including a basement exhibition. One floor was devoted to maisons closes, the legal brothels of the 19th and early 20th century. The film Polisson et galipettes was shown; it is a collection of pornographic shorts formerly exhibited in the maisons closes. The upper two floors had revolving exhibitions, mainly of contemporary artists. It was visited by the main character in the novel Merde Actually, the sequel to A Year in the Merde.In 2013, erotic artist Namio Harukawa exhibited "Garden of Domina" at the museum, which featured art of dominatrixes facesitting on submissive males.

Café du Tambourin was a restaurant in Paris, France. Owned by Agostina Segatori, it was first located at 27 rue de Richelieu, and then in March 1885 reopened at 62 Boulevard de Clichy. Famous painter, Jules Chéret, made a poster for the Cabaret at the reopening. The Café had an original decor in which Segatori hung works given to her by Edward Dantan. Vincent van Gogh also decorated the café through a commercial agreement with Segatori. It was said that Van Gogh ate free in exchange for paintings of still lifes. The cafe was frequented by the friends of Dantan and Van Gogh. In 1887, Henri de Toulouse-Lautrec created his 1887 portrait of Van Gogh at the Café du Tambourin. The café was also frequently visited by writers and art critics such as author Sophie de Juvigny. The Café Tambourin was the location of Van Gogh's first exhibition in Paris, still lifes he exchanged with the owner for meals. In March 1887 Segatori and Van Gogh presented a collection of Japanese prints acquired by the artist. In July 1887, Van Gogh exhibited his works and those of his friends, Paul Gauguin, Louis Anquetin and Émile Bernard. At this exhibition, Émile Bernard and Louis Anquetin sold their work for the first time. Later, the Café du Tambourin became bankrupt, and was renamed the Cabaret de la Butte in 1893 and then the Cabaret des Quat'z'Arts at the end of the century.

The Théâtre de Paris is a theatre located at 15, rue Blanche in the 9th arrondissement of Paris. It includes a second smaller venue, the Petit Théâtre de Paris.

The Musée national Gustave Moreau is an art museum dedicated to the works of Symbolist painter Gustave Moreau (1826–1898). It is located in the 9th arrondissement of Paris at 14, rue de la Rochefoucauld, Paris, France. The museum was originally Moreau's dwelling, transformed by his 1895 decision into a studio and museum of his work with his apartment remaining on the first floor. Today the museum contains Moreau's drawings, paintings, watercolors, and sculptures.