Gustav Adolf Church, Liverpool

Duke Street is a road in Liverpool, England. Situated in the city centre, it runs between Hanover Street and Upper Duke Street and is part of Liverpool's Ropewalks district.

Park Lane was the world's first goods terminus on the Liverpool and Manchester Railway serving the south end Liverpool Docks. The station was opened in 1830. Its initial name was Wapping Station. The goods station was accessed from Edge Hill rail junction in the east of the city via the 1.26 miles (2.03 km) long Wapping Tunnel. The goods station suffered from heavy German air raids during the Second World War, being mostly rebuilt after the conflict. The station along with the Wapping Tunnel was closed in 1972 and subsequently demolished. The tunnel remains intact.

LMA is a private media, music and performing arts specialist institution in Liverpool, London, England offering courses in Acting, Screen Acting, Digital Film & TV Production, Digital Games Art, Music Performance & Industry, Dance and Musical Theatre.

The Baltic Triangle is a development area in Liverpool city centre. Liverpool City Council originally defined the area as being bounded by Liver Street, Park Lane, Parliament Street and Chaloner Street / Wapping. However, since the closure of Cains Brewery and its resurgence as Cains Brewery Village, Liverpool council have extended the Baltic Triangle area through to Hill Street. The area is home to a growing number of creative and digital businesses, which sit alongside a range of independent food and drink traders; the Baltic's Camp and Furnace was named, in 2013, by the Times as one of the top 20 coolest restaurants in Britain.

The Casartelli Building, built in 1760, was a grade II* listed building at the meeting of Hanover Street and Duke Street, Liverpool, England. It has now been replaced with a replica.

Liverpool ONE is a shopping, residential, and leisure complex in Liverpool, England. The project involved the redevelopment of 42 acres (170,000 m2) of land in the city centre. It is a retail-led development anchored by the department store John Lewis. Debenhams had previously been an anchor tenant until the closure of its Liverpool One store in March 2021. with additional elements including leisure facilities (such as a 14-screen Odeon cinema and 36-hole mini golf centre), apartments, offices, public open spaces, restaurants, and transport improvements. The completion of Liverpool ONE significantly boosted the local economy, while lifting Liverpool into the top five most popular retail destinations in the UK.Liverpool ONE is the largest open-air shopping centre in the UK and the ninth-largest shopping centre overall. Each store was created by a different architect, leading to stark differences between some buildings, one way in which Liverpool ONE differentiates itself from other shopping centres. The majority of the development was opened in phases on 29 May 2008 and 1 October 2008, during Liverpool's year as the European Capital of Culture, whilst the final residential units opened in early 2009. The cost of construction associated with the project was £500 million, with a total investment value of £920 million.

Wolstenholme Creative Space (abbreviated as WCS) was an independent not-for-profit contemporary art gallery, music venue and artists' studio complex housed in the last surviving Georgian buildings in Wolstenholme Square, Liverpool. It developed in late 2009 from an earlier artist-run space, when the space's coordinators, Priya Sharma and Caroline Smith, assumed responsibility for the premises under the Wolstenholme Creative Space name and became its directors. WCS worked with external artists, collectives and organisations, while also producing its own programme of exhibitions and events. Its programme focused on emerging artists across a range of art forms, often drawing on DIY practices and responding creatively to the building and its deteriorated condition. The organisation also provided affordable studio space for more than 30 artists. In 2011, rents were reported to be "as little as £35 per month", with the studios spread across "several dilapidated floors". Wolstenholme Creative Space held a significant place within Liverpool's alternative arts scene. In 2012, The Double Negative described WCS, together with Red Wire and The Royal Standard, as three key artist-led spaces established after 2005, largely by graduates of Liverpool John Moores University. Around Wolstenholme Square, WCS formed part of a wider artistic shift alongside The Kazimier and MelloMello, as disused buildings were repurposed for music, performance and visual art. Its connection to Liverpool's independent music scene was further reinforced by Bido Lito! describing WCS as a "second home" for bands, artists and independent promoters. Having operated for "a little over three years", the Wolstenholme venue closed at the end of 2012 after the building was "deemed structurally unsound". The loss of WCS and other artistic spaces around Wolstenholme Square drew criticism in The Skinny, Liverpool Echo, The Post, and from Gabrielle de la Puente of The White Pube.

Wapping Dock railway station was on the Liverpool Overhead Railway, adjacent to the dock of the same name. It was primarily used for access to the large warehouses nearby.It was opened on 6 March 1893 by the Marquis of Salisbury. The station received some damage during the Liverpool Blitz.The station closed, along with the rest of the line on 30 December 1956. No evidence of this station remains, save for a small number of supporting columns set into the walls at Wapping.

Wapping Dock is a dock on the River Mersey, England, and part of the Port of Liverpool. It is situated in the southern dock system, connected to Salthouse Dock to the north, Queen's Dock to the south. King's Dock was originally located to the west, but has since been filled in.

Bibby Line is a UK company concerned with shipping and marine operations. Its parent company, Bibby Line Group Limited, can be traced back to John Bibby who founded the company in 1807. The company along with the group is based in Liverpool. Since 2007, Bibby Line Group and its employees have donated over £10 million and thousands of volunteering hours to over 1,000 charitable causes.

Cream is a nightclub that originally began as a weekly house music night at the now-demolished Nation nightclub in Liverpool. It ran in this format from October 1992 to June 2002. Cream also hosts the dance music festival Creamfields every August in Daresbury, Cheshire. Creamfields has won the award for Best Dance Event at the UK Festival Awards a record six times since the awards began 10 years ago, most recently in December 2014. In 2010, they also won the Music Week award for "Festival of the Year".In 2012, Live Nation acquired the Cream brand.Cream's home in Wolstenholme Square, Liverpool was demolished in 2016 as part of an urban regeneration project. Plans to build a new home for the nightclub as part of the development were retrospectively removed from the planning application.

The Liverpool Academy of Arts was founded in Liverpool in April 1810 as a regional equivalent of the Royal Academy, London. It followed the Liverpool Society of Artists, first founded in 1769, which had a fitful existence until 1794. Two local art collectors, Henry Blundell and William Roscoe were its first Patron and Secretary, the Prince Regent George gave his patronage for the next three years, and it was actively promoted by presidents of the Royal Academy. Its membership included local artists such as the landscapists John Rathbone, Richard Ansdell, Thomas Chubbard, Alfred William Hunt and Charles Barber, and the sculptor John Gibson. Leading artists of the day competed for its prize of £50 for non-local contributors to its annual exhibition, including J. M. W. Turner, Henry Fuseli, John Martin and Joseph Wright of Derby. In the late 1850s, however, it split due to major disagreements following annual prizes being awarded to the then controversial Pre-Raphaelite painters, particularly to William Holman Hunt in 1852 for Valentine Rescuing Sylvia from Proteus and to Millais in 1857 for The Blind Girl. The Academy remained nominally in existence, continuing to hold annual exhibitions, but never regaining its national importance.