Roman Catholic Archdiocese of Dijon

The Académie de Dijon was founded by Hector-Bernard Pouffier, the most senior member of the Parlement de Bourgogne, in 1725. It received royal lettres patentes in 1740. In 1775, it became the "Académie des Sciences, Arts et Belles-Lettres de Dijon." From 1855 to 1869, it was called the "Académie Impériale des Sciences, Arts et Belles-Lettres de Dijon" before returning in 1870 to the name "Académie des Sciences, Arts et Belles-Lettres de Dijon." In July 1750, it sponsored a prize competition on the question of "whether the reestablishment of the sciences and the arts contributed to purifying morals." Jean-Jacques Rousseau won the prize by arguing in the negative, in his Discourse on the Arts and Sciences. In 1754, he again competed for the prize with his Discourse on the Origin and Basis of Inequality Among Men, but did not win the prize that year. The Académie des Sciences, Arts et Belles-Lettres de Dijon still exists, and still offers the prize.

The Battles of Dijon were a series of battles that took place in 1870 and 1871, as part of the Franco-Prussian War, on the current territory of the French commune of Dijon between the French Republic and the German states of Prussia and Baden and later, the German Empire.

The Musée Magnin is a national museum in the French city of Dijon in Burgundy, in the Côte-d'Or department, with a collection of around 2,000 works of art collected by Maurice Magnin and his sister Jeanne and bequeathed to the state in 1938, along with the hôtel Lantin, a 17th-century hôtel particulier in the old-town quarter of Dijon where it is now displayed as an amateur collector's cabinet of curiosities and as the Magnin family home.

The arrondissement of Dijon is an arrondissement of France in the Côte-d'Or department in the Bourgogne-Franche-Comté region. It has 224 communes. Its population is 361,844 (2016), and its area is 2,808.2 km2 (1,084.3 sq mi).

The Palace of the Dukes and Estates of Burgundy or Palais des ducs et des États de Bourgogne is a remarkably well-preserved architectural assemblage in Dijon. The oldest part is the 14th and 15th century Gothic ducal palace and seat of the Dukes of Burgundy, made up of a logis still visible on place de la Liberation, the ducal kitchens on cour de Bar, the tour de Philippe le Bon, a "guette" overlooking the whole city, and tour de Bar. Most of what can be seen today, however, was built in the 17th and especially the 18th centuries, in a classical style, when the palace was a royal residence building and housed the estates of Burgundy. Finally, the 19th façade of the musée on place de la Sainte-Chapelle was added on the site of the palace's Sainte-Chapelle, demolished in 1802. The Palace houses the city's town hall and the musée des Beaux-Arts.

The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787, in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century, it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart. Since 2006, the museum has been in a process of full renovation and extension. First, the work focused on one part including the renovated route "Middle-Ages – Renaissance", inaugurated on 7 September 2013. The fully-renovated museum displaying 1500 works of art in 50 different rooms was inaugurated on 17 May 2019 in the presence of the Minister for Culture Franck Riester, the former French President François Hollande and the Mayor François Rebsamen. Attendance soared with 230,000 visitors6 recorded at the end of October to reach 315,000 at the end of 2019.

