Studio Theatre (Brighton)

The Brighton Dome is an arts venue in Brighton, England, that contains the Concert Hall, the Corn Exchange and the Studio Theatre (formerly the Pavilion Theatre). All three venues are linked to the rest of the Royal Pavilion Estate by a tunnel to the Royal Pavilion in Pavilion Gardens and through shared corridors to Brighton Museum.

The Theatre Royal, Brighton is a theatre in Brighton, England presenting a range of West End and touring musicals and plays, along with performances of opera and ballet.

The Brighton Unitarian Church, previously known as Christ Church, is a Unitarian chapel in Brighton, England. Built in 1820 by prolific local architect Amon Henry Wilds on land sold to the fledgling Unitarian community by the Prince Regent, the stuccoed Greek Revival building occupies a prominent position near the corner of Church Road and New Road in the centre of Brighton, near the Royal Pavilion and the city's main theatres. It has had Grade II listed status since 1952. It is a member of the General Assembly of Unitarian and Free Christian Churches, the umbrella organisation for British Unitarians.

The building at 163 North Street in Brighton, part of the English coastal city of Brighton and Hove, was erected in 1904 for an insurance company and has since been used as a branch by several banks and building societies. It now houses a bookmaker's shop. The distinctive pink granite Edwardian Baroque-style office, embellished with towers, decorative carvings and a landmark cupola, has been called "the most impressive building" on Brighton's main commercial thoroughfare. One of many works by prolific local architecture firm Clayton & Black, it has been described as their chef d'œuvre. English Heritage has listed it at Grade II for its architectural and historical importance.

The Chapel Royal is an 18th-century place of worship in the centre of Brighton, part of the English city of Brighton and Hove. Built as a chapel of ease, it became one of Brighton's most important churches, gaining its own parish and becoming closely associated with the Prince Regent and fashionable Regency-era society. It remains an active church.

Princes House (formerly Norwich Union House) is an office and residential building in the centre of Brighton, part of the English coastal city of Brighton and Hove. The prominently sited building, an example of Harry Stuart Goodhart-Rendel's "inimitable response to Modernism", was purpose-built as the headquarters of the Brighton & Sussex Building Society, forerunner of the Alliance & Leicester. The office was later used by Norwich Union, another financial institution, and now houses a restaurant and flats. The steel-framed structure is clad in red bricks with inlaid mosaicwork, forming a carefully detailed façade, and the corner elevation has an arrangement of brickwork and windows which suggests "the pleated folds of a curtain". The building is listed at Grade II for its architectural and historical importance.

2–3 Pavilion Buildings in Brighton is a former office building which has been converted into a bar. It was constructed in 1934 as the new head office of the Brighton & Hove Herald, a "leading provincial weekly" newspaper serving the borough and seaside resort of Brighton and its neighbour Hove in southeast England. The Neo-Georgian offices were built to the design of prolific local architect John Leopold Denman and feature decorative carvings by Joseph Cribb. After production of the Herald ceased in the 1970s, the building was used by an insurance company and then as a bar. A firm of insolvency practitioners also occupies part of the premises. Vestigial remains of the neighbouring Royal Pavilion's guest bedrooms were incorporated into the building's rear elevation. The building is on Brighton and Hove City Council's Local List of Heritage Assets and is in a conservation area.

Marlborough House is a mansion at 54, Old Steine, Brighton on the south coast of England. It is a Grade I listed building. Initially it was built for Samuel Shergold in the 1760s. After being sold on by both Shergold and its second owner, the Duke of Marlborough, in 1786 it was bought by William Gerard Hamilton and altered to a neoclassical design by Robert Adam. After being owned by the Brighton School Board and Brighton and Hove City Council, it was sold to a local businessman in 1999. Since then, the building has stood empty and original features have been destroyed, leading to several courtcases.

The Royal Pavilion, also known as the Brighton Pavilion, is a Grade I listed former royal residence located in Brighton, England. Beginning in 1787, it was built in three stages as a seaside retreat for George, Prince of Wales, who became the Prince Regent in 1811, and King George IV in 1820. It is built in the Indo-Saracenic style prevalent in India for most of the 19th century. The current appearance of the Pavilion, with its domes and minarets, is the work of architect John Nash, who extended the building starting in 1815. George IV's successors William IV, and Victoria, also used the Pavilion, but Queen Victoria decided that Osborne House should be the royal seaside retreat, and the Pavilion was sold to the city of Brighton in 1850. On 1 October 2020, management and operation of the Royal Pavilion & Museums' buildings and collections were transferred from Brighton & Hove City Council to a new charity: the Royal Pavilion & Museums Trust (RPMT).

The building at 155–158 North Street in Brighton, part of the English coastal city of Brighton and Hove, was built between 1921 and 1923 as a branch of National Provincial Bank. The King Louis-style bank was built on the site of several shops (with offices above). The properties were acquired by the National Provincial Bank during 1916–20. The Brighton Gazette had occupied 155a North Street since 1910, when its long-time home at number 150 was converted into the Cinema de Luxe. Published by William James Towner, the paper’s full title was the Brighton Gazette, Hove Post and Sussex Telegraph (It later became part of National Westminster Bank's network of branches after that bank acquired National Provincial). In 2011 it became J D Wetherspoon's second pub in central Brighton. One of many buildings by the prolific local architecture firm of Clayton & Black, whose work in various styles can be found across the city, it forms an important component of the range of banks, offices and commercial buildings on North Street—a significant commercial thoroughfare since the 18th century. In particular, the "good attention to detail" shown throughout the building's Louis XIV-style façade has been praised. English Heritage has listed it at Grade II for its architectural and historical importance.

Brighton Museum & Art Gallery is a municipally-owned public museum and art gallery in the city of Brighton and Hove in the South East of England. It is part of the "Royal Pavilion & Museums, Brighton and Hove". It is free for local residents but charges £6.20 per non-resident.

The North Gate of the Royal Pavilion is a Grade II* listed building in Brighton. It is part of the Valley Gardens conservation area. Dating from 1832, it is in the Oriental style, as the main Brighton Pavilion, however it was designed by architect and surveyor Joseph Henry Good, not John Nash the architect of the Pavilion and built in the reign of William IV.