Centro Svizzero Milano

Porta Nuova (pronounced [ˈpɔrta ˈnwɔːva]; literally "New Gate"; Milanese: Pòrta Noeuva [ˈpɔrta ˈnøːʋa]) is one of the two medieval gates of Milan that still exist in the modern city (together with the medieval Porta Ticinese). It is sited along the ancient "Navigli Ring" on the perimeter of the medieval walls of the city. Originally built in the twelfth century, Porta Nuova was restored in the nineteenth century with the insertion of two lateral passages next to the two central arcs and the addition of some ancient Roman steles on the external facade of the gate. The external facade, overlooking Cavour square (Piazza Cavour), preserve the original appearance with a marble shrine of the Madonna and Child with Saints.

Palazzo Dugnani or Palazzo Casati Dugnani is a Baroque-style monumental palace located on Via Daniele Marin #2, near Porta Venezia in Milan, region of Lombardy, Italy. The rear of the palace faces the street, while the facade faces the western edge of the Giardini Indro Montanelli. The palace is notable for its salon frescoed by Giovanni Battista Tiepolo.

The Monument to the Felice Cavallotti is a marble sculpture on a plinth located Via Marina #2 in Milan, Italy. It is located just north of the facade of the Palazzo del Senato in Milan, in a pocket park that emerges south of the gardens of the Villa Belgiojoso Bonaparte. The monument was created by Italian sculptor Ernesto Bazzaro and is dedicated to tempestuous patriot, politician, journalist, and poet, Felice Cavallotti. The statue celebrates Cavallotti with idiosyncratic iconography, and it's placement also has migrated across the city since its initial inauguration in 1905. The monument was commissioned three years after his death by duel in 1898 by a committee led by Giuseppe Missori, a former fellow-follower of Garibaldi. Atop the plinth is a naked recumbent statue between two sculpted pillows depicting Leonidas, the King of Spartans, and subject of one of Cavallotti's poems. Leondias lays partly on his shield, the long spear once leaning over the side of the sculpture has broken and has not been repaired. He gazes towards the distance. In the plinth below is a raised relief, with rough unfinished sections, depicting with three scenes from the life of Cavallotti, unfolding from the right front clockwise to the back of the statue, depicting Cavallotti haranguing the masses; Cavallotti tending to the children with cholera in Naples; and in the back, crowd attending Cavallotti's funeral. The statue was initially placed in 1906 in Piazza della Rosa, later renamed piazza Pio XI, in front of the Biblioteca Ambrosiana, but putatively this displeased the monks associated with the library. It was moved in 1933 elsewhere, and then in 1943 moved to this spot to replace the statue of another Garibaldini patriot, Giacomo Medici, which had been destroyed by Allied bombardments of World War II.

Gianni Versace S.r.l. (Italian pronunciation: [ˈdʒanni verˈsaːtʃe]), usually referred to simply as Versace, is an Italian luxury fashion company and trade name founded by Gianni Versace in 1978. The company produces upmarket Italian-made ready-to-wear and accessories, as well as haute couture pieces under the Atelier Versace brand. Versace's logo is inspired by Medusa. Medusa is a mythological goddess whose hair is made up of snakes, and when people stared into her eyes, they would turn into stone. The Versace brand is known for its innovative designs having symbolic flashy prints and bright colors but with style. The company announced in 2018 that it would stop using fur in its collections. On 25 September 2018, American Michael Kors Holdings acquired all outstanding shares in Gianni Versace S.r.l. for $2.12 billion (USD); the acquisition was completed on 31 December 2018, keeping on Donatella Versace as head of creative design.

The Padiglione d'Arte Contemporanea or PAC is a museum of contemporary art in Milan, Italy. It is on via Palestro, next to the Galleria d'Arte Moderna, and across from the Giardini Pubblici Indro Montanelli.

The Quadrilatero della moda (Italian pronunciation: [kwadriˈlaːtero della ˈmɔːda]; literally "fashion square"), or Via Montenapoleone fashion district, is a high-class shopping district in the centre of the Italian city of Milan, characterised by the presence of numerous boutiques and related retail outlets which represent most of the world's major fashion houses.The sides of the square, located to the south of the arches of Porta Nuova, are formed by Via Montenapoleone (SW), Via Manzoni (NW), Via della Spiga (NE), and Corso Venezia (SE). Streets inside this area include Via Borgospesso, Via Santo Spirito, Via Gesù, Via Sant'Andrea, Via Bagutta, and Via Baggutino. The zone extends in practice also to the north-west of Via Manzoni with Via Pisoni, and to the south and west of Via Montenapoleone with Corso Giacomo Matteotti (this last meets Corso Venezia at Piazza San Babila), Piazza Meda, Via San Pietro all'Orto, and Via Verri.

The Villa Belgiojoso Bonaparte, also known as Villa Reale and formerly called Villa Comunale, is a palace in Milan, in Lombardy in northern Italy. It was built between 1790 and 1796 as the residence of Count Ludovico Barbiano di Belgiojoso. The villa is in Neoclassical style, and was designed by Leopoldo Pollack. The main entrance is on via Palestro, facing the Giardini Pubblici of Porta Venezia, the eastern gate of the city. During the Kingdom of Italy it became the residence of Viceroy Eugene de Beuharnais and his family In 1920 the villa came under the ownership of the Comune of Milan; in 1921 it became the home of the Galleria d'Arte Moderna.Beside the villa is the Padiglione d'Arte Contemporanea, an exhibition space for contemporary art, which was built in 1955 on the site of the former stables of the palace, destroyed by wartime bombing.The gardens of the villa, in English style with an artificial lake, were laid out by Leopoldo Pollack.