The Duchy of Burgundy was a medieval and early modern feudal polity in north-western regions of historical Burgundy. It was a duchy, ruled by dukes of Burgundy. The Duchy belonged to the Kingdom of France, and was initially bordering the Kingdom of Burgundy to the east and south, thus being distinct from the neighboring Free County of Burgundy (modern region of Franche-Comté). The first duke of Burgundy (Latin: dux Burgundiae), attested in sources by that title, was Richard the Justiciar in 918. In 1004, prince Henry of France, a son of king Robert II of France, inherited the Duchy, but later ceded it to his younger brother Robert in 1032. Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King John II of France and the royal House of Valois. The Burgundian duchy was absorbed in a larger territorial complex after 1363, when King John II ceded the duchy to his younger son Philip. With his marriage with Countess Margaret III of Flanders, he laid the foundation for a Burgundian State which expanded further north in the Low Countries collectively known as the Burgundian Netherlands. Upon further acquisitions of the County of Burgundy, Holland, and Luxemburg, the House of Valois-Burgundy came into possession of numerous French and imperial fiefs stretching from the western Alps to the North Sea, in some ways reminiscent of the Middle Frankish realm of Lotharingia. The Burgundian State, in its own right, was one of the largest ducal territories that existed at the time of the emergence of Early Modern Europe. After just over one hundred years of Valois-Burgundy rule, however, the last duke, Charles the Bold, rushed to the Burgundian Wars and was killed in the 1477 Battle of Nancy. The extinction of the dynasty led to the absorption of the duchy itself into the French crown lands by King Louis XI, while the bulk of the Burgundian possessions in the Low Countries passed to Charles' daughter, Mary, and her Habsburg descendants.

The Musée d'art sacré de Dijon is a municipal museum of Catholic Burgundian sacred art inaugurated in 1980 by Canon Jean Marilier in the Église Sainte-Anne of Dijon. It is labeled "Musée de France" and was associated in 1993 with the Musée de la Vie Bourguignonne Perrin Puycousin located in the nearby monastery. In 1950, the city of Dijon bought the Église Sainte-Anne located at the 17 rue Sainte-Anne to house the museum in 1979. It exhibits sculptures, paintings, furniture, objects of Catholic worship and many relics, which the Church abandoned their use in various religious reforms. In the grandstands there is a large collection of religious clothing, mainly of the 19th and 20th centuries. The museum gathers liturgical objects of the 12th to the 19th century used for Catholic worship, and shows the lives of communities of women belonging to various spiritual families. There are many works by Jean-Baptiste Bouchardon.

The Musée Rude is an art museum dedicated to the French sculptor François Rude (1784–1855). It has the "Musée de France" label and has been housed since 1947, in a part of the former Église Saint-Étienne of Dijon, built during the 11th century. The museum displays life-size plaster casts acquired by the Dijon municipality between 1887 and 1910, which are major works by the artist exhibited in other museums in France (including the Louvre in Paris). The museum also displays archaeological crypt of the 11th century, and the former St. Stephen's Gate of the Dijon castrum of the 3rd century on which the church is built. Open from 9:30 am to 6 pm from 1 June to 30 September, the museum is free. Labeled Museum of France since February 1, 2003, it is attached to the Dijon Museum of Fine Arts, which manages it.

The Church of Notre-Dame of Dijon is a Roman Catholic church in Dijon. Considered a masterpiece of 13th-century Gothic architecture, it is situated at the heart of the preserved old centre of the city. It is located in Place Notre-Dame, near the Palace of the Dukes of Burgundy and opposite the rue Musette. Work on the church began around 1230. The church contains the statue of Notre-Dame de Bon-Espoir, formerly called the Black Madonna. The church's decorations also include two symbols of Dijon: the jacquemart (bell-striking automaton) and the owl. The church was classified as a Monument Historique in the List of historic monuments of 1840. The chapel of the Assumption, the sacristy, and the gallery that links them have been listed as Monuments Historiques since 5 July 2002.

The Musée Archéologique de Dijon is an archaeology museum focusing on the archaeology of Burgundy that was founded in 1832, in Côte-d'Or within Dijon, France. It contains collections regarding "the men of Burgandy" that covers the periods of prehistory, protohistory, the rule of Ancient Rome, and the Middle Ages as well as collections of paleochristian art, sacred art, and church architecture. The museum's collection and location have been housed since 1934, in the main wing of the Abbey of St. Bénigne, situated next door to the Dijon Cathedral.

The monument to Bernard of Clairvaux at Dijon is a memorial built in 1847 by the dijonnais sculptor François Jouffroy, dedicated to the monk, statesman, preacher, orator and Catholic saint Bernard of Clairvaux (1090-1153), located at the place Saint-Bernard of Dijon, at the French Côte-d'Or department.