Cascade, Seattle

On April 27, 2019, at approximately 3:28 p.m. Pacific Time, a construction crane working on a Google office building in Seattle, Washington, United States, collapsed onto Mercer Street, killing four people and injuring four others. The crane, which was being dismantled, fell across the street and its median, crushing six cars near the Fairview Avenue intersection. It also damaged the building's roof and eastern facade. Two of the four victims were ironworkers, while the others, a college student and a former city administrator, were in vehicles on the street.Several strong gusts of wind were reported in the area, including one recorded at a speed of 23 miles per hour (37 km/h) at the time of the collapse, and was briefly theorized as a factor in the collapse. The collapse was captured in a dashcam video that was posted online the day after the accident, showing the perspective from westbound Mercer Street.Seattle has undergone a construction boom since the Great Recession, tallying 60 cranes in early 2019—the most in one city in the United States at the time. The last local crane incident to include fatalities occurred in November 2006 during construction of the Expedia Building in Bellevue, which killed one person in a nearby building. As a result, Washington adopted laws to enforce stricter crane safety policies, including enhanced operator certification and training.The Washington State Department of Labor and Industries began an investigation into the incident, with cooperation from developer Vulcan, Inc., the City of Seattle, and general contractor GLY Construction. The collapse's cause was initially unknown, although outside investigators had speculated that the improper removal of pins and bolts during disassembly was a potential cause. Mercer Street remained shut down for the weekend and re-opened on Monday morning, following removal of the crane and debris to a nearby lot.

Consolidated Works was a "multi-disciplinary contemporary arts center" located successively in two former warehouses in the South Lake Union neighborhood of Seattle, Washington, USA, just west of what would be considered the Cascade neighborhood within South Lake Union. It incorporated an art gallery, theater, cinema, and music/dance/lecture hall, as well as studio spaces for artists and a bar and lounge. The center was founded in 1997 by Matthew Richter. Richter had previously worked at Seattle's alternative newspaper The Stranger as theatre editor. Funding came from grants, donations, and corporate sponsorship, and The Stranger also agreed to provide advertising for events at ConWorks in exchange for storage space at its warehouse. Richter became the center's Executive Director, with Meg Shiffler becoming Director of Visual Art until 2003. The center opened in 1999, working from temporary premises on Terry Avenue for three years. ConWorks' renovated facility at 500 Boren Avenue North opened on 13 September 2002. The refit of the 35,000 sq ft (3,300 m2) warehouse, built in 1948, cost almost half a million dollars. Consolidated Works' aim was to give all the art forms equal billing - to be "neither a theater with art in the lobby nor a gallery with a stage in back; it is neither a cinema that plays music nor a music hall that shows films" [1]. To this end, its presentations offered high-profile artists like Andy Warhol alongside emerging talent, primarily from the Pacific Northwest. This policy of encouraging young creative professionals also included an Artist-in-Residence program. As well as mounting its own productions and exhibitions, the center also hosted touring events - for example, the Curiously Strong contemporary art program (sponsored by Altoids) and the popular 14/48 theater show (where 14 short plays are written and produced in 48 hours, begun in 1997). Richter's vision was one of experimentalism, and he argued that "if the quality of the programming was always of a strong finished caliber, then we weren't doing our job right" [2].

South Lake Union (sometimes SLU) is a neighborhood in Seattle, Washington, so named because it is at the southern tip of Lake Union. The official boundaries of the City of Seattle Urban Center are Denny Way on the south, beyond which is Denny Triangle; Interstate 5 on the east, beyond which is Capitol Hill; Aurora Avenue N. (State Route 99) on the west, beyond which is Lower Queen Anne; and Galer Street, Lake Union, and E. Newton Place on the north, beyond which are Westlake and Eastlake, but like most Seattle neighborhoods, its precise boundaries are indeterminate. In particular Cornish College of the Arts and Vulcan Inc. properties such as 2200 and 2201 Westlake are officially in Denny Triangle for city planning and zoning purposes but often referred to as South Lake Union. The portion of South Lake Union east of Fairview Avenue N. is historically known as Cascade. Historic structures continue to stand in the Cascade neighborhood today. Its main thoroughfares are Valley and Mercer Streets (east- and westbound) and Dexter, 9th, Westlake, and Fairview Avenues N. and Eastlake Avenue E. (north- and southbound). The city addressed transportation issues by changing Mercer Street into a two-way, six-lane, tree-lined boulevard, with Valley Street becoming a two-way, pedestrian friendly road.