The Galleria d'Arte Moderna ("modern art gallery") is a modern art museum in Milan, in Lombardy in northern Italy. It is housed in the Villa Reale, at Via Palestro 16, opposite the Giardini Pubblici. The collection consists largely of Italian and European works from the 18th to the 20th centuries.The museum has works by Francesco Filippini, Giuseppe Ferrari, Giovanni Fattori, Silvestro Lega, Giovanni Boldini, Vincent van Gogh, Édouard Manet, Paul Gauguin, Paul Cézanne, Pablo Picasso, Giacomo Balla, Umberto Boccioni, Francesco Hayez, Giovanni Segantini, Giuseppe Pellizza da Volpedo and Antonio Canova, among others. It has received donations from Milanese families including Treves, Ponti, Grassi and Vismara. After the Second World War the twentieth-century works in the collection were moved to the Padiglione d'Arte Contemporanea, built in 1955 on the site of the former stables of the palace, which had been destroyed by wartime bombing.In 2011 some works were moved to the Museo del Novecento; these included Bambina che corre sul balcone by Giacomo Balla (1912), Uomo che dorme by Renato Guttuso (1938) and The Fourth Estate by Pellizza da Volpedo (1901). In recent years the Modern Art Gallery has started a parallel program of temporary exhibitions, including a solo presentation of Tino Sehgal and a selection of drawings from the UBS Art Collection curated by Francesco Bonami.

Via Manzoni, is a busy and fashionable street in the Italian city of Milan which leads from the Piazza della Scala north-west towards Piazza Cavour. Notable buildings include the Museo Poldi Pezzoli, the elegant Grand Hotel et de Milan, which was the place of Giuseppe Verdi’s death in 1901, and several fine palazzi. Via Manzoni was originally called Corsia del Giardino before the crossroad with Via Monte Napoleone and Corso di Porta Nuova up until Piazza Cavour. In 1990, when the Montenapoleone station was opened, a fountain designed by Aldo Rossi was placed in Via Croce Rossa, as a monument to Sandro Pertini.

The State Archives of Milan (abbreviated by the acronym ASMi), based at the Palazzo del Senato, Via Senato n. 10, is the state institution responsible, by law, for the preservation of records from the offices of state bodies, as well as public bodies and private producers. Slowly formed through the agglomeration of the various archival poles spread throughout Austrian Milan between the end of the 18th and the first half of the 19th century, the State Archives finally found its home in the former Palazzo del Senato under the direction of Cesare Cantù in 1886. Having become a research and training center of excellence under the directorships of Luigi Fumi and Giovanni Vittani, the State Archives of Milan since 1945 continued its role as a preservation institution, adapting to the needs of the times and developing the School of Archival Studies, Palaeography and Diplomatics attached to the Institute. The Milan State Archives, which currently covers 45 km of shelves and a storage space of 6,460 m², preserves archives and collections containing records of political and religious institutions prior to Unification, such as the acts produced by the Sforza chancery or under the Spanish and Austrian governments. Following the outline prepared by the General Directorate of Archives, in addition to the documents produced before 1861, the State Archives collects and preserves the acts produced by the Italian state agencies reporting to Milan, such as the prefecture, the court and the Milanese police headquarters, as well as notarial acts from the local district notarial archives (after a hundred years since the notary in question ceased activity) and those from the archives of the military districts. Finally, there is the miscellaneous archives subdivision, not falling under the previous chronological subdivision and consisting mainly of private or public archives. Some of the most famous documents that the Archives preserve include the Cartola de accepto mundio, the oldest Italian parchment preserved in any Italian State Archives (dating back to 721); the Codicetto di Lodi; autographed letters from Leonardo da Vinci, Charles V, Ludovico il Moro and Alessandro Volta; a valuable copy of the Napoleonic Code autographed by the emperor himself; and the minutes of the trial against Gaetano Bresci.

Palazzo Borromeo D’Adda, is an 18th-century palazzo in Milano. Historically belonging to the sestiere di Porta Nuova, it is located at via Manzoni no. 39/41.

The Palazzo del Senato is a Baroque palace in central Milan. It now serves as the Archive of the State (Archivio di Stato), and is located at 10 Via Senato. Construction of the palace was begun in 1608 by cardinal Federico Borromeo, who wished to erect a Swiss seminary college (Collegio Elvetico); the site held ruins of ancient convent of Umiliate nuns. Design of the project was initially assigned to Fabio Mangone, but completed by Francesco Maria Richini. The latter architect solved the problem of the disparate registers of the collegio and the adjacent church, with a convex façade. It curves forward on the right so that the edge on that side matches the church. In 1786, it became the host of government offices of the Habsburg Austrian Empire. In 1797, the invading French sited the house of deputies of the Cisalpine Republic. In 1805 to 1814, when Milan was the capital of the Kingdom of Italy, the palace served as the Senate house. In front of the palace, stands a statue by Joan Miró.