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Spring Garden, Philadelphia

Historic districts on the National Register of Historic Places in PennsylvaniaHouses in PhiladelphiaHouses on the National Register of Historic Places in PennsylvaniaIrish-American neighborhoodsNRHP infobox with nocat
National Register of Historic Places in PhiladelphiaNeighborhoods in PhiladelphiaSpring Garden, Philadelphia
1900s Nside Wallace Philly
1900s Nside Wallace Philly

Spring Garden is a neighborhood in central Philadelphia, Pennsylvania, USA, bordering Center City on the north. Spring Garden is a neighborhood that combines diverse residential neighborhoods and significant cultural attractions. The residential areas on the north side of the neighborhood (North of Spring Garden Street) are composed mostly of brick and brownstone three-story townhouses built during the mid-to-late 19th century. The houses include townhouses in the Italianate style, Second Empire, Queen Anne, and Venetian Gothic. Many streets (including Green Street and Spring Garden Street) include "terraced" set ups, which include a small gardened plot, often raised, in front of the house. The residential areas to the south are dominated by taller, multi-family buildings built during the 20th century. The museum area, also to the south of Spring Garden Street, includes the Rodin Museum, the Central Library of Philadelphia, and the Barnes Museum. Before consolidation of Philadelphia, Spring Garden was a district of Philadelphia County.

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Spring Garden, Philadelphia
Wallace Street, Philadelphia

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Wikipedia: Spring Garden, PhiladelphiaContinue reading on Wikipedia

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Latitude Longitude
N 39.966111111111 ° E -75.169722222222 °
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Wallace Street 1924
19130 Philadelphia
Pennsylvania, United States
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1900s Nside Wallace Philly
1900s Nside Wallace Philly
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Mural Arts Philadelphia

Mural Arts Philadelphia is a non-profit organization that supports the creation of public murals in Philadelphia, Pennsylvania. Founded in 1986 as Mural Arts Program, the organization was renamed in 2016. Having ushered more than 3,000 murals into being, it calls itself "the nation’s largest public art program". As of 2022, the organization says it runs 50 to 100 public art projects each year; it also works to maintain existing murals. The program was founded under the direction of the local artist Jane Golden, as part of the Philadelphia Anti-Graffiti Network, with to facilitate collaboration between professional artists and prosecuted graffiti writers to create new murals in the city. The program, which employs more than 300 artists at least part-time, is one of the largest employers of artists in Philadelphia. The program also hires more than 100 prosecuted graffiti writers every year and involves them in the creation of murals around Philadelphia. In 2006, the program employed 36 former graffiti artists as staff members on permanent payroll.It also works with community groups to educate and children in the arts and involve them in the creation of the murals; in 2006, it involved more than 300 children a year.The Mural Arts Program is responsible for the creation of the largest mural in Philadelphia, at 600 feet (180 m) in length. Titled History of Immigration, it displays settlers of different ethnicities who settled in Philadelphia over time. The program has been criticized for supporting the criminalization of graffiti and for hiring non-Philadelphia artists.

Matthias Baldwin Park
Matthias Baldwin Park

Matthias Baldwin Park is a two-acre (0.81 ha) public park at 423 North 19th Street in Philadelphia, Pennsylvania. In 1991, the park was dedicated as Franklin Town Park as part of the 50-acre development called Franklin Town. The Franklin Town Development Corporation was a private consortium which, along with City of Philadelphia officials, announced plans in 1971 to build a new "city-within-a-city" within ten years, in order to clear what they considered blight in a parcel just north of the commercial core of Philadelphia. The developers could earn a profit while the City tax base would increase. Eminent domain was threatened in order to remove the 600 inhabitants and business owners in the proposed development. The park was to be the apex of a new diagonal street called Franklin Town Boulevard and was to be the centerpiece of the development. By 1974 construction began but due to economic uncertainty in the 1970’s the project progressed in fits and starts, and still, 50 years later, is not completed. The park itself was a Percent for Art requirement of the developers of Franklin Town. Landscape artist Athena Tacha was commissioned to design the park, and the final version was the art piece titled Connections, which is made up of a terraced set of planting beds surrounded by a level surface with paved pathways and fifty trees. The park is one of the over 150 parks in the Philadelphia Parks and Recreation system. In 2009, many of the residents living in the neighborhood around the park had become disgusted by the many surface parking lots resulting from the demolition of their houses and businesses in the name of the desultory Franklin Town development. They petitioned the City to change the name of the park to Matthias Baldwin Park, which was officially done in 2011. For the same reason, the name of the neighborhood on the community bulletin board Nextdoor was changed from Franklin Town to Baldwin Park in 2019. Matthias W. Baldwin was a locomotive builder whose factories occupied most of the neighborhood from 1835 though 1928, at one time being the largest locomotive builder in the world. A State of Pennsylvania historical marker was placed at the northwest corner of the park in 2009 commemorating the location of the Baldwin Locomotive Works. The Friends of Matthias Baldwin Park, a non-profit volunteer group committed to maintaining and preserving the park, became involved in a national controversy in June of 2020. During protests after the murder of George Floyd, a statue of Matthias W. Baldwin at Philadelphia City Hall was defaced with the words "murderer" and "colonizer." Members of the Friends group were sought out for comments and educated a national audience on the fact that Baldwin was in fact an abolitionist, a defender of Black franchise, a donor for schools for Blacks, and a workforce integrator, all of which caused him to lose business in Southern states in the decades preceding the Civil War. Liberal and especially conservative news outlets caricatured the protestors as ignorant of history.