Waterloo Bridge

The Tower Lifeboat Station is a lifeboat station on the River Thames in London, UK, operated by the Royal National Lifeboat Institution (RNLI). It is located at Victoria Embankment on the North Bank of the Thames, next to Waterloo Bridge. The pier takes its name from the original RNLI lifeboat station which opened in 2002 further downstream at Tower Pier, next to the Tower of London. In 2006 the lifeboat station moved to its present location at Waterloo Pier, formerly known as the Waterloo Police Pier.

Long Live Southbank, commonly known as LLSB, is a non-profit organisation that successfully campaigned against the redevelopment of the Southbank Undercroft skateboarding spot at the Southbank Centre site in London, England. The organisation is now campaigning to safeguard the space and help the community continue to evolve creatively. The movement was established in April 2013 in order to safeguard the historic site in British skateboarding following the publication of the Festival Wing plans by the Southbank Centre released on 6 March 2013. This proposed scheme included two new buildings above and alongside the Queen Elizabeth Hall to be funded to a significant degree by commercial restaurant and retail developments in the Undercroft space which would have been closed to its skateboarding and other current users. Although an alternative location for skateboarding and other activities was proposed by Southbank Centre, under Hungerford Bridge, this was considered by users of the Undercroft to be a quite different space and lack the unique character and heritage of the Undercroft. On 18 September 2014, Long Live Southbank signed a Section 106 agreement with the Southbank Centre guaranteeing the space's long-term future. and the Festival Wing proposals were withdrawn by Southbank Centre. The area has been continually used by skateboarders, BMXers and other creative urban art forms since the early seventies and remains an important landmark for urban culture. The campaign seeks to protect a dynamic space that has been utilised for creativity and self-expression for decades, independently building a culture and community that continues to attract visitors from all over the world. LLSB volunteer, Henry Edwards-Wood, says of the motivation for the campaign; "This space has empowered generations of physical, visual and collaborative expression and informed and directed the lives of people from all walks of life. This world famous landmark and cultural icon must be preserved for future generations to flourish."

BFI Southbank (from 1951 to 2007, known as the National Film Theatre) is the leading repertory cinema in the UK, specialising in seasons of classic, independent and non-English language films. It is operated by the British Film Institute.

BFI Flare: London LGBTIQ+ Film Festival, formerly known as the London Lesbian and Gay Film Festival (LLGFF), is the biggest LGBTIQ+ film festival in Europe. It takes place every spring in London, England. It began in 1986, as a season of gay and lesbian films at the National Film Theatre for two years, under the title "Gay's Own Pictures", curated by Peter Packer of the Tyneside Cinema. It was renamed the 'London Lesbian and Gay Film Festival' in 1988. Having been a two-week festival for many years, the festival was shortened to a week in 2011, then increased to 10 days in 2012. The events name change to BFI Flare occurred in 2014. On its 30th anniversary, screenings attendance at BFI Flare was up 9% and box-office results surpassed the previous, record-breaking year. Audiences at all events and screenings over the eleven-day festival totalled 25,623 in 2016. Additional programming under the BFI Flare tag is available at throughout the year.Organised and run by the British Film Institute, all BFI Flare screenings take place in the BFI Southbank. In 2014 the festival consisted of several sections or categories of films; hearts, bodies, minds. Subsequent years have included additional categories.

The BFI London Film Festival is an annual film festival founded in 1957 and held in the United Kingdom, running for two weeks in October with co-operation from the British Film Institute. It screens more than 300 films, documentaries and shorts from approximately 50 countries.

The BFI Gallery was the British Film Institute's contemporary art gallery dedicated to artists' moving image housed within BFI Southbank, the BFI's flagship venue in London, previously known as the National Film Theatre. The space was funded by the BFI with Arts Council England support and opened on 14 March 2007, to coincide with the reopening of the site. Its programme of new commissions, events and associated artists' film screenings was curated by Elisabetta Fabrizi, BFI Head of Exhibitions. The programme included exhibitions by Michael Snow, John Akomfrah, Apichatpong Weerasethakul, Pierre Bismuth, Jane & Louise Wilson, Peter Campus, Patrick Keiller, Phil Collins, Matt Collishaw, Yvonne Rainer, Julian Rosensfeld, Michel Gondry, Deimantas Narkevicious, Mark Lewis. Film programmes linked to the gallery exhibitions included a retrospective of the films of Sergei Paradjanov and of Michael Snow. As stated in the BFI Annual Review 2010-11: The BFI Gallery has a deserved international reputation at the forefront of commissioning and exhibiting innovative and exciting artists working with the moving image. Since opening its doors in 2007 audiences have enthusiastically taken up rare opportunities to experience the work of worldclass artists such as Pierre Bismuth and Michel Gondry, Mat Collishaw, Apichatpong Weerasethakul and Jane and Louise Wilson. Major new exhibitions and retrospectives from a diverse and gifted range of artists took place, John Akomfrah, Julian Rosefeldt, Yvonne Rainer and Phil Collins. June 2010 opened with 'Mnemosyne', a pioneering film by John Akomfrah that movingly explores themes of memory and migration in the West Midlands, weaving archival footage from 1960 to 1981 with contemporary portraits of Birmingham. The film is an innovative mix of documentary and poetic essay and was described by Ken Russell, and experienced by visitors, as ‘mind blowing’. Julian Rosefeldt’s 'American Night'; a complex, five-channel film installation by the Berlin-based artist that confirmed his reputation for lavishly produced work in the moving image. 'American Night' borrowed from the style and rich image library of the American Western to subtly question the ambitions of recent US foreign policy. Next in residency was yet another star of the American art scene, Yvonne Rainer with the first major European retrospective dedicated to this legendary American dancer, choreographer and filmmaker. Very much a major influence on the new generation of video makers and choreographers, Rainer's work examines the balance between the political and the private in everyday life. 'The Yvonne Rainer Project' (2010) featured three of Rainer's works accompanied by cinema screenings of her seven feature films and an engaging video programme by contemporary artists exploring choreography for the camera. The final BFI Gallery exhibition was a playful return to the past created by Tate prize nominated Phil Collins. In Phil Collins: 'Marxism Today' audiences encountered film, video and photographic snapshots of life in the former East Germany offset by the illuminating recollections of teachers of Marxism–Leninism who lived and worked in the GDR. The Gallery was closed as part of the BFI's review of all its activities following the Government's decision to cut grant-in aid by 15% over four years. The space vacated by the Gallery was redeveloped to house the BFI Reuben Library which opened in 2012. A commemorative book, 'The BFI Gallery Book', was published in January 2011.

