Tower Lifeboat Station

The Civil Service Rifles War Memorial is a First World War memorial located on the riverside terrace at Somerset House in central London, England. Designed by Sir Edwin Lutyens and unveiled in 1924, the memorial commemorates the 1,240 members of the Prince of Wales' Own Civil Service Rifles regiment who were killed in the First World War. They were Territorial Force reservists, drawn largely from the British Civil Service, which at that time had many staff based at Somerset House. Both battalions of the expanded Civil Service Rifles were disbanded shortly after the war; the regiment amalgamated with the Queen's Westminster Rifles, but former members established an Old Comrades Association to keep the regiment's traditions alive. The association began raising funds for a war memorial in 1920, and the Prince of Wales unveiled the memorial on 27 January 1924. It takes the form of a single rectangular column surmounted by a sculpture of an urn and flanked by painted stone flags, the Union Flag on one side and the regimental colour on the other. The base on which the column stands is inscribed with the regiment's battle honours, while an inscription on the column denotes that a scroll containing the names of the fallen was placed inside. The memorial first stood in the quadrangle of Somerset House, which the Civil Service Rifles had used as a parade ground, but the civil service began to vacate Somerset House towards the end of the 20th century. As the building and its courtyard were re-purposed, the memorial was moved to the riverside terrace in the late 1990s. Members of the regiment continued to attend Remembrance Sunday ceremonies until at least the late 1980s, by which time many former members were in their nineties; the last known surviving member of the regiment attended a rededication ceremony in 2002. The memorial was designated a grade II listed building in 1987, which was upgraded to grade II* in November 2015 when it became part of a national collection of Lutyens' war memorials.

The London Centre for Arts and Cultural Exchange (LCACE) is a university initiative promoting the exchange of knowledge and expertise with the capital's arts and cultural sectors. The initiative was formed in 2004 to encourage collaboration between its partner universities and London's arts and cultural sectors. LCACE was initially funded from the Higher Education Funding Council of England's HEIF 2 Fund (Higher Education Innovation Fund). The initiative is based at Somerset House and aims to produce networking and information-based events to highlight formal Knowledge transfer initiatives such as those supported by the Arts and Humanities Research Council.In 2011, LCACE rebranded as TCCE (The Culture Capital Exchange) and became an independent company.The eleven universities involved with the organization as core members are the City, University of London, Guildhall School of Music and Drama, Faculty of Education, Health and Community, Liverpool John Moores University, London South Bank University, Loughborough University London, Middlesex University London, Ravensbourne University, Royal Central School of Speech and Drama, University College London, and the University of West London.

The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni.The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project.

The Hermitage Rooms was the name by which a series of rooms at Somerset House, London, were known from 2000 to 2007. During this period they were used as a venue for temporary exhibitions from the collection of the Hermitage Museum in Saint Petersburg. The partnership with the Hermitage has since ended and the rooms are no longer known by this name, although they continue to house temporary exhibitions.

Somerset House is a large Neoclassical complex situated on the south side of the Strand in central London, overlooking the River Thames, just east of Waterloo Bridge. The Georgian era quadrangle was built on the site of a Tudor palace ("Old Somerset House") originally belonging to the Duke of Somerset. The present Somerset House was designed by Sir William Chambers, begun in 1776, and was further extended with Victorian era outer wings to the east and west in 1831 and 1856 respectively. The site of Somerset House stood directly on the River Thames until the Victoria Embankment parkway was built in the late 1860s.The great Georgian era structure was built to be a grand public building housing various government and public-benefit society offices. Its present tenants are a mixture of various organisations, generally centred around the arts and education.

Waterloo Bridge () is a road and foot traffic bridge crossing the River Thames in London, between Blackfriars Bridge and Hungerford Bridge & Golden Jubilee Bridges. Its name commemorates the victory of the British, Dutch and Prussians at the Battle of Waterloo in 1815. Thanks to its location at a strategic bend in the river, the bridge offers good views of Westminster, the South Bank and the London Eye to the west, and of the City of London and Canary Wharf to the east.

