Nordic Library at Athens

Ilias Lalaounis Jewelry Museum (often referred to as the ILJM) is a museum in Athens, Greece, created by the renowned Greek jewellery designer Ilias Lalaounis. The ILJM is located near the Acropolis, at the corner of Karyatidon and Kallisperi streets. It comprises 50 collections of a total of over 4,000 jewels and small ornaments dedicated to the history and art of jewellery making. The permanent exhibition displays more than 3000 pieces designed in the period 1940–1992.

The Rampin Rider or Rampin Horseman (c. 550 BC) is an equestrian statue from the Archaic Period of Ancient Greece. The statue was masterfully made of marble and has traces of red and black paint. The head of the rider was found on the Acropolis of Athens in 1877 and donated to the Louvre. Parts of the body of the rider and horse were found ten years earlier in a Perserschutt ditch filled with statues broken during the 480 BC Persian sack of Athens. The head was not associated with the rest of the statue until 1936. The statue is displayed with a plaster cast of the head at the Acropolis Museum, while the head remains at the Louvre where it is displayed with a cast of the rest of the statue. The rider has many of the features typical of an Archaic kouros, but has several asymmetrical features that break with the period's conventions.

The Norwegian Institute at Athens (Norwegian: Det Norske Institutt I Athen; Greek: Νορβηγικό Ινστιτούτο Αθηνών) is one of the 19 foreign archaeological institutes operating in Athens, Greece. The Institute aims to promote research in all areas of Greek Studies by Norwegian scholars. It contributes, with its Danish, Finnish and Swedish counterparts, to the Nordic Library at Athens. Its archaeological activities, since its foundation in 1989, include archaeological survey in Arcadia, deep-water archaeological survey in the Northern Sporades and off Ithaca (Ionian Islands), and excavations at Petropigi (Kavala regional unit), and at Tegea (Arcadia) where the city and the sanctuary of Athena Alea are under investigation.

Collytus or Kollytos (Ancient Greek: Κολλυτός) was a deme of ancient Attica, located in the city of Athens. It was located within the walls of Themistocles, south of the Areopagus and southwest of Acropolis. It was famed due to its association with Plato, whose family was from this deme.

Dionysiou Areopagitou Street (Greek: Οδός Διονυσίου Αρεοπαγίτου, Greek pronunciation: [oˈðos ðjoniˈsiu areopaˈʝitu]) is a pedestrianized street, adjacent to the south slope of the Acropolis in the Makrygianni district of Athens. It is named after Dionysius the Areopagite, the first Athenian convert to Christianity after Apostle Paul's sermon, according to the Acts of the Apostles, and patron saint of the city of Athens. The street runs from east to west. It starts from Amalias Avenue near the Arch of Hadrian and ends near Philopappos Hill where it continues as Apostolou Pavlou Avenue, the rest of the pedestrian zone which goes around the archaeological site of the Acropolis and the Agora. The street was first mapped in 1857 in a position more northern than where it is located today, adjacently to the Odeon of Herodes Atticus. It acquired its current shape in 1955, when it was redesigned by architect Dimitris Pikionis, who also designed the paved paths of the archaeological site. The street was finally pedestrianized in 2003.

The Acropolis Museum (Greek: Μουσείο Ακρόπολης, Mouseio Akropolis) is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies over the ruins of part of Roman and early Byzantine Athens. The museum was founded in 2003 while the Organization of the Museum was established in 2008. It opened to the public on 20 June 2009. More than 4,250 objects are exhibited over an area of 14,000 square metres. The Organization for the Construction of the new museum is chaired by Aristotle University of Thessaloniki Professor Emeritus of Archaeology, Dimitrios Pandermalis.

The Choragic Monument of Nikias is a memorial building built in the Acropolis of Athens in 320–319 BCE to commemorate the choregos Nikias, son of Nikodemos. It was situated between the Theatre of Dionysos and the Stoa of Eumenes where its foundations remain along with some fragmentary elements of the structure. It was built in the form of a substantial hexastyle Doric temple with a square cella and might have been surmounted with the prize tripod of the Dionysia. The monument was dismantled at some point in late antiquity and the masonry reused in the Buelé Gate. Most of the surviving architectural remains of the choragic monument are built into the central portion of the Buelé Gate, which was uncovered and identified by its inscription by Charles Ernest Beulé in 1852.The original site of the monument, however, was not excavated until 1885 by Wilhelm Dörpfeld, who four years later discovered the foundations of the building and some other fragmentary members. William Dinsmoor confirmed Dörpfeld's conclusions in a detailed analysis and associated the foundations with the epistyle preserved on the Buelé Gate. The exact date of the destruction of the monument is unknown, however, Dinsmoor argued that it might have been at the same time as the demolition of the Stoa of Eumenes either in the late Roman period or at the time of the reconstruction of the Theatre of Dionysos by Phaidros in the 3rd or 4th century CE.Two of the major choragic monuments that have survived (Thrasyllos' and Nikias') belong to the period of oligarchic rule under the Macedonian regency, and it is perhaps significant that these are not on the Street of the Tripods, where most choragic prizes and monuments were placed. The conspicuous display of wealth and prestige they represent may have been an attempt to further the political careers of the choregoi and as such prompted the sumptuary law of Demetrios of Phaleron.

