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San Giovannino dei Cavalieri

18th-century Roman Catholic church buildings in ItalyBaroque architecture in FlorenceChurch buildings of the Knights HospitallerRoman Catholic churches completed in 1784Roman Catholic churches in Florence
San Giovannino dei Cavalieri
San Giovannino dei Cavalieri

San Giovannino dei Cavalieri (Young St. John the Baptist of the Knights) previously named Church of San Giovanni Decollato (Decapitated St. John), is a parish church situated in Via San Gallo in central Florence, Italy. Initially the site held a 14th-century home for women of "easy virtue" and dedicated to St. Mary Magdalen, it was renamed after the patron saint of the Cavalieri or Knights of Malta. Rebuilt from 1553-1784, with facade added in 1699. Presently it contains a Coronation of the Virgin by Neri di Bicci, a Nativity by Bicci di Lorenzo, an Annunciation attributed to the Master of Stratonice, a Decapitation of St. John the Baptist by Pietro Dandini, vault frescoes by Alessandro Gherardini, a painted cross in the apse by Lorenzo Monaco, and a Last Supper by Palma il Giovane.

Excerpt from the Wikipedia article San Giovannino dei Cavalieri (License: CC BY-SA 3.0, Authors, Images).

San Giovannino dei Cavalieri
Via San Gallo, Florence Quartiere 1

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Geographical coordinates (GPS)

Latitude Longitude
N 43.779786111111 ° E 11.258563888889 °
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Via San Gallo 56
50120 Florence, Quartiere 1
Tuscany, Italy
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San Giovannino dei Cavalieri
San Giovannino dei Cavalieri
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Chiostro dello Scalzo
Chiostro dello Scalzo

The Chiostro della Scalzo or (Via Cavour, 69 vicino a Piazza San Marco) is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions. "Compagnia" (English: "company") was the name given to these Florentine congregations of layman who contributed towards defending Roman Catholicism. Each company had a different practice: the "Laudesi" promoted prayer through the singing of hymns, those for the doctrine taught catechism to children, while the charitable companies offered assistance to the poor. The Compagnia della Scalzo was a disciplined confraternity that practiced penance, often in the form of self-flagellation. The Compagnia della Scalzo was established in 1376, and used the church of San Giovannino dei Cavalieri on the via San Gallo as early as 1390 for its meetings. When the company purchased land behind this church in the first half of the 15th century, it proceeded towards creating its own premises, which included a chapel (consecrated in 1476, but then totally renovated), the cloister and entrance (1478) still visible today. Back in 1455, it underwent a reform approved by the bishop of Florence, Antoninus, who was made saint in 1523 and who is portrayed in the painted terra-cotta bust now placed in front of the former doorway that led to the chapel. The brothers wore black hoods with holes to see through and a heavy, black over garment tied around the waist with a white cord; such apparel is documented in the polychrome glazed terra-cotta relief depicting St. John the Baptist and Two Brothers (1510 c.) over the entrance to the cloister from via Cavour. Every first Sunday of the month the company organized a procession and every June 24, the festivities in honor of the city's and its own patron saint, John the Baptist, which today see events like the famous fireworks (I fochi di san Giovanni).

Monument to General Manfredo Fanti, Florence
Monument to General Manfredo Fanti, Florence

The Monument to General Manfredo Fanti commemorates General Manfredo Fanti (1806-1865), a soldier and leader in battles for Italian independence and unification. The statue, erected in 1873, is located in the Piazza San Marco in central Florence, region of Tuscany, Italy. After his death, the city commissioned a statue from Pio Fedi, a sculptor in Florence. The statue was erected in the piazza, which stands before the headquarters of the Royal Military Command, on the corner of via Arazzieri. The general in his cape and sword, nearly steps off the pedestal. The plinth has two marble bas-reliefs, one of the arms of war, the other an episode in the Battle of San Martino. At the four corners are four figures symbolize politics, strategy, tactics, and fortifications. Florentines have contrasted this statue with Fedi's other masterpiece: the Rape of Polyxena (1865) in the Loggia dei Lanzi. In that group, Pyrrhus is helmeted; here however, the pacing Manfredo Fanti is shown bareheaded and balding, at the whim of elements and pigeons. Popular songs commented on this contrast.The inscription on the marble plinth reads, Manfredo Fanti born in Carpi/ on 25 February 1806,/ for the love of liberty,/ exiled in 1831./ Learned in Spain/ the art of war/ and in the Wars of Italy/General of the armies/His bravery and sense hastened/ the independence and unity of the fatherland./ Died in Florence April 5, 1865.