Théâtre Montansier (Versailles)

The Royal Opera of Versailles (French: Opéra royal de Versailles) is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house are at least partly due to its wooden interior.The house is located at the northern extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule. Some parts of the Opéra, such as the King's Loge and the King's Boudoir represent some of the earliest expressions of what would become known as Louis XVI style.Lully’s Persée — written in 1682, the year Louis XIV moved into the palace — inaugurated the Opéra on 16 May 1770 in celebration of the marriage of the dauphin — the future Louis XVI — to Marie Antoinette.The Opéra Royal can serve either as a theater for opera, stage plays, or orchestral events, when it can accommodate an audience of 712, or as a ballroom, when the floor of the orchestra level of the auditorium can be raised to the level of the stage. On these occasions, the Opéra can accommodate 1,200.

The King's Stables are located in Versailles, at 5 Carnot street, a few hundred meters from the Palace. Constituting the Royal Stables (an institution employing hundreds of people at the time of Louis XIV's installation at Versailles), they were built in 1672. Deemed too small, they were quickly replaced in the 1680s by the Petite Écurie and the Grande Écurie of the Place d'Armes. They were then offered to the Queen and became the Queen's Stables. They are now occupied by the Versailles Court of Appeal. They were listed as a historic monument in 1978.

The present chapel of the Palace of Versailles is the fifth in the history of the palace. These chapels evolved with the expansion of the château and formed the focal point of the daily life of the court during the Ancien Régime (Bluche, 1986, 1991; Petitfils, 1995; Solnon, 1987).

The Equestrian Statue of King Louis XIV is a sculpture designed and partially executed by the Italian artist Gian Lorenzo Bernini, who was originally brought to France to design a new facade of the Louvre, a portrait bust, and an equestrian statue. Bernini first discussed the project while in France in the mid-1660s, but it did not start until later in the decade, when back in Rome. It was not completed until 1684 and then shipped to Paris in 1685. Louis XIV of France was extremely unhappy with the end result and had it placed in a corner of the gardens of the royal palace at Versailles. Soon after, the sculpture was modified by François Girardon and altered into an equestrian sculpture of the ancient Roman hero Marcus Curtius.

The Bust of Louis XIV is a marble portrait by the Italian artist Gian Lorenzo Bernini. It was created in the year 1665 during Bernini's visit to Paris. This sculptural portrait of Louis XIV of France has been called the "grandest piece of portraiture of the Baroque age". The bust is on display at the Versailles Palace, in the Salon de Diane in the King's Grand Apartment.

The Salon d'Hercule (French pronunciation: [salɔ̃ dɛʁkyl]; also known as the Hercules Salon or the Hercules Drawing Room) is on the first floor of the Château de Versailles and connects the Royal Chapel in the North Wing of the château with the grand appartement du roi.

The Royal Gate of the Palace of Versailles separates the Cour d'Honneur from the Royal Court of the Palace of Versailles. It is also located between the Pavillon Dufour (on the left as you enter), built under Louis XVIII and currently used to welcome visitors to the château, and the Gabriel wing (on the right), whose construction began in 1772, but which was not completed until 1985. The Royal Gate was destroyed in 1794, during the French Revolution. It marked the castle's outskirts at the end of the 17th century for less than a century before reappearing in a new version in 2008. Although considered restitution by its architect Fréderic Didier, art historians have criticized this initiative.

The Musée de l'Histoire de France (Museum of French History) is a museum that was created by King Louis Philippe I in the Palace of Versailles and opened in 1837. At the time, it represented an ambitious project of national reconciliation between the hitherto competing narratives of the French monarchy and the French Revolution, to which Louis-Philippe devoted significant personal attention. Whereas it gradually faded in importance as a museum in the later 19th century, its lavish historicist decoration remains a major exemplar of the art of France's July Monarchy.

The Place d'Armes is a square in Versailles, France.

The petit appartement du roi (French: [pɛˈtit‿apaʁtəˈmɑ̃dyʁwa]) of the Palace of Versailles is a suite of rooms used by Louis XIV, Louis XV, and Louis XVI. Located on the first floor of the palace, the rooms are found in the oldest part of the palace dating from the reign of Louis XIII. Under Louis XIV, these rooms housed the king's collections of artworks and books, forming a museum of sorts. Under Louis XV and Louis XVI, the rooms were modified to accommodate private living quarters. At this time, the rooms were transformed and their decoration represent some of the finest extant examples of the Louis XV style and Louis XVI style at Versailles (Kimball, 1943).

The grande commande was a commission ordered by Louis XIV for statues intended to decorate the parterre d’eau of the gardens of the Palace of Versailles, as initially conceived in 1672. The commission, which included 24 statues and four groups, was ordered in 1674. Designed by Charles Le Brun from Cesare Ripa’s Iconologia, the statues were executed by the foremost sculptors of the day (Blunt, 1980; Friedman, 1988, 1993; Nolhac, 1913; Thompson, 2006; Verlet, 1985). Owing to concerns of the effects of the vertical lines of the statues in relations to the garden façade of the château, the statues of the grande commande were transferred to other locations in the gardens in 1684 (Berger, 1985; Blunt, 1980; Friedman, 1988, 1993; Marie, 1968; Nolhac, 1901, 1913; Thompson, 2006; Verlet, 1985; Weber, 1993). The 24 statues were personifications of the classic quaternities: The four groupings represented the four classic Abductions: The Four Abductions:Persephone by Pluto Cybele by Saturn Orethyia by Boreas Coronis by Neptune

The Galerie des Batailles (French: [ɡalʁi de bataj]; English: "Gallery of Battles") is a gallery occupying the first floor of the Aile du Midi of the Palace of Versailles, joining onto the grand and petit appartement de la reine. 120 m (390 ft) long and 13 m (43 ft) wide, it is an epigone of the grand gallery of the Louvre and was intended to glorify French military history from the Battle of Tolbiac (traditionally dated 496) to the Battle of Wagram (5–6 July 1809).