Comillas

El Capricho is a villa in Comillas (Cantabria), Spain, designed by Antoni Gaudí. It was built in 1883–1885 for the summer use of a wealthy client, Máximo Díaz de Quijano, who died a year before the house was completed. Gaudí, who designed only a small number of buildings outside Catalonia, was involved with other projects at Comillas. He was the assistant of Joan Martorell on another summer residence, the palacio de Sobrellano. El Capricho belongs to the architect's orientalist period, during the beginnings of Gaudi's artwork. El Capricho allows to see all the foundations on which Modernisme is based, anticipating Europe's avant-garde Art Nouveau. The tower has been compared to a minaret. After the death of Máximo Díaz de Quijano, this building was used such as a summer house for the most economically and politically powerful people.The building fell into disrepair after the Spanish Civil War, a state in which it continued despite being declared a National Monument in 1969. In 1977, the last descendant of the López-Díaz de Quijano family sold the property and it was restored and turned into a restaurant in 1988. Finally, in 2009, the building became a museum.

Seminario Pontificio (Spanish for Pontifical Seminary) is a hamlet located in the Spanish municipality of Comillas, in the province of Cantabria. As of 2008, it had no inhabitants.

The Western Coast of Cantabria is a comarca of said Spanish autonomous community which comprises the municipalities of Val de San Vicente, San Vicente de la Barquera, Valdáliga, Comillas, Udías, Ruiloba, Alfoz de Lloredo and Santillana del Mar. As its own name indicates, this comarca extends over the western coast of the autonomous community, from its border with Asturias by the mouth of the Deva River, to the Saja-Besaya mouth in Suances, although this limits may vary depending on the source, since this comarca, as the rest of Cantabria's, is not regulated, but there are common characteristic elements in the municipalities that belong to it. This zone has great tourism assets like beaches, nature, gastronomy and culture. Santillana del Mar, Comillas, Suances and San Vicente de la Barquera are the municipalities of greater renown, both in the comarca and in Cantabria, so they are the main destinations for tourists. Three of the longest rivers of Cantabria flow into the Western coast: The Deva, the Nansa and the Saja-Besaya. In addition to the numerous beaches, the Oyambre Natural Park and Mount Corona stand out as natural attractions. As has been mentioned, the culture of the zone is quite remarkable, since in a few kilometers-radius many cultural spots are concentrated: the Altamira Cave and Museum, the Zoologic and Botanic Garden, the Collegiate Church in Santillana del Mar; and the Sobrellano Palace, the Comillas Pontifical University and the Gaudí Caprice in Comillas. The Cantabrian West is a mainly touristic comarca, that opposed to the East, it had remained safe from the massive house buildings because of the lateness of the construction of the Cantabrian Motorway, completed in the early 2000s

Ruiloba is a municipality in Cantabria Province, Spain.

Udías is a municipality located in the autonomous community of Cantabria, Spain.

Valdáliga is a municipality in Cantabria, Spain.

Cabezón de la Sal is a municipality located in the autonomous community of Cantabria, Spain. According to the 2007 census, the town has a population of 7,971 inhabitants.

Sociedad Deportiva Textil Escudo is a football team based in Cabezón de la Sal in the autonomous community of Cantabria. Founded in 1925, the team plays in the Tercera División RFEF – Group 3. The club's home ground is Campo de Fútbol Juan María Parés Serra, which has a capacity of 1,500 spectators.

Alfoz de Lloredo is a municipality located in the autonomous community of Cantabria, Spain. According to the 2007 census, the city has a population of 2.538 inhabitants. Its capital is Novales.

The Cave of Altamira and Paleolithic Cave Art of Northern Spain (Cueva de Altamira y arte rupestre paleolítico del Norte de España) is a grouping of 18 caves of northern Spain, which together represent the apogee of Upper Paleolithic cave art in Europe between 35,000 and 11,000 years ago (Aurignacian, Gravettian, Solutrean, Magdalenian, Azilian). In 2008, they were collectively designated a World Heritage Site by UNESCO. Chief among these caves is Altamira, located within the town of Santillana del Mar in Cantabria. It remains one of the most important painting cycles of prehistory, originating in the Magdalenian and Solutrean periods of the Upper Paleolithic. This cave's artistic style represents the Franco-cantabrian school, characterized by the realism of its figural representation. Altamira Cave was declared a World Heritage Site in 1985. In 2008, the World Heritage Site was expanded to include 17 additional caves located in three autonomous communities of northern Spain: Asturias, Cantabria and the Basque Country.

The National Museum and Research Center of Altamira (Spanish: Museo Nacional y Centro de Investigación de Altamira), also known as Altamira Museum (Spanish: Museo de Altamira), is a center dedicated to the conservation of, research into and the sharing of information about the cave of Altamira in Santillana del Mar (Cantabria, Spain), named a World Heritage Site by Unesco. The museum offers prehistoric technology workshops to visitors, as well as a permanent exhibition called Times of Altamira, which contains objects from Altamira as well as those from other palaeolithic caves of Cantabria such as El Morín, El Juyo and El Rascaño. The New Altamira Cave, or Neocave, is also part of this exhibition: an artificial replica of the original caves, built in order to preserve the originals from damage arising from a massive influx of visitors.

The Cave of Altamira ( AL-tə-MEER-ə; Spanish: Cueva de Altamira [ˈkweβa ðe altaˈmiɾa]) is a cave complex, located near the historic town of Santillana del Mar in Cantabria, Spain. It is renowned for prehistoric cave art featuring charcoal drawings and polychrome paintings of contemporary local fauna and human hands. The earliest paintings were applied during the Upper Paleolithic, around 36,000 years ago. The site was discovered in 1868 by Modesto Cubillas and subsequently studied by Marcelino Sanz de Sautuola.Aside from the striking quality of its polychromatic art, Altamira's fame stems from the fact that its paintings were the first European cave paintings for which a prehistoric origin was suggested and promoted. Sautuola published his research with the support of Juan de Vilanova y Piera in 1880, to initial public acclaim. However, the publication of Sanz de Sautuola's research quickly led to a bitter public controversy among experts, some of whom rejected the prehistoric origin of the paintings on the grounds that prehistoric human beings lacked sufficient ability for abstract thought. The controversy continued until 1902, by which time reports of similar findings of prehistoric paintings in the Franco-Cantabrian region had accumulated and the evidence could no longer be rejected.Altamira is located in the Franco-Cantabrian region and in 1985 was declared a World Heritage Site by UNESCO as a key location of the Cave of Altamira and Paleolithic Cave Art of Northern Spain. The cave can no longer be visited, for conservation reasons, but there are replicas of a section at the site and elsewhere.