Sant'Apollonia

The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art. Sant'Apollonia was a Benedictine convent of cloistered nuns, and Castagno's fresco was not publicly known until the convent was suppressed in 1866: Vasari, for example, seems not to have known of the painting. Thus its exclusively female audience should be considered in analyzing the work. Castagno painted a large chamber with life-sized figures that confronted the nuns at every meal. The fresco would have served as a didactic image and an inspiration to meditation on their relationship with Jesus. Painted with a careful attention to naturalistic detail—a sense of real space and light, seemingly tangible details of the setting, and lifelike figures—the work must have spoken forcefully of the continued significance of the Eucharistic meal in their own world.

The Oratory of Gesù Pellegrino, also called the Oratorio dei Pretoni, is a Roman Catholic prayer hall or small church found on the corner of Via San Gallo and via degli Arazzieri in Florence, region of Tuscany, Italy.

Palazzo Fenzi is a palace in Florence, Italy. Built in the 16th century for the Castelli family by Gherardo Silvani, it was later enlarged by the Marucelli family. In 1829 it was bought by Emanuele Fenzi in order to house his bank and his family. It is currently home to the History Department of the University of Florence.

The Marucelliana Library or Biblioteca Marucelliana, is a public library, founded by the mid-18th century, and located on Via Camillo Cavour # 43, in Florence, region of Tuscany, Italy.

San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, Renaissance philosopher and so called father of humanism.

The Casino Mediceo di San Marco is a late-Renaissance or Mannerist style palace located on Via Cavour number 57 and via San Gallo in Florence, region of Tuscany, Italy.

The University of Florence (Italian: Università degli Studi di Firenze, UniFI) is an Italian public research university located in Florence, Italy. It comprises 12 schools and has around 50,000 students enrolled.

Piazza San Marco is a city square in Florence, Italy. In the center of the piazza is the Monument to Generale Manfredo Fanti.

San Giovannino dei Cavalieri (Young St. John the Baptist of the Knights) previously named Church of San Giovanni Decollato (Decapitated St. John), is a parish church situated in Via San Gallo in central Florence, Italy. Initially the site held a 14th-century home for women of "easy virtue" and dedicated to St. Mary Magdalen, it was renamed after the patron saint of the Cavalieri or Knights of Malta. Rebuilt from 1553-1784, with facade added in 1699. Presently it contains a Coronation of the Virgin by Neri di Bicci, a Nativity by Bicci di Lorenzo, an Annunciation attributed to the Master of Stratonice, a Decapitation of St. John the Baptist by Pietro Dandini, vault frescoes by Alessandro Gherardini, a painted cross in the apse by Lorenzo Monaco, and a Last Supper by Palma il Giovane.

The Monument to General Manfredo Fanti commemorates General Manfredo Fanti (1806-1865), a soldier and leader in battles for Italian independence and unification. The statue, erected in 1873, is located in the Piazza San Marco in central Florence, region of Tuscany, Italy. After his death, the city commissioned a statue from Pio Fedi, a sculptor in Florence. The statue was erected in the piazza, which stands before the headquarters of the Royal Military Command, on the corner of via Arazzieri. The general in his cape and sword, nearly steps off the pedestal. The plinth has two marble bas-reliefs, one of the arms of war, the other an episode in the Battle of San Martino. At the four corners are four figures symbolize politics, strategy, tactics, and fortifications. Florentines have contrasted this statue with Fedi's other masterpiece: the Rape of Polyxena (1865) in the Loggia dei Lanzi. In that group, Pyrrhus is helmeted; here however, the pacing Manfredo Fanti is shown bareheaded and balding, at the whim of elements and pigeons. Popular songs commented on this contrast.The inscription on the marble plinth reads, Manfredo Fanti born in Carpi/ on 25 February 1806,/ for the love of liberty,/ exiled in 1831./ Learned in Spain/ the art of war/ and in the Wars of Italy/General of the armies/His bravery and sense hastened/ the independence and unity of the fatherland./ Died in Florence April 5, 1865.

Via Camillo Cavour is one of the main roads of the northern area of the historic city centre of the Italian city of Florence. It was created in 1861 from two older streets, Via Larga and Via Leopoldo (as far as Piazza della Libertà, renamed Piazzale Cavour at the same time), and renamed after Camillo Cavour on 17 June 1861, just 11 days after his death.

The church of San Barnaba is a small Renaissance-style church in the center of Florence, at the corner of Via Panicale and Via Guelfa