The Museum of the Center for the Acropolis Studies (Greek: Κέντρο Μελετών Ακροπόλεως) is a museum in Athens, Greece, a part of the new Acropolis Museum and its research workshops. It is housed in the Weiler Building, named after the Bavarian engineer who designed it in 1834 and constructed it in 1836. It was created under the direction of the archaeologist Evi Touloupa while she was director of the Athens Ephorate of Prehistoric and Classical Antiquities. After serving as a military hospital and a gendarmes barracks, Weiler Building was remodelled from 1985 to 1987 and was converted to a museum. Its collections include casts of the Parthenon sculptures, plaster models of the Acropolis illustrating the architectural development of the monuments from the neolithic to present times, and a permanent exhibition on the works of conservation and restoration and exhibits concerning the Erechtheion and other Acropolis monuments.

The Bema of Phaidros is the marble platform created in the third century CE that served as stage front to the Theatre of Dionysos in Athens. It is decorated with a Neo-Attic Roman sculpture of the Hadrianic or Antonine period, this sculpture was dismantled sometime in antiquity, moved from an unknown location, and rebuilt into the bema of the Theatre by Phaidros, archon of Athens. Four stone reliefs decorate the stage front illustrating scenes from the life of Dionysos they are: 1) The birth of Dionysos, 2) the entrance of Dionysos into Attica, 3) the sacred marriage of Dionysos and the Basilinna and 4) the enthronement of Dionysos. These scenes are framed by crouching Silenoi. The sculpture, reading the viewer's from right to left, begins with a scene that can be taken to be the birth of Dionysos. It consists of four figures beginning with a semi-draped seated figure who is likely Zeus facing him is a youth holding a small child, presumed to be Hermes and the infant Dionysos at the moment of his second birth from the thing of Zeus. Framing the scene are two nude male figures each holding a shield, these have been conjectured to be either korybantes or kouretes. The next slab represents the bestowing of the gift of wine, the introduction of the worship of Dionysos to Attica and alludes to the beginnings of tragedy. Again there are four figures; reading right to left they are, a young male figure in a chlamys and lion skin gesturing to his right. Immediately next is a figure identified by his attributes of grapevine, leopard skin and cothurni as Dionysos. Between him and the adjacent figure to his right is a small altar, this latter figure may be Ikarios accompanied by his dog Maera and a tethered goat. To the viewer's left is a draped female, possibly a maenad, sometimes identified as Erigone On the third slab are three figures with a fourth figure lost over time, they are conjectured to be, from left to right, Tyche Dionysos and Basilinna. The final slab on the viewer's far left consists perhaps of, from left to right, Tyche, Theseus, Basilianna, and Dionysos enthroned.It is evident from the way in which the sculptures have been cut down in size to fit their present placement, and for chronological reasons, that they are reused, secondary material. No conclusive solution has been put forward for the original date or location of the sculptures, though it has been suggested that they may have been meant for the scaenae frons of the high pulpitum built during the first half of the second century.

The Theatre of Dionysus (or Theatre of Dionysos, Greek: Θέατρο του Διονύσου) is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus (Dionysus the Liberator). The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 17,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.

Akropoli (Greek: Ακρόπολη) is a station on Athens Metro Line 2. The station opened on 15 November 2000, as part of the extension from Syntagma to Dafni, and is the nearest station to the Acropolis Museum and the eastern entrance to the Acropolis of Athens. The station has a ticket office and three automatic ticket machines. The station is decorated by huge posters of Melina Merkouri and reproductions of the Elgin Marbles of Parthenon.

The Stoa of Eumenes was a Hellenistic colonnade built on the South slope of the Acropolis, Athens and which lay between the Theater of Dionysus and the Odeon of Herodes Atticus The gallery was donated to the city of Athens by the king of Pergamon, Eumenes II (197–159 BC), around 160 BC. Vitruvius makes reference to the building when speaking about the purpose of stoai erected near theatres that served as a refuge for the spectators in inclement weather conditions or as stores for theatre props.