Royal Pavilion

The North Gate of the Royal Pavilion is a Grade II* listed building in Brighton. It is part of the Valley Gardens conservation area. Dating from 1832, it is in the Oriental style, as the main Brighton Pavilion, however it was designed by architect and surveyor Joseph Henry Good, not John Nash the architect of the Pavilion and built in the reign of William IV.

The Brighton Dome is an arts venue in Brighton, England, that contains the Concert Hall, the Corn Exchange and the Studio Theatre (formerly the Pavilion Theatre). All three venues are linked to the rest of the Royal Pavilion Estate by a tunnel to the Royal Pavilion in Pavilion Gardens and through shared corridors to Brighton Museum.

Brighton and Hove City Centre is the commercial and cultural centre of the city of Brighton. Geographically, the so-called city centre is located in an easterly part of the Brighton and Hove urban conurbation.

Brighton Museum & Art Gallery is a municipally-owned public museum and art gallery in the city of Brighton and Hove in the South East of England. It is part of the "Royal Pavilion & Museums, Brighton and Hove". It is free for local residents but charges £6.20 per non-resident.

2–3 Pavilion Buildings in Brighton is a former office building which has been converted into a bar. It was constructed in 1934 as the new head office of the Brighton & Hove Herald, a "leading provincial weekly" newspaper serving the borough and seaside resort of Brighton and its neighbour Hove in southeast England. The Neo-Georgian offices were built to the design of prolific local architect John Leopold Denman and feature decorative carvings by Joseph Cribb. After production of the Herald ceased in the 1970s, the building was used by an insurance company and then as a bar. A firm of insolvency practitioners also occupies part of the premises. Vestigial remains of the neighbouring Royal Pavilion's guest bedrooms were incorporated into the building's rear elevation. The building is on Brighton and Hove City Council's Local List of Heritage Assets and is in a conservation area.

The Brighton Dome Studio Theatre (formerly the Pavilion Theatre) is a theatre in Brighton, England. It is part of the wider Brighton Dome complex of buildings. It was built in 1935, originally as a supper room, but later converted into a theatre. Its audience capacity is 232 seated or 350 standing.

Marlborough House is a mansion at 54, Old Steine, Brighton on the south coast of England. It is a Grade I listed building. Initially it was built for Samuel Shergold in the 1760s. After being sold on by both Shergold and its second owner, the Duke of Marlborough, in 1786 it was bought by William Gerard Hamilton and altered to a neoclassical design by Robert Adam. After being owned by the Brighton School Board and Brighton and Hove City Council, it was sold to a local businessman in 1999. Since then, the building has stood empty and original features have been destroyed, leading to several courtcases.

The King and Queen (also known as Ye Olde King and Queen and The King and Queen Hotel) is a pub in the seaside resort of Brighton, part of the city of Brighton and Hove. The present building, a "striking" architectural "pantomime" by the prolific local firm Clayton & Black, dates from the 1930s, but a pub of this name has stood on the site since 1860—making it one of the first developments beyond the boundaries of the ancient village. This 18th-century pub was, in turn, converted from a former farmhouse. Built using materials characteristic of 16th-century Vernacular architecture, the pub is in the Mock Tudor style and has a wide range of extravagant decorative features inside and outside—contrasting with the simple design of the neighbouring offices at 20–22 Marlborough Place, designed a year later. English Heritage has listed the pub at Grade II for its architectural and historical importance.

Princes House (formerly Norwich Union House) is an office and residential building in the centre of Brighton, part of the English coastal city of Brighton and Hove. The prominently sited building, an example of Harry Stuart Goodhart-Rendel's "inimitable response to Modernism", was purpose-built as the headquarters of the Brighton & Sussex Building Society, forerunner of the Alliance & Leicester. The office was later used by Norwich Union, another financial institution, and now houses a restaurant and flats. The steel-framed structure is clad in red bricks with inlaid mosaicwork, forming a carefully detailed façade, and the corner elevation has an arrangement of brickwork and windows which suggests "the pleated folds of a curtain". The building is listed at Grade II for its architectural and historical importance.

The Marlborough Pub and Theatre is a historic venue, situated at 4 Princes Street, Brighton. It has been associated, since the 1970s, with the LGBT community. Until 2020, the Marlborough's small theatre presented drama, cabaret and music throughout the year, including during the Brighton Fringe Festival, LGBT History Month and Brighton Pride Arts Festival. It is colloquially referred to as 'The Marlborough' or 'The Marly'.

The Royal Pavilion Tavern, commonly known as the Pavilion Tavern or Pav Tav and since February 2022 as The Fitz Regent, is a pub in the centre of Brighton, part of the English coastal city of Brighton and Hove. Converted from a house into the Royal Pavilion Hotel in the early 19th century, its original role soon changed from a hotel to a pub, in which guise it remained until its closure in September 2019. It reopened under its new name, but still in the ownership of the Mitchells & Butlers chain, on 13 February 2022. The building was also used as a court for several years early in its history, and prominent local architect Amon Henry Wilds was responsible for its redesign as a hotel and inn. English Heritage has listed the building at Grade II for its architectural and historical importance, and it stands within a conservation area.

The Chapel Royal is an 18th-century place of worship in the centre of Brighton, part of the English city of Brighton and Hove. Built as a chapel of ease, it became one of Brighton's most important churches, gaining its own parish and becoming closely associated with the Prince Regent and fashionable Regency-era society. It remains an active church.