Monument to Bernard of Clairvaux (Dijon)

The Church of Notre-Dame of Dijon is a Roman Catholic church in Dijon. Considered a masterpiece of 13th-century Gothic architecture, it is situated at the heart of the preserved old centre of the city. It is located in Place Notre-Dame, near the Palace of the Dukes of Burgundy and opposite the rue Musette. Work on the church began around 1230. The church contains the statue of Notre-Dame de Bon-Espoir, formerly called the Black Madonna. The church's decorations also include two symbols of Dijon: the jacquemart (bell-striking automaton) and the owl. The church was classified as a Monument Historique in the List of historic monuments of 1840. The chapel of the Assumption, the sacristy, and the gallery that links them have been listed as Monuments Historiques since 5 July 2002.

The arrondissement of Dijon is an arrondissement of France in the Côte-d'Or department in the Bourgogne-Franche-Comté region. It has 224 communes. Its population is 361,844 (2016), and its area is 2,808.2 km2 (1,084.3 sq mi).

The Palace of the Dukes and Estates of Burgundy or Palais des ducs et des États de Bourgogne is a remarkably well-preserved architectural assemblage in Dijon. The oldest part is the 14th and 15th century Gothic ducal palace and seat of the Dukes of Burgundy, made up of a logis still visible on place de la Liberation, the ducal kitchens on cour de Bar, the tour de Philippe le Bon, a "guette" overlooking the whole city, and tour de Bar. Most of what can be seen today, however, was built in the 17th and especially the 18th centuries, in a classical style, when the palace was a royal residence building and housed the estates of Burgundy. Finally, the 19th façade of the musée on place de la Sainte-Chapelle was added on the site of the palace's Sainte-Chapelle, demolished in 1802. The Palace houses the city's town hall and the musée des Beaux-Arts.

The Musée Archéologique de Dijon is an archaeology museum focusing on the archaeology of Burgundy that was founded in 1832, in Côte-d'Or within Dijon, France. It contains collections regarding "the men of Burgandy" that covers the periods of prehistory, protohistory, the rule of Ancient Rome, and the Middle Ages as well as collections of paleochristian art, sacred art, and church architecture. The museum's collection and location have been housed since 1934, in the main wing of the Abbey of St. Bénigne, situated next door to the Dijon Cathedral.

The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787, in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century, it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart. Since 2006, the museum has been in a process of full renovation and extension. First, the work focused on one part including the renovated route "Middle-Ages – Renaissance", inaugurated on 7 September 2013. The fully-renovated museum displaying 1500 works of art in 50 different rooms was inaugurated on 17 May 2019 in the presence of the Minister for Culture Franck Riester, the former French President François Hollande and the Mayor François Rebsamen. Attendance soared with 230,000 visitors6 recorded at the end of October to reach 315,000 at the end of 2019.

The Battles of Dijon were a series of battles that took place in 1870 and 1871, as part of the Franco-Prussian War, on the current territory of the French commune of Dijon between the French Republic and the German states of Prussia and Baden and later, the German Empire.

The Musée Magnin is a national museum in the French city of Dijon in Burgundy, in the Côte-d'Or department, with a collection of around 2,000 works of art collected by Maurice Magnin and his sister Jeanne and bequeathed to the state in 1938, along with the hôtel Lantin, a 17th-century hôtel particulier in the old-town quarter of Dijon where it is now displayed as an amateur collector's cabinet of curiosities and as the Magnin family home.

Dijon Cathedral, or the Cathedral of Saint Benignus of Dijon (French: Cathédrale Saint-Bénigne de Dijon), is a Roman Catholic church located in the town of Dijon, Burgundy, France, and dedicated to Saint Benignus of Dijon. The Gothic cathedral building, constructed between 1280 and 1325, and dedicated on 9 April 1393, is a listed national monument. Originating as the church of the Abbey of St. Benignus, it became the seat of the Diocese of Dijon during the French Revolution, replacing the previous cathedral when it was secularised, and has been the seat of the succeeding Archbishopric of Dijon since the elevation of the diocese in 2002.

The Musée Rude is an art museum dedicated to the French sculptor François Rude (1784–1855). It has the "Musée de France" label and has been housed since 1947, in a part of the former Église Saint-Étienne of Dijon, built during the 11th century. The museum displays life-size plaster casts acquired by the Dijon municipality between 1887 and 1910, which are major works by the artist exhibited in other museums in France (including the Louvre in Paris). The museum also displays archaeological crypt of the 11th century, and the former St. Stephen's Gate of the Dijon castrum of the 3rd century on which the church is built. Open from 9:30 am to 6 pm from 1 June to 30 September, the museum is free. Labeled Museum of France since February 1, 2003, it is attached to the Dijon Museum of Fine Arts, which manages it.

The Académie de Dijon was founded by Hector-Bernard Pouffier, the most senior member of the Parlement de Bourgogne, in 1725. It received royal lettres patentes in 1740. In 1775, it became the "Académie des Sciences, Arts et Belles-Lettres de Dijon." From 1855 to 1869, it was called the "Académie Impériale des Sciences, Arts et Belles-Lettres de Dijon" before returning in 1870 to the name "Académie des Sciences, Arts et Belles-Lettres de Dijon." In July 1750, it sponsored a prize competition on the question of "whether the reestablishment of the sciences and the arts contributed to purifying morals." Jean-Jacques Rousseau won the prize by arguing in the negative, in his Discourse on the Arts and Sciences. In 1754, he again competed for the prize with his Discourse on the Origin and Basis of Inequality Among Men, but did not win the prize that year. The Académie des Sciences, Arts et Belles-Lettres de Dijon still exists, and still offers the prize.

The Roman Catholic Archdiocese of Dijon (Latin: Archidioecesis Divionensis; French: Archidiocèse de Dijon) is a diocese of the Latin Church of the Roman Catholic Church in France. The archepiscopal see is Dijon Cathedral, which is located in the city of Dijon. The diocese comprises the entire department of Côte-d'Or, in the Region of Bourgogne. Originally established as the Diocese of Dijon in 1731, and suffragan to the Archdiocese of Lyon, the diocese was elevated to the rank of archdiocese in 2002. The most significant jurisdiction change occurred after the Concordat of 1801, when the diocese annexed the department of Haute-Marne. In 1821, a papal bull re-established the Diocese of Langres. The current archbishop is Antoine Hérouard, appointed in 2022.

The Musée d'art sacré de Dijon is a municipal museum of Catholic Burgundian sacred art inaugurated in 1980 by Canon Jean Marilier in the Église Sainte-Anne of Dijon. It is labeled "Musée de France" and was associated in 1993 with the Musée de la Vie Bourguignonne Perrin Puycousin located in the nearby monastery. In 1950, the city of Dijon bought the Église Sainte-Anne located at the 17 rue Sainte-Anne to house the museum in 1979. It exhibits sculptures, paintings, furniture, objects of Catholic worship and many relics, which the Church abandoned their use in various religious reforms. In the grandstands there is a large collection of religious clothing, mainly of the 19th and 20th centuries. The museum gathers liturgical objects of the 12th to the 19th century used for Catholic worship, and shows the lives of communities of women belonging to various spiritual families. There are many works by Jean-Baptiste Bouchardon.