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Bridewell Palace

1855 disestablishments in the United KingdomBuildings and structures completed in 1515Buildings and structures demolished in 1863Defunct prisons in LondonDemolished prisons
Former buildings and structures in the City of LondonHouses completed in the 16th centuryRoyal buildings in LondonRoyal residences in the United Kingdom
Prospect of Bridewell
Prospect of Bridewell

Bridewell Palace in London was built as a residence of King Henry VIII and was one of his homes early in his reign for eight years. Given to the City of London Corporation by his son King Edward VI for use as an orphanage and place of correction for wayward women, Bridewell later became the first prison/poorhouse to have an appointed doctor. It was built on the banks of the Fleet River in the City of London between Fleet Street and the River Thames in an area today known as Bridewell Place, off New Bridge Street. By 1556 part of it had become a jail known as Bridewell Prison. It was reinvented with lodgings and was closed in 1855 and the buildings demolished in 1863–1864. The name "Bridewell" subsequently became a common name for a jail, used not only in England but in other English-speaking cities, including Dublin, Chicago and New York.

Excerpt from the Wikipedia article Bridewell Palace (License: CC BY-SA 3.0, Authors, Images).

Bridewell Palace
Tudor Street, City of London

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N 51.511666666667 ° E -0.10583333333333 °
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Tudor Street 5
EC4Y 0AF City of London
England, United Kingdom
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De Keyser's Royal Hotel
De Keyser's Royal Hotel

De Keyser's Royal Hotel was a large hotel on the Victoria Embankment, at its junction with New Bridge Street (now the A201), Blackfriars, London. The location was formerly the site of Bridewell Palace. The Royal Hotel was founded before 1845 by Constant de Keyser, an immigrant to England from Belgium. It was a high-end hotel, catering mainly to visitors from continental Europe. His son Polydore de Keyser ran the hotel from around 1856. A new hotel building with five storeys and two basements was opened at the same site on 5 September 1874, designed by the Scottish architect Edward Augustus Gruning. The foundation stone was laid by the daughter of the Belgian Vice-Counsul. The new building had a long curved façade facing the River Thames, close to Sion College and near the site of the new City of London School building that opened in 1883. The exterior was in an Anglicised form of the Second Empire Style, faced by white Suffolk bricks and Portland stone, with a Mansard roof covered with green slates and hips, ridges and dormers in zinc. An archway to through to an internal courtyard, at the centre of which was a glass dome covering a billiard room below, later used as a lounge. The interior was decorated in opulent French style, with 230 guest rooms and many function rooms, including a dining hall 110 by 40 feet (34 m × 12 m) with space for 400 people. Furniture was imported from Paris. A second wing opened in 1882, when the hotel became the largest in London, accommodating up to 480 guests, with a second dining room for another 250 people, and rooms for 150 staff. Sir Polydore de Keyser had no children. His hotel was sold to a limited company in 1897, and a nephew Polydor Welchand de Keyser took over the management. The hotel suffered a serious decline of business after the outbreak of the First World War, and it was taken over by a receiver. With a shortage of office space in London for the wartime ministries, the hotel was requisitioned in May 1916 by the Office of Works for the wartime use of the Royal Flying Corps. Renamed "Adastral House", the first building to bear that name, it was the London headquarters of the Royal Flying Corps until it moved to Hotel Cecil on the formation of the new Air Ministry and the Royal Air Force in 1918. For a short period it was occupied by the Royal Army Medical Corps, until 1919. The owner of the hotel claimed compensation, leading to a legal case on the power of the royal prerogative, Attorney-General v De Keyser's Royal Hotel Limited. The case reached the House of Lords, which held that the Defence of the Realm Act 1914 replaced the royal prerogative, and that compensation was due under the Defence Act 1842. The hotel never reopened. The building was sold to Lever Brothers in 1921, and it became their London headquarters. The hotel building was demolished in 1931 to make way for the construction of Unilever House.

