Ludham Bridge

The River Ant is a tributary river of the River Bure in the county of Norfolk, England. It is 27 kilometres (17 mi) long (of which 8.75 miles are now navigable), and has an overall drop of 27 metres from source to mouth. It is said that the Ant was formerly known as the River Smale and that this is the origin of the name of the village of Smallburgh.The Ant Broads & Marshes NNR is a national nature reserve.

St Benet's Abbey was a medieval monastery of the Order of Saint Benedict, also known as St Benet's at Holme or Hulme. It was situated at Cow Holm, Horning, on the River Bure within the Broads in Norfolk, England. St Benet is a medieval English version of the name of St Benedict of Nursia, hailed as the founder of western monasticism. At the period of the Dissolution of the Monasteries the abbey's possessions were in effect seized by the crown and assigned to the diocese of Norwich. Though the monastery was supposed to continue as a community, within a few years at least the monks had dispersed. Today there remain only ruins.

How Hill House is a large Edwardian house in How Hill, an area of Ludham parish, Norfolk, England. The house overlooks the River Ant and is within the Broads National Park. The house was designed in the vernacular revival style by the English architect Edward Thomas Boardman in 1903 who intended it to be his family's country retreat. The Boardman family owned the house until 1966 before its sale to Norfolk County Council. Years later it was sold to Norwich Union who eventually gifted the house to the How Hill Trust, an environmental education charity. The house is a Grade II listed building.

Crome's Broad is situated to the east of the River Ant, north of How Hill, within The Broads National Park in Norfolk, England. It is named after John Crome, the founder of the Norwich School of painters.

Ludham is a village and civil parish in the English county of Norfolk, in the Norfolk Broads, at the end of a dyke leading to Womack Water and flowing into the River Thurne. It lies 1.5 miles (2.4 km) to the East of Ludham Bridge, which is on the River Ant. It covers an area of 12.18 km2 (4.70 sq mi) and had a population of 1,301 in 582 households at the 2001 census, the population reducing to 1,278 at the 2011 census. For the purposes of local government, it falls within the district of North Norfolk. The villages name origin is unsure possibly, 'Luda's homestead/village' but perhaps, 'homestead/village on the Hlude (= noisy one)', an old name for Womack Water. It is part of the Ludham - Potter Heigham NNR, a national nature reserve. The village gave its name to a Ham-class minesweeper, HMS Ludham and also, in geology, to an age/stage (the Ludhamian) in the British regional subdivision of the Pleistocene Series/Epoch. It also effectively gives its name to the preceding age/underlying stage known as the Pre-Ludhamian.

Malthouse Broad is a broad (i.e., lake) at Ranworth in the Norfolk Broads. The "Helen of Ranworth" is a traditional reedlighter, a boat that carried away the reed harvest. Now it ferries visitors from Malthouse Broad to Ranworth Broad. Media related to Malthouse Broad at Wikimedia Commons

Ranworth Broad is a 136-hectare (340-acre) nature reserve on the Norfolk Broads north-east of Norwich in Norfolk, United Kingdom. It is managed by the Norfolk Wildlife Trust. it is part of Bure Broads and Marshes Site of Special Scientific Interest and Bure Marshes Nature Conservation Review site, Grade I and National Nature Reverse. It is also part of the Broadland Ramsar site and Special Protection Area, and The Broads Special Area of Conservation.Many species of birds can be seen from the floating Broads Wildlife Centre such as great crested grebes, wigeons, gadwalls, kingfishers and cormorants. There are also areas of woodland and reedbeds.The poet and critic Edward Thomas spent a holiday on a houseboat on Ranworth Broad with his son and a group of friends in the summer of 1913 at the invitation of the poet and writer Eleanor Farjeon, while Thomas's wife Helen was in Switzerland.

Ranworth is a village in Norfolk, England in The Broads, adjacent to Malthouse Broad and Ranworth Broad. It is located in the civil parish of Woodbastwick. The village's name origin is uncertain 'Edge enclosure' or perhaps, 'Randi's enclosure.'

Irstead is a village and former civil parish, now in the parish of Barton Turf, in the North Norfolk district, in the county of Norfolk, England. The village is situated at Irstead Shoals, on the River Ant just south of Barton Broad, the second largest of the Norfolk Broads. In 1931 the parish had a population of 113.

Fairhaven Woodland and Water Garden, Norfolk, England, is a registered charity, comprising 131 acres (0.53 km2) of ancient woodland, woodland garden and water garden and including South Walsham inner Broad. Within the garden is an ancient fishpond (King Stephens fishpond - listed in the Domesday book), a 950-year-old oak, over 95 recorded species of birds, a private broad, many species of wild and cultivated plants the most spectacular being the Candelabra primulas – around 50,000 flower during the last two weeks in May and the first two weeks in June.A network of dykes criss-cross the garden and are all cleared by hand each winter using a traditional tool called a chrome. Other traditional practices used within the garden are coppicing and leaf harvesting to create a natural fertiliser. The garden is one hundred per cent organically managed. The late 1990s saw the return of Otters to the garden and broad.Until the 1980s, the garden was mainly dense wooded areas, but Dutch Elm disease and the 1987 gale saw one thousand fall. The areas that lost a large number of trees (several of them large Oaks) became open glade areas suitable for more cultivated plants that required more sun than the woodland plants. Plants such as Gunnera manicata, hydrangeas, philadelphus, cornus and daffodils were planted to give the garden year round interest.

The Church of St Helen, Ranworth, Norfolk is a church of medieval origins notable for its collection of church paintings. Known as "the Cathedral of The Broads", the church dates from the 14th century, although with origins in Saxon times. It contains a major collection of medieval artefacts, in particular the church's rood screen and the Ranworth Antiphoner, a liturgical manuscript. The church remains an active parish church and is a Grade I listed building.

The Ranworth rood screen at Church of St Helen, Ranworth, Norfolk, is a wooden medieval rood screen that divides the chancel and nave, and was originally designed to act to separate the laity from the clergy. It is described by English Heritage as "one of England's finest painted screens".The exact date of the creation of the screen is undocumented—a date of c. 1479–1480 has been proposed by modern experts. The screen has an elaborate and coherent design, depicting 26 figures, including 12 named Apostles in the central part of the screen. The southern end, which was designed as a Lady Chapel, has panel paintings of the Virgin Mary and three other female saints.They all have a connection with childbirth and babies, which may have had a special significance for the women of the parish; it has been suggested that during the Middle Ages, women who had recently given birth came to the altar to be blessed, signifying thanks for their survival and their return from their period of lying-in. Ranworth's rood screen survived the iconoclasm of the English Reformation. It is relatively well-preserved, but the loft parapet above the screen has not survived. Drawings of it were made in 1839 by Harriet Gunn, and it was described in detail in the 1870s. The panels at Ranworth were restored by Pauline Plummer during the 1960s and 1970s. In 1937, the art historian Audrey Baker identified a group of East Anglian parish churches with medieval panels related to those at Ranworth; since then, screens and panel paintings from other churches have been suggested, all dating from 1470 – c. 1500. The Ranworth group is also related by the way the framed were jointed during construction, and the depiction of tiles and the use of similar and identical stencils in the panel paintings. There is evidence that the rood screens were made in the same workshop before being painted by unnamed artists in situ.