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First Engineer Bridge

Bridges completed in 1825Bridges in Saint PetersburgPierre-Domonique Bazaine
1st Inzhenerny Bridge 01
1st Inzhenerny Bridge 01

The First Engineer Bridge (Russian: Первый Инженерный мост, Pervy Inzhenerny most) is one of several bridges that span the Moika River in Saint Petersburg, Russia. The bridge is one of a group of four bridges located near the Mars Field, and opposite the main entrance to the Summer Garden, spanning the Moika River, the Fontanka River, and the Swan Canal in the historic center of the city. The First Engineer Bridge is one of the most decorative of Saint Petersburg's more than 500 bridges. The original small wooden bridge, called the Summer Bridge and rumored to have been designed by the architect Bartolomeo Rastrelli, was built in the 1760s. This bridge was replaced with the current cast-iron bridge, in 1824-1825, and renamed the First Engineer Bridge, in 1829, after the nearby Engineers' Castle (originally called St Michael's or Mikhailovsky Castle). Engineer Pierre-Dominique Bazaine (1786-1838) (Пётр Петрович Базен) designed and constructed the bridge in a similar fashion to the Big Stables Bridge (Bolshoy Konyushenny Bridge), a bridge located further west on the Moika River, using pre-fabricated hollow wedges. Bazaine also managed to reduce the use of expensive cast-iron in the bridge's construction to one-third of the total mass of the bridge, by innovatively designing the sidewalks with the use of special bracket supports. The siding is decorated in Doric style by architect Joseph Charlemagne. The beams have a curved and perforated appearance, and the bridge's rectangular orifices are bordered with flat frames, giving the bridge an appearance of lightness and transparency. The bridge's sidewalk tiles were designed as a cornice and are supported by rich ornamental bracket figures. Intricately inscribed plaques with grooves extend from the figures on frieze planes, in the style of Doric triglyph coverings. The triglyphs cover the joints of the side plaques. Cast-iron arches span closely behind. The railings, also designed by Charlemagne, comprise several sections of short pilums, placed between bouquets of decorations and inscriptions of round shields, with bas-relief images of the heads of Medusa, with the Gorgon's snaky locks for hair. In 1994, a small bronze statue of Chizhik-Pyzhik was installed on a ledge in the embankment, opposite the Imperial School of Jurisprudence near the First Engineer Bridge. The statue has since been repeatedly stolen.

Excerpt from the Wikipedia article First Engineer Bridge (License: CC BY-SA 3.0, Authors, Images).

First Engineer Bridge
набережная реки Фонтанки, Saint Petersburg

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N 59.9417 ° E 30.3378 °
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1-й Инженерный мост

набережная реки Фонтанки
191187 Saint Petersburg (Palace District)
Saint Petersburg, Russia
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1st Inzhenerny Bridge 01
1st Inzhenerny Bridge 01
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Saint Michael's Castle
Saint Michael's Castle

Saint Michael's Castle (Russian: Миха́йловский за́мок, Mikhailovsky zamok), also called the Mikhailovsky Castle or the Engineers' Castle (Russian: Инженерный замок, Inzhenerny zamok), is a former royal residence in the historic centre of Saint Petersburg, Russia. Saint Michael's Castle was built as a residence for Emperor Paul I of Russia by architects Vincenzo Brenna and Vasily Bazhenov in 1797–1801. It was named for St Michael the Archangel, patron saint of the royal family. The castle looks different from each side, as the architects used motifs of various architectural styles such as French Classicism, Italian Renaissance and Gothic. Saint Michael's Castle was built to the south of the Summer Garden and replaced the small wooden palace of Empress Elizabeth Petrovna. Afraid of intrigues and assassination plots, Emperor Paul I disliked the Winter Palace where he never felt safe. Due to his personal fascination with medieval knights and his constant fear of assassination, the new royal residence was built like a castle around an octagonal courtyard. The building with rounded corners was surrounded by the waters of the Moika River, the Fontanka River and two specially dug canals (the Church Canal and the Sunday Canal), transforming the castle area into an artificial island which could only be reached by drawbridges. Construction began on 26 February (N.S. 9 March), 1797 and the castle was solemnly consecrated on 8 November 1800, i.e. on St Michael's Day in the Eastern Orthodox calendar, though finishing work on the interior continued until March 1801. In 1800, the bronze equestrian Monument to Peter the Great was set up in front of the castle. This statue had been designed during Peter the Great's lifetime and later, with the casting being completed in 1747 by the architect Bartolomeo Rastrelli. By order of Paul I, the inscription "From Great Grandson to Great Grandfather" was made on the pedestal that is decorated with bas-reliefs depicting scenes of two Russian victories over Sweden during the Great Northern War. Paul I was assassinated only 40 nights after he moved into his newly built castle. He was murdered on 12 March 1801, in his own bedroom, by a group of dismissed officers headed by General Bennigsen. The conspirators forced him to a table, and tried to compel him to sign his abdication. Paul offered some resistance, and one of the assassins struck him with a sword, and he was then strangled and trampled to death. He was succeeded by his son, Emperor Alexander I, who was actually in the palace at the time and was informed of his accession by General Nicholas Zubov, one of the assassins. After Paul's death, the imperial family returned to the Winter Palace; Saint Michael's Castle was abandoned and in 1823 was given to the army's Main Engineering School (later to become the Nikolayevskaya Engineering Academy and now the Military Engineering-Technical University). From then on, the building was known as the Engineers' Castle. Between 1838 and 1843, the Russian writer Fyodor Dostoyevsky studied as a cadet at the Main Engineering School. In the early 1990s, Saint Michael's Castle became a branch of the Russian Museum and now houses its Portrait Gallery, featuring official portraits of the Russian Emperors and Empresses and various dignitaries and celebrities from the late 17th to the early 20th century.

Monument to Peter I (St. Michael's Castle)
Monument to Peter I (St. Michael's Castle)

The Monument to Peter I (Russian: памятник Петру I) is a bronze equestrian monument of Peter the Great in front of the St. Michael's Castle in Saint Petersburg, Russia. In 1716, emperor Peter the Great commissioned the Italian sculptor Carlo Bartolomeo Rastrelli to design an equestrian statue in commemoration of the Russian victories over Sweden in the Great Northern War. Rastrelli worked for eight years with a model of the monument before it was approved by the emperor in 1724. But as the emperor died the following year, work halted and the sculpture's casting was only completed after the sculptor's death, by 1747, only to remain in a local warehouse, and not to be erected until 53 years later. In the meantime, Catherine the Great had ordered another monument in memory of her predecessor Peter the Great - the Bronze Horseman, the most famous statue of Peter the Great in St Petersburg. At the base of the Bronze Horseman, Catherine even linked her name with Peter the Great, an expression of Catherine's attitude toward her predecessor and her view of her own place in the line of great Russian rulers. Catherine, who, having gained her position through a palace coup, had no legal claim to the throne, was anxious to appear as Peter's rightful heir. Only in 1800, during the reign of emperor Paul I, was the Monument to Peter I finally erected. It was placed on a pedestal faced with green, red and white-shaded Finnish marble that is decorated with bas-reliefs depicting scenes of two Russian victories over Sweden during the Great Northern War, the Battle of Poltava and the Battle of Hangö, and also an allegorical composition with trophies. The Russian victories at Poltava and near Hangö, Finