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Liverpool Academy of Arts

1810 establishments in EnglandArt organization stubsArts organizations established in the 1810sCultural organisations based in LiverpoolLearned societies of the United Kingdom
Organizations established in 1810

The Liverpool Academy of Arts was founded in Liverpool in April 1810 as a regional equivalent of the Royal Academy, London. It followed the Liverpool Society of Artists, first founded in 1769, which had a fitful existence until 1794. Two local art collectors, Henry Blundell and William Roscoe were its first Patron and Secretary, the Prince Regent George gave his patronage for the next three years, and it was actively promoted by presidents of the Royal Academy. Its membership included local artists such as the landscapists John Rathbone, Richard Ansdell, Thomas Chubbard, Alfred William Hunt and Charles Barber, and the sculptor John Gibson. Leading artists of the day competed for its prize of £50 for non-local contributors to its annual exhibition, including J. M. W. Turner, Henry Fuseli, John Martin and Joseph Wright of Derby. In the late 1850s, however, it split due to major disagreements following annual prizes being awarded to the then controversial Pre-Raphaelite painters, particularly to William Holman Hunt in 1852 for Valentine Rescuing Sylvia from Proteus and to Millais in 1857 for The Blind Girl. The Academy remained nominally in existence, continuing to hold annual exhibitions, but never regaining its national importance.

Excerpt from the Wikipedia article Liverpool Academy of Arts (License: CC BY-SA 3.0, Authors).

Liverpool Academy of Arts
Seel Street, Liverpool Ropewalks

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N 53.402805555556 ° E -2.9815277777778 °
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Kazimier Garden

Seel Street
L1 4BE Liverpool, Ropewalks
England, United Kingdom
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Wolstenholme Creative Space
Wolstenholme Creative Space

Wolstenholme Creative Space (abbreviated as WCS) was an independent not-for-profit contemporary art gallery, music venue and artists' studio complex housed in the last surviving Georgian buildings in Wolstenholme Square, Liverpool. It developed in late 2009 from an earlier artist-run space, when the space's coordinators, Priya Sharma and Caroline Smith, assumed responsibility for the premises under the Wolstenholme Creative Space name and became its directors. WCS worked with external artists, collectives and organisations, while also producing its own programme of exhibitions and events. Its programme focused on emerging artists across a range of art forms, often drawing on DIY practices and responding creatively to the building and its deteriorated condition. The organisation also provided affordable studio space for more than 30 artists. In 2011, rents were reported to be "as little as £35 per month", with the studios spread across "several dilapidated floors". Wolstenholme Creative Space held a significant place within Liverpool's alternative arts scene. In 2012, The Double Negative described WCS, together with Red Wire and The Royal Standard, as three key artist-led spaces established after 2005, largely by graduates of Liverpool John Moores University. Around Wolstenholme Square, WCS formed part of a wider artistic shift alongside The Kazimier and MelloMello, as disused buildings were repurposed for music, performance and visual art. Its connection to Liverpool's independent music scene was further reinforced by Bido Lito! describing WCS as a "second home" for bands, artists and independent promoters. Having operated for "a little over three years", the Wolstenholme venue closed at the end of 2012 after the building was "deemed structurally unsound". The loss of WCS and other artistic spaces around Wolstenholme Square drew criticism in The Skinny, Liverpool Echo, The Post, and from Gabrielle de la Puente of The White Pube.

The Bandwagon Club

The Bandwagon was a club night held on the first Saturday of every month at the Zanzibar club on Seel Street, Liverpool from 2001 to 2005. The Bandwagon night was run by John Robinson and Gary Murphy, members of the now defunct Liverpool band The Bandits. The Bandwagon was seen as a focal part of the local music scene, dubbed the Cosmic Scouse Scene by the NME, which emerged in Liverpool in the early 2000s. The Coral, The Zutons, The Stands, Tramp Attack and The Hokum Clones were all Bandwagon regulars, who forged their reputations at the night. The Bandwagon also played host to The Libertines and Noel Gallagher.The Bandwagon drew attention from the media, particularly the NME, and was the subject of a feature on Channel Four’s 4music who filmed in the venue on a night when members of The Stands, The Bandits and The Hokum Clones joined on stage to play a cover of Bob Dylan’s Maggie’s Farm. The Bandwagon played a guest night at the Knitting Factory in New York in October 2003.The Bandwagon club night ended as a regular night in 2005 when The Bandits broke up, and has continued only sporadically since then. A similar night called Bandwagonesque, now takes place in The Metropolitan on Berry Street, some 150 yards (140 m) away from the previous venue. A promotional sticker for the Bandwagon club night is found on an entry in Pete Doherty’s journal, Books of Albion in an entry detailing a night out he had with John Robinson and Gary Murphy of The Bandits.

The Zanzibar

The Zanzibar is a live music venue located on Seel Street in Liverpool, England best known for being the home of regular clubnights such as "The Bandwagon" and "Valhalla" among others. Unlike most clubs in Liverpool, the music is generally rock and alternative. The venue tends to specialise in unsigned bands, unlike the larger East Village Arts Club (previously known as Liverpool Barfly and later Masque Theatre) located on the opposite side of the road. However, many notable acts have played at The Zanzibar such as Noel Gallagher, The Coral, The Zutons, The Revelation, The Music, The Libertines, Miles Kane, Orjazzmic, Sisteray, Brendan Benson, Edgar Jones, The 1975, The Music, The Soundtrack Of Our Lives, Shack and Tom Vek and is a participating venue in Liverpool Sound City. The Club itself holds around 300 people, and is divided into two main areas - a long narrow dancefloor which is in front of the stage, and a raised seating area which runs parallel down one side, with the bar flanking the other side of the dancefloor. There was an upstairs area of the club generally used as a private backstage area for band members, but occasionally it was open to the public, most notably at the Valhalla clubnight run by Wirral-based band "The Laze" where there is a separate stage and PA system set up featuring predominantly acoustic acts or DJs as an alternative to the heavier rock bands that tend to populate the main stage downstairs. The upstairs now incorporates a bar that is open separately to the main club. Price on the door varies according to what event is on a particular night, but is usually between £3 and £5. The venue also has a cloakroom service.