Wawona was an American three-masted, fore-and-aft schooner that sailed from 1897 to 1947 as a lumber carrier and fishing vessel based in Puget Sound. She was one of the last survivors of the sailing schooners in the West Coast lumber trade to San Francisco from Washington, Oregon, and Northern California. Wawona was built near Eureka, California on Humboldt Bay by Hans Ditlev Bendixsen, who was one of the most important West Coast shipbuilders of the late 19th century. The vessel was 165 feet (50 m) long with a 35-foot (11 m) beam. Her masts were 110 feet (34 m) tall. She was berthed at South Lake Union Park in Seattle adjacent to the Center for Wooden Boats. She was listed on the National Register of Historic Places, the Washington State Heritage Register, and was an official city landmark. However, after efforts to restore the decaying ship failed, she was dismantled in March 2009. In 2012 artist John Grade used parts from the ship in a massive 65-foot sculpture called Wawona in the Grand Atrium of Seattle's Museum of History & Industry. Wood from the ship was also used to create the museum's front desk and the bar at the museum's Compass Cafe.

The Troy Laundry Building is a 1927 building in the South Lake Union/Cascade District of Seattle. The building was originally built to house the Troy Laundry Company. It was designated as Seattle Landmark in March 1996.

MV Westward is an 86-foot (26 m) motor yacht, "arguably Seattle’s most famous motor yacht," originally constructed in 1924 by Ted Geary for inventor Campbell Church, Sr., and currently owned by Bill Bailey. Her home port is Friday Harbor, Washington and she is listed on the U.S. National Register of Historic Places.Westward was modeled after a salmon cannery tender and constructed—around a 1923 Atlas-Imperial diesel engine—at the Martinolich Shipyard on Maury Island near Seattle. She was designed to travel the Inside Passage along the British Columbia coast to Alaska. Her construction marked a turning point in Geary's career: previously he had built workboats; from this time he built yachts.In her early years, expeditions on the Westward were hunting expeditions, with "a Norwegian whale gun shooting harpoons fitted with time fuse bombs, a 10-horse gasoline winch with thirty-six hundred feet [1097 meters] of quarter-inch [0.6 cm] plow steel cable as a fishing line, and all of the accessories for 'scrapping it out' with fifty-ton [about 45 metric tonnes] whales". These expeditions were led by Church's son Campbell Church, Jr., who founded The Alaska Coast Hunting and Cruising Company. The Churches ended up owning numerous notable motor yachts. Besides the Westward were the Nooya, Deerleap, Caroline, Alarwee, Acania, Onawa, Malibu, Cadrew, Electra, Olympus, and Taconite. Campbell Jr. made extensive films of his journeys.Among the many people who have traveled aboard Westward are A. C. Gilbert, inventor of the Erector Set, George Eastman (of Eastman Kodak), banker Paul Mellon, George Pabst of Pabst Brewing Company, investor E.F. Hutton and his wife Marjorie Merriweather Post, Walt Disney, John Wayne, Phil Harris, Fibber McGee & Molly and Amos & Andy.During World War II, Westward was pressed into military service. Don Gumpertz bought Westward in 1967 and circumnavigated the globe in it in the 1970s. Hugh Reilly, once the owner of a fleet of fishing trawlers in the Alaska seafood industry (coincidentally named Westward Trawlers), bought Westward in 1993. From 1997 to 2004 he returned Her to her roots as a vessel for Alaska tourism (minus the blood sports). He then put the boat through a major refitting before taking her on a two-year tour of the Pacific, from which he returned in early September 2008. After a brief visit to Puget Sound, he took her down the West Coast to Mexico and then in May 2009 crossed for the South Pacific.Westward is still powered by her original 1923 Atlas-Imperial diesel engine. which provides 110 horsepower and gives her a cruising speed of eight knots. http://classicyacht.org/westward/?page_id=26

Lake Union Park is a 12-acre (4.9 ha) park located at the south end of Lake Union in Seattle, Washington in the South Lake Union neighborhood. The park is owned by the City of Seattle and operated by Seattle Parks and Recreation. The park property was gradually acquired by the City, and the final 5 acres (2.0 ha) were transferred from the United States Navy to the City of Seattle on July 1, 2000. After renovation, the current park space officially opened on September 25, 2010.