The statue of George III, Somerset House, formally titled George III and the River Thames, is a Grade I listed outdoor bronze sculptural group depicting King George III and Neptune or Father Thames, located in the quadrangle of Somerset House, London, England. The sculptor was John Bacon, and the statue was erected between 1778 and 1789.George III is dressed in Roman apparel, leaning on a rudder, flanked by the prow of a Roman boat and a lion. Father Thames is reclining on a lower, semi-circular plinth, one hand on an urn with a cornucopia behind him.When Queen Charlotte first saw the statue of her husband she asked the sculptor 'Why did you make so frightful a figure?'. Bacon bowed and replied 'Art cannot always effect what is ever within the reach of Nature – the union of beauty and majesty.'

Lancaster Place is a short section of road in central London, which connects Waterloo Bridge to the major junction with the Aldwych and Strand. It is completely bisected by the northbound-only Strand Underpass which dives below the Aldwych enabling Kingsway-bound traffic (and single-decker bendy buses on the bus route 521) to skip the "fiveways" junction. Brettenham House and the more famous Somerset House front onto the West and East sides of Lancaster Place respectively.

Photo London is an annual photography event held at Somerset House in London in May. Galleries and publishers show and sell work by photographers, and there are curated exhibitions and talks. Awards are also given.It was established in 2004 and ran until 2006 at the Royal Academy of Arts, then at Old Billingsgate in 2007, then stopped. It was relaunched in 2015 and has since been held at Somerset House.

The Dickson Poon School of Law is the law school of King's College London, itself part of the federal University of London, and serves as one of the nine schools of study within the college. It is situated on the Strand in the East Wing of Somerset House, in close proximity to the Royal Courts of Justice and the four Inns of Court in the heart of London's legal quarter. It is currently ranked in the top 15 law schools in the world, and sixth in both Europe and the UK.Following a donation of £20 million by Dickson Poon in 2012, the school was renamed in his honour. The current dean of the school is Professor Gillian Douglas.

The Courtauld Gallery (UK: ) is an art museum in Somerset House, on the Strand in central London. It houses the art collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art. The Courtauld collection was formed largely through donations and bequests and includes paintings, drawings, sculptures and other works from medieval to modern times; it is particularly known for its French Impressionist and Post-Impressionist paintings. The collection contains some 530 paintings and over 26,000 drawings and prints. The head of the Courtauld Gallery is Ernst Vegelin. The gallery closed on 3 September, 2018 for a major redevelopment, called Courtauld Connects, and reopened on 19th November 2021.

The Humanitarian Futures Programme (HFP) was originally initiated at King’s College, London, as an action research programme based within the School of Social Science and Public Policy at King's College London and over a decade worked with a wide range of social and natural scientists, representatives of governments, international and non-governmental organisations, as well as the private and humanitarian sectors. Its purpose was to identify future humanitarian challenges and solutions. This mission continues as Humanitarian Futures (HF), providing futures-oriented discussion papers and emerging perspectives when it comes to dealing with ever more complex humanitarian crises. It attempts to help organisations with humanitarian responsibilities to prepare for future humanitarian threats. HF believes that these threats will be more complex and unpredictable than those of today, and that their impacts will be of an exponentially different order. The Humanitarian and Development Partnership Team (HDPT), 24 May 2007, accessed 9 April 2009. HF also focuses upon solutions with a view to helping such organisations strengthen their prevention, preparedness and response capacities. These potential solutions come from a range of sources – including the natural and social sciences, the corporate sector and the military. HF has developed a series of tools, methods and approaches to assess humanitarian organisations' futures capacities and the potential ways to strengthen them. In addition to its partner organisations, these resources have been created with the intention of aiding the wider humanitarian community in planning for the future. The programme director is Dr. Randolph Kent, a former UN Humanitarian Coordinator in Somalia and several other East African crisis zones.