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The Palais des Beaux-Arts de Liège is a building at the centre of the Parc de la Boverie in the Belgian city of Liège. It was designed by Charles Étienne Soubre and Jean-Laurent Hasse and is the only building constructed for the Liège International in 1905 which was not demolished at the end of the event. The event's organising committee left it to the city and it became the 'Palais des Fêtes et des Expositions', hosting conferences, balls, banquets, salons and major exhibitions such as the exhibition on the COBRA movement in 1951. The city's prints and drawings collection and the Walloon artistic collection from the city's Musée des Beaux-Arts were both housed in the building from 1952 onwards. The Musée des Beaux-Arts' main site in an annexe of the Académie Royale des Beaux-Arts de Liège on rue des Anglais was destroyed in the 1970s and so all its modern and contemporary art collections were moved into the Palais, which was renamed the Musée d'art moderne. The Walloon art was moved out in 1980 to a complex in the Féronstrée et Hors-Château district designed by Henri Bonhomme. The Palais underwent a major renovation from 1988 onwards, reinstating the open space from the original 1905 design. It reopened in 1993 as the Musée d'art moderne et d'art contemporain (MAMAC). At the end of 2011 the musée des beaux-arts was revived in the Bonhomme building as part of a plan to combine MAMAC, the 'Fonds ancien' collection, the prints and drawings and the museum of Walloon art into a single entity named Musée des Beaux-Arts de Liège or BAL (Beaux-Arts Liège), housed in the former Walloon art galleries. On 28 February 2016 the Musée des Beaux-Arts closed and the whole collection was moved to a new museum housed in the Palais, named La Boverie.

La Boverie is a museum in the city of Liège in Belgium. It opened in May 2016. It is housed in the former Palais des beaux-arts de Liège, built in the Parc de la Boverie for the Liège International in 1905. The building previously housed the prints and drawings collections (1952-1980) of the city's Musée des Beaux-Arts and the Walloon art collections of the city's Académie royale des beaux-arts (1970s-1980), before becoming the Musée d'art moderne (later known as the Musée d'art moderne et d'art contemporain or MMAC) from 1980 to 2011. MMAC was merged with the prints, drawings and Walloon collections in 2011 to form a new single collection known as the 'musée des Beaux-Arts'. A part of the building is now under construction.

The Gramme Institute is a graduate school of engineering part of Haute École HELMo in Liège in Belgium. It was founded in 1906 by Belgian Jesuit Adolphe Renard. It was named "Ecole des Arts et Métiers" after the same school in France. The first promotion came out in 1908 at a time when the studies lasted for 2 years only. The school's mission is the training of highly skilled engineers able to work in all branches of industry. The course period was raised quickly to 3 years and the academic grade of technical engineer was created in 1919. In 1977, the academic grade of industrial engineer was created and studies, now at university level, had a 4-year term. In his hundredth anniversary, recently, the institute has registered its formation in the framework of the Bologna decree granting titles of Bachelor of Science (BS) and Master of Science (MS) degrees at the end of a course period of 5 years. Programmes: "B.S. - Bachelor of Science in Technology & Industrial Science"; "M.S. - Master of Science in Industrial engineering" - Industry & technological management; "M.S. - Master of Science in Industrial engineering" - Sustainable & energetical engineering; Double degree HEC Liège - Gramme (from September 2016): M.S. (180 crédits ECTS) - Masters of Science in Industrial & Business engineering.The school has its own research center, the CRIG, it is named after the inventor of the dynamo, Zenobe Gramme and is part of the ASJEL (Association of higher education institutions in Europe and Lebanon). The alumni are grouped within the association Union Gramme.

Tour Paradis (Paradise Tower), also commonly named Tour des Finances de Liège (Financial Tower of Liège), is a 136-metre office skyscraper located in the Guillemins area of Liège, Belgium. Constructed from 2012 to 2014, it is the tallest skyscraper in Wallonia. The façade is made of Photovoltaic Glazings manufactured by ISSOL, a Belgian company specialized in Building Integrated Photovoltaics. The building was inaugurated in 2015 and became the workplace of more than 1000 employees from SPF Finances. In 2022, it was announced in the media that the tower was underoccupied due to the generalization of homeworking that started during the Covid-19 crisis.