The Museum of History & Industry (MOHAI) is a history museum in the South Lake Union neighborhood of Seattle, Washington, United States. It is the largest private heritage organization in Washington state, maintaining a collection of nearly four million artifacts, photographs, and archival materials primarily focusing on Seattle and the greater Puget Sound region. A portion of this collection (roughly 2% at any given time) is on display in the museum's galleries at the historic Naval Reserve Armory in Lake Union Park.The museum's keynote exhibits include: Boeing's first commercial plane, the 1919 Boeing B-1; the Petticoat Flag, a U.S. flag sewn by women during the 1856 Battle of Seattle; and the Rainier Brewing Company's 12-foot tall neon "R" sign. In addition to both permanent and temporary exhibits, MOHAI administers ongoing youth and adult programming, and regularly hosts public events in partnership with other community organizations, particularly within the South Lake Union neighborhood. MOHAI is accredited by the American Alliance of Museums and is a Smithsonian affiliate museum.

The Naval Reserve Armory is a building in the South Lake Union neighborhood of Seattle, Washington, United States. It is a large concrete structure influenced by the Moderne and Art Deco movements, which was built by the Works Progress Administration from 1941-42. The main interior feature is a 133 x 100 ft (40.5 x 30 m) drill hall which was used by the U.S. Naval Reserve to train thousands of young recruits for service in World War II. The building is noted for its association with mass mobilization during the war as well as its involvement with Depression-era work relief.The building was designed by Seattle architect William R. Grant and B. Marcus Priteca. Its construction was initially promoted by a citizens' committee but delayed by fears it would be a white elephant; eventually politicians endorsed and promoted the project, and it secured a $99,997 WPA grant. Later a $69,983 increase was granted, and the project was also funded by $6,399 from the State of Washington and $14,204 from, perhaps uncharacteristically, the University of Washington.Construction of the building cost a total of $500,000. It was dedicated on July 4, 1942, a "grim summer" point during the war, at a ceremony attended by honored guest Mrs. Peter Barber, whose three sons had been killed in the Japanese attack on Pearl Harbor.The armory was decommissioned after the war, but received renovation funding in 1946. It was disestablished in 1998. The property was added to the National Register of Historic Places (NRHP) on July 8, 2009; the listing was announced as the featured listing in the National Park Service's weekly list of July 17, 2009. As of that year, the building remained in good condition. In 2012, the armory underwent a major renovation, and became home to Seattle's Museum of History and Industry. It is situated in what is now the Lake Union Park at the south end of Lake Union, a lake which was connected to Puget Sound by the Lake Washington Ship Canal in 1917. Previously the site had been used by the Eastern Mill, a sawmill.

The Supply Laundry Building is a historic building in the Cascade neighborhood in South Lake Union, Seattle, Washington, United States, that is listed on the National Register of Historic Places.

Duwamish was one of the most powerful fireboats in the United States several times over her 75-year working life. She is the second oldest vessel designed to fight fires in the US, after Edward M. Cotter, in Buffalo, New York.

The Seattle Times Building is the former headquarters of The Seattle Times, located in Seattle, Washington, United States. The three-story building was occupied by the newspaper from 1931 to 2011, replacing the Times Square Building. It was originally built in 1931 and later expanded to accommodate more office space and larger presses. The exterior and roof of the Seattle Times Building were designated a city landmark in 1996. Designed by Robert C. Reamer with elements of the Art Deco and Moderne styles, the reinforced concrete building was representative of early 20th century architecture in Seattle. The newspaper moved out of the building in 2011 and sold it in 2013 to Onni Group, a Canadian real estate developer, who plans to build four residential skyscrapers on the site and adjacent parking lot to the south. Onni plans to preserve the building's facade and integrate it into the podium of a 240-foot-tall (73 m) building, converting it into a rooftop balcony. Demolition of the building began in October 2016, after incidents involving squatters on the property.