The Civil Service Rifles War Memorial is a First World War memorial located on the riverside terrace at Somerset House in central London, England. Designed by Sir Edwin Lutyens and unveiled in 1924, the memorial commemorates the 1,240 members of the Prince of Wales' Own Civil Service Rifles regiment who were killed in the First World War. They were Territorial Force reservists, drawn largely from the British Civil Service, which at that time had many staff based at Somerset House. Both battalions of the expanded Civil Service Rifles were disbanded shortly after the war; the regiment amalgamated with the Queen's Westminster Rifles, but former members established an Old Comrades Association to keep the regiment's traditions alive. The association began raising funds for a war memorial in 1920, and the Prince of Wales unveiled the memorial on 27 January 1924. It takes the form of a single rectangular column surmounted by a sculpture of an urn and flanked by painted stone flags, the Union Flag on one side and the regimental colour on the other. The base on which the column stands is inscribed with the regiment's battle honours, while an inscription on the column denotes that a scroll containing the names of the fallen was placed inside. The memorial first stood in the quadrangle of Somerset House, which the Civil Service Rifles had used as a parade ground, but the civil service began to vacate Somerset House towards the end of the 20th century. As the building and its courtyard were re-purposed, the memorial was moved to the riverside terrace in the late 1990s. Members of the regiment continued to attend Remembrance Sunday ceremonies until at least the late 1980s, by which time many former members were in their nineties; the last known surviving member of the regiment attended a rededication ceremony in 2002. The memorial was designated a grade II listed building in 1987, which was upgraded to grade II* in November 2015 when it became part of a national collection of Lutyens' war memorials.

A Room for London is a temporary structure located on the roof of the Queen Elizabeth Hall on London's South Bank. The structure, designed by architect David Kohn is described as "a one-bedroom installation" and is shaped to appear like a boat perched on top of a building. The structure has been in place since 2012 and has acted as a "single-room, boat-shaped hotel", available to be booked for single-night residencies. A Room for London is one of a number of projects by Living Architecture, a not-for-profit holiday home rental company founded by philosopher and writer Alain de Botton.

The Shot Tower at the Lambeth Lead Works was a shot tower that stood on the South Bank of the River Thames in London, England, between Waterloo Bridge and Hungerford Bridge, on the site of what is now the Queen Elizabeth Hall. It was a prominent landmark on the river and featured in a number of paintings, including by J. M. W. Turner.

Festival Pier is a stop for river boat services on the River Thames, London, UK. It is immediately in front of the Royal Festival Hall and National Film Theatre, and serves the South Bank complex. The pier is owned and operated by London River Services, part of Transport for London.

The London Centre for Arts and Cultural Exchange (LCACE) is a university initiative promoting the exchange of knowledge and expertise with the capital's arts and cultural sectors. The initiative was formed in 2004 to encourage collaboration between its partner universities and London's arts and cultural sectors. LCACE was initially funded from the Higher Education Funding Council of England's HEIF 2 Fund (Higher Education Innovation Fund). The initiative is based at Somerset House and aims to produce networking and information-based events to highlight formal Knowledge transfer initiatives such as those supported by the Arts and Humanities Research Council.In 2011, LCACE rebranded as TCCE (The Culture Capital Exchange) and became an independent company.The eleven universities involved with the organization as core members are the City, University of London, Guildhall School of Music and Drama, Faculty of Education, Health and Community, Liverpool John Moores University, London South Bank University, Loughborough University London, Middlesex University London, Ravensbourne University, Royal Central School of Speech and Drama, University College London, and the University of West London.

The Aeolian Tower was an art installation on the South Bank of the River Thames in London, consisting of a 15-metre (49 ft) steel tower covered in 1200 wind-powered LEDs. The tower was in place beside the Waterloo Bridge for three days, from November 14–16, 2008. The intent in creating the Aeolian Tower was to prove in a demonstrable and clearly visible to the public fashion how green energy could be used for different purposes such as artistic and design elements.