The Interallied Memorial at Cointe (in French: Mémorial Interallié) is a war memorial built after World War I in Liège, Belgium. The memorial is a complex consisting of the Sacré-Cœur church as a religious building and a cenotaph with a tower as a secular monument.

Liège-Guillemins railway station (French: Gare de Liège-Guillemins, Dutch: Station Luik-Guillemins, IATA code: XHN), officially Liège-Guillemins, is the main station in Liège, Belgium. It is one of the most important hubs in the country and is one of the four Belgian stations on the high-speed rail network. The station is used by 15,000 people every day, which makes it the eleventh-busiest station in Belgium and the third in Wallonia. It is operated by the National Railway Company of Belgium (SNCB/NMBS).

Mont Cornillon Abbey (L'Abbaye du Mont-Cornillon in French) was a Premonstratensian monastery which occupied a site in Wallonia close to Liège, Belgium. In 1288 the abbey having moved to a new location, it became known as Beaurepart Abbey. It was the home of Saint Juliana of Liège.

The Royal Conservatory of Liège (RCL) (French: Conservatoire royal de Liège) is a historic conservatory in Liège, Belgium. It is one of four conservatories in the French Community of Belgium that offers higher education courses in music and theatre. Located at 29 Piercot Forgeur, the school's principal building was built in 1887 using a neoclassical design by architects Louis Boonen and Laurent Demany. Inside the building is a large concert hall, the Salle philharmonique de Liège, which has recently been entirely renovated. The hall is the major performance venue for the Orchestre Philharmonique de Liège.

The Diocesan Seminary of Liège (in French: Séminaire épiscopal or Grand Séminaire de Liège), now also Espace Prémontrés, is an educational institution in the Diocese of Liège, founded in 1592.

The Diocese of Liège (Latin: Dioecesis Leodiensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Belgium. The diocese was erected in the 4th century and presently covers the same territory as Belgium's Liège Province, but it was historically much larger. Currently, the diocese is a suffragan in the ecclesiastical province of the Archdiocese of Mechelen-Brussels. Its cathedra is found within St Paul's Cathedral in the episcopal see of Liège.

Liège (French: [ljɛʒ] (listen); Walloon: Lîdje [liːtʃ]; Dutch: Luik [lœyk] (listen); German: Lüttich [ˈlʏtɪç] (listen)) is the easternmost province of the Wallonia region of Belgium. Liège Province is the only Belgian province that has borders with three countries. It borders (clockwise from the north) the Dutch province of Limburg, the German states of North Rhine-Westphalia and Rhineland-Palatinate, the Luxembourgish canton of Clervaux, the Belgian Walloon (French-speaking) provinces of Luxembourg, Namur and Walloon Brabant and the Belgian Flemish (Dutch-speaking) provinces of Flemish Brabant and Limburg. Part of the eastern-most area of the province, bordering Germany, is the German-speaking region of Eupen-Malmedy, which became part of Belgium in the aftermath of World War I. The capital and the largest city of the province is the city of the same name, Liège. The province has an area of 3,857 km2 (1,489 sq mi), and a population of 1,106,992 as of January 2019.

St James's Church (French - Eglise Saint-Jacques) is a church dedicated to James the Less in the Belgian city of Liège, founded in 1015 by bishop Baldrick II as the church for a Benedictine abbey. On the demolition of St Peter's Church it became one of the seven collegiate churches in the city. Its chapter was abolished in 1801 and the church converted into a parish church. It retains its original Romanesque narthex on the west side, whilst the rest of the church is in the late Gothic style, with richly-decorated nave vaulting dating to between 1514 and 1538. Lambert Lombard added a Renaissance-style porch, whilst several 16th century stained glass windows survive in the church itself and the 17th century limewood sculptures down both sides of the nave are by Jean Del Cour.