Casino Mediceo di San Marco

San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, Renaissance philosopher and so called father of humanism.

San Giovannino dei Cavalieri (Young St. John the Baptist of the Knights) previously named Church of San Giovanni Decollato (Decapitated St. John), is a parish church situated in Via San Gallo in central Florence, Italy. Initially the site held a 14th-century home for women of "easy virtue" and dedicated to St. Mary Magdalen, it was renamed after the patron saint of the Cavalieri or Knights of Malta. Rebuilt from 1553-1784, with facade added in 1699. Presently it contains a Coronation of the Virgin by Neri di Bicci, a Nativity by Bicci di Lorenzo, an Annunciation attributed to the Master of Stratonice, a Decapitation of St. John the Baptist by Pietro Dandini, vault frescoes by Alessandro Gherardini, a painted cross in the apse by Lorenzo Monaco, and a Last Supper by Palma il Giovane.

The Chiostro della Scalzo or (Via Cavour, 69 vicino a Piazza San Marco) is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions. "Compagnia" (English: "company") was the name given to these Florentine congregations of layman who contributed towards defending Roman Catholicism. Each company had a different practice: the "Laudesi" promoted prayer through the singing of hymns, those for the doctrine taught catechism to children, while the charitable companies offered assistance to the poor. The Compagnia della Scalzo was a disciplined confraternity that practiced penance, often in the form of self-flagellation. The Compagnia della Scalzo was established in 1376, and used the church of San Giovannino dei Cavalieri on the via San Gallo as early as 1390 for its meetings. When the company purchased land behind this church in the first half of the 15th century, it proceeded towards creating its own premises, which included a chapel (consecrated in 1476, but then totally renovated), the cloister and entrance (1478) still visible today. Back in 1455, it underwent a reform approved by the bishop of Florence, Antoninus, who was made saint in 1523 and who is portrayed in the painted terra-cotta bust now placed in front of the former doorway that led to the chapel. The brothers wore black hoods with holes to see through and a heavy, black over garment tied around the waist with a white cord; such apparel is documented in the polychrome glazed terra-cotta relief depicting St. John the Baptist and Two Brothers (1510 c.) over the entrance to the cloister from via Cavour. Every first Sunday of the month the company organized a procession and every June 24, the festivities in honor of the city's and its own patron saint, John the Baptist, which today see events like the famous fireworks (I fochi di san Giovanni).

Museo Nazionale di San Marco is an art museum housed in the monumental section of the medieval Dominican convent of San Marco dedicated to St Mark, situated on the present-day Piazza San Marco, in Florence, a region of Tuscany, Italy. The museum, a masterpiece in its own right by the fifteenth-century architect Michelozzo, is a building of first historical importance for the city and contains the most extensive collection in the world of the works of Fra Angelico, who spent several years of his life there as a member of the Dominican community. The works are both paintings on wood and frescoes. The museum also contains other works by artists such as Fra Bartolomeo, Domenico Ghirlandaio, Alesso Baldovinetti, Jacopo Vignali, Bernardino Poccetti and Giovanni Antonio Sogliani. San Marco is known as the seat of Girolamo Savonarola's discourses during his short spiritual rule in Florence in the late 15th century. Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo.

Piazza San Marco is a city square in Florence, Italy. In the center of the piazza is the Monument to Generale Manfredo Fanti.

The Monument to General Manfredo Fanti commemorates General Manfredo Fanti (1806-1865), a soldier and leader in battles for Italian independence and unification. The statue, erected in 1873, is located in the Piazza San Marco in central Florence, region of Tuscany, Italy. After his death, the city commissioned a statue from Pio Fedi, a sculptor in Florence. The statue was erected in the piazza, which stands before the headquarters of the Royal Military Command, on the corner of via Arazzieri. The general in his cape and sword, nearly steps off the pedestal. The plinth has two marble bas-reliefs, one of the arms of war, the other an episode in the Battle of San Martino. At the four corners are four figures symbolize politics, strategy, tactics, and fortifications. Florentines have contrasted this statue with Fedi's other masterpiece: the Rape of Polyxena (1865) in the Loggia dei Lanzi. In that group, Pyrrhus is helmeted; here however, the pacing Manfredo Fanti is shown bareheaded and balding, at the whim of elements and pigeons. Popular songs commented on this contrast.The inscription on the marble plinth reads, Manfredo Fanti born in Carpi/ on 25 February 1806,/ for the love of liberty,/ exiled in 1831./ Learned in Spain/ the art of war/ and in the Wars of Italy/General of the armies/His bravery and sense hastened/ the independence and unity of the fatherland./ Died in Florence April 5, 1865.

The Oratory of Gesù Pellegrino, also called the Oratorio dei Pretoni, is a Roman Catholic prayer hall or small church found on the corner of Via San Gallo and via degli Arazzieri in Florence, region of Tuscany, Italy.

The University of Florence (Italian: Università degli Studi di Firenze, UniFI) is an Italian public research university located in Florence, Italy. It comprises 12 schools and has around 50,000 students enrolled.

The Accademia di Belle Arti di Firenze (lit. 'academy of fine arts of Florence') is an instructional art academy in Florence, in Tuscany, in central Italy. It was founded by Cosimo I de' Medici in 1563, under the influence of Giorgio Vasari. Michelangelo, Benvenuto Cellini and other significant artists have been associated with it. Like other state art academies in Italy, it became an autonomous degree-awarding institution under law no. 508 dated 21 December 1999, and falls under the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education and research.The adjacent (but unaffiliated) Galleria dell'Accademia houses the original David by Michelangelo.

The Marucelliana Library or Biblioteca Marucelliana, is a public library, founded by the mid-18th century, and located on Via Camillo Cavour # 43, in Florence, region of Tuscany, Italy.

The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture David. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600 (the Trecento to the Late Renaissance). It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it. In 2016, it had 1.46 million visitors, making it the second-most-visited art museum in Italy, after the Uffizi (2.02 million).

The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art. Sant'Apollonia was a Benedictine convent of cloistered nuns, and Castagno's fresco was not publicly known until the convent was suppressed in 1866: Vasari, for example, seems not to have known of the painting. Thus its exclusively female audience should be considered in analyzing the work. Castagno painted a large chamber with life-sized figures that confronted the nuns at every meal. The fresco would have served as a didactic image and an inspiration to meditation on their relationship with Jesus. Painted with a careful attention to naturalistic detail—a sense of real space and light, seemingly tangible details of the setting, and lifelike figures—the work must have spoken forcefully of the continued significance of the Eucharistic meal in their own world.