Salisbury Court Theatre
Salisbury Court Theatre

The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue like the Blackfriars Theatre, it was a successor to the earlier Whitefriars Theatre (which had been just on the other side of Water Lane) and the short-lived Porter's Hall Theatre, and catered to an upscale and elite audience—in contrast to the open-air theatres like the Globe, Fortune, and Red Bull theatres that served a mass audience (especially in the latter two cases). Little is known about the actual form and shape of the Salisbury Court Theatre. Yet since it was on a plot of land 42 feet (13 meters) wide, it may have resembled, to some greater or lesser degree, the plan for a small theatre drawn by Inigo Jones in the later Jacobean or Caroline era, which adheres to a very similar scale.The Salisbury Court was built at a cost of £1,000 by Richard Gunnell, a veteran actor and the manager of the Fortune, and William Blagrave, deputy to Sir Henry Herbert, Master of the Revels. At some point in the middle of the 1630s, control of the theatre passed to the "dictatorial management" of Richard Heton, who was in charge by October 1635. (Gunnell died in late 1634 or early 1635, while Blagrave would die in 1636.) During the 1630s, the theatre was occupied at various times by the King's Revels Men (1630–31 and 1633–36), by Prince Charles's Men (1631–33), and by Queen Henrietta's Men (1637–42); for a time it was a major locus of dramatic activity, a main rival to the theatrical establishment run by Christopher Beeston at the Cockpit and Red Bull theatres. [See: Richard Brome.] Salisbury Court was the last theatre to be built before the closing of the theatres in 1642, during the Puritan era. After the theatres were closed, Salisbury Court was sometimes used for other purposes — and sometimes, as through much of 1647, it was used for theatrical performances in contravention of the local authorities. (The players played when they could get away with doing so—which was not always: the London authorities raided the Salisbury Court on 6 October 1647, breaking up a performance of A King and No King by Beaumont and Fletcher.) On 1 January 1649, the London authorities raided all four of the London theatres simultaneously; the actors at the Salisbury Court Theatre and the Cockpit Theatre were arrested, as was a "rope-dancer" or trapeze artist performing at the Fortune Theatre—but the actors at the Red Bull Theatre managed to escape. In March 1649, the authorities destroyed the interior of the Salisbury Court theatre, and the Fortune and the Cockpit too, making them useless for public performances. After years of being banned in the Interregnum, theatre was again permitted on the Restoration of Charles II in 1660, with the grant of two Letters patent to two companies to perform "legitimate drama" in London. The Salisbury Court Theatre was refurbished by William Beeston and used for a time by the Duke's Company, patronised by the Duke of York (later James II), from November 1660 to June 1661, when they moved to the nearby Lisle's Tennis Court next to Lincoln's Inn Fields, which they found a better venue. George Jolly's troupe also played there for a time. Samuel Pepys records visiting it several times in his diary for early 1661 (often calling it the Whitefriars Theatre). Pepys' famous Diary provides information on the plays acted at the Salisbury Court Theatre immediately after the theatres re-opened. He saw Fletcher's The Mad Lover on 9 February 1661; Middleton and Rowley's The Changeling on 23 February (Thomas Betterton played De Flores); Massinger's The Bondman on 1 March (Betterton again); Fletcher and Massinger's The Spanish Curate on 16 March; Heywood's Love's Mistress on 2 March; and Fletcher's Rule a Wife and Have a Wife on 1 April. (All dates new style.) The building burned down in the Great Fire of London in 1666. It was replaced in 1671 by the Dorset Garden Theatre, which was built slightly further south to a design by Christopher Wren. The theatre is commemorated by a plaque on the Dorset Rise (east) side of the corporate building on the south side of Salisbury Square.

St Bride Library
St Bride Library

St Bride Library (formerly known as St Bride Printing Library and St Bride Typographical Library) is a library in London primarily devoted to printing, book arts, typography and graphic design. The library is housed in the St Bride Foundation Institute in Bride Lane, London EC4, a small street leading south of Fleet Street near its intersection with New Bridge Street, in the City of London. It is centrally located in the area traditionally synonymous with the British Press and once home to many of London's newspaper publishing houses. The Library is named after the nearby church, St Bride's Church, the so-called "Cathedral of Fleet Street". The Bridewell Theatre is the theatre attached to the Foundation. St Bride Library opened on 20 November 1895 as a technical library for the printing school and printing trades. The library remained, as the school relocated in 1922 to become what is now known as the London College of Communication. The library's collection has grown to incorporate a vast amount of printing-related material numbering about 60,000 books and pamphlets, in addition to back issues of some 3,600 serials and numerous artefacts. Among its extensive collection the library houses: an Eric Gill collection, a William Addison Dwiggins collection, a Beatrice Warde collection, types of the Oxford University Press, and punches of the Caslon and Figgins foundries.On the 30 July 2015 the long-term closure of the library was announced as a result of major funding issues. The library staff were made redundant and the future of the collections appeared in doubt. After a change of management in late 2015 the Trustees took the decision to allow limited access. No charge is made for access to the reading room but a fee of £1 per item is levied for titles retrieved from closed access storage. The limited Reading Room study space means that potential visitors must email the library in advance of their visit to ensure that they may be accommodated on open days. The library is currently open each Wednesday from noon. The current Covid pandemic has further reduced the seating available as an aid to social distancing. Two research sessions are bookable each Wednesday, either between noon and 3pm or between 3.30pm and 6.30pm. The library closes between 3pm and 3.30pm for cleaning between study sessions. Those wishing to reserve a space should email [email protected] for access.