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St. Martin's Le Grand

History of the City of LondonStreets in the City of London
The Post Office, St. Paul's Cathedral, and Bull & Mouth Inn, London in 1829 G J Emblem after Thomas Allom
The Post Office, St. Paul's Cathedral, and Bull & Mouth Inn, London in 1829 G J Emblem after Thomas Allom

St. Martin's Le Grand is a former liberty within the City of London, and is the name of a street north of Newgate Street and Cheapside and south of Aldersgate Street. It forms the southernmost section of the A1 road.

Excerpt from the Wikipedia article St. Martin's Le Grand (License: CC BY-SA 3.0, Authors, Images).

St. Martin's Le Grand
St. Martin's Le Grand, City of London

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Wikipedia: St. Martin's Le GrandContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 51.516388888889 ° E -0.096944444444444 °
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Address

The Lord Raglan

St. Martin's Le Grand 61
EC1A 4ER City of London
England, United Kingdom
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The Post Office, St. Paul's Cathedral, and Bull & Mouth Inn, London in 1829 G J Emblem after Thomas Allom
The Post Office, St. Paul's Cathedral, and Bull & Mouth Inn, London in 1829 G J Emblem after Thomas Allom
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Nearby Places

Postman's Park
Postman's Park

Postman's Park is a public garden in central London, a short distance north of St Paul's Cathedral. Bordered by Little Britain, Aldersgate Street, St. Martin's Le Grand, King Edward Street, and the site of the former headquarters of the General Post Office (GPO), it is one of the largest open spaces in the City of London.Postman's Park opened in 1880 on the site of the former churchyard and burial ground of St Botolph's Aldersgate church and expanded over the next 20 years to incorporate the adjacent burial grounds of Christ Church Greyfriars and St Leonard, Foster Lane, together with the site of housing demolished during the widening of Little Britain in 1880; the ownership of the last location became the subject of a lengthy dispute between the church authorities, the General Post Office, the Treasury, and the City Parochial Foundation. A shortage of space for burials in London meant that corpses were often laid on the ground and covered over with soil, thus elevating the park above the streets which surround it. In 1900, the park became the location for George Frederic Watts's Memorial to Heroic Self-Sacrifice, a memorial to ordinary people who died while saving the lives of others and who might otherwise be forgotten, in the form of a loggia and long wall housing ceramic memorial tablets. Only four of the planned 120 memorial tablets were in place at the time of its opening, with a further nine tablets added during Watts's lifetime. Watts's wife, Mary Watts, took over the management of the project after Watts's death in 1904 and oversaw the installation of a further 35 memorial tablets in the following four years along with a small monument to Watts. Later she became disillusioned with the new tile manufacturer and, with her time and money increasingly occupied by the running of the Watts Gallery, she lost interest in the project, and only five further tablets were added during her lifetime. In 1972, key elements of the park, including the Memorial to Heroic Self-Sacrifice, were Grade II listed to preserve their character, upgraded to Grade II* in 2018. Following the 2004 film Closer, based on the 1997 play Closer by Patrick Marber, Postman's Park experienced a resurgence of interest; key scenes of both were set in the park itself. In June 2009, a city worker, Jane Shaka (née Michele), via the Diocese of London added a new tablet to the Memorial, the first new addition for 78 years. In November 2013 a free mobile app, The Everyday Heroes of Postman’s Park, was launched which documents the lives and deaths of those commemorated on the memorial.

Memorial to Heroic Self-Sacrifice
Memorial to Heroic Self-Sacrifice

The Memorial to Heroic Self-Sacrifice is a public monument in Postman's Park in the City of London, commemorating ordinary people who died saving the lives of others and who might otherwise have been forgotten. It was first proposed by painter and sculptor George Frederic Watts in 1887, to commemorate the Golden Jubilee of Queen Victoria. The scheme was not accepted at that time, and in 1898 Watts was approached by Henry Gamble, vicar of St Botolph's Aldersgate church. Postman's Park was built on the church's former churchyard, and the church was at that time trying to raise funds to secure its future; Gamble felt that Watts's proposed memorial would raise the profile of the park. The memorial was unveiled in an unfinished state in 1900, consisting of a 50-foot (15 m) wooden loggia designed by Ernest George, sheltering a wall with space for 120 ceramic memorial tiles to be designed and made by William De Morgan. At the time of opening, only four of the memorial tiles were in place. Watts died in 1904, and his widow Mary Watts took over the running of the project.In 1906, after making 24 memorial tablets for the project, William De Morgan abandoned the ceramics business to become a novelist, and the only ceramics firm able to manufacture appropriate further tiles was Royal Doulton. Dissatisfied with Royal Doulton's designs, and preoccupied with the management of the Watts Gallery and Watts Mortuary Chapel in Compton, Surrey, Mary Watts lost interest in the project. Work to complete it was sporadic and ceased altogether in 1931 with only 53 of the planned 120 tiles in place. In 2009, the Diocese of London consented to further additions to the memorial, and the first new tablet in 78 years was added.The Everyday Heroes of Postman’s Park, a now discontinued mobile app, was published in 2013. It provided a detailed account of the fifty-four incidents commemorated on the Memorial when a visitor scanned its plaque with a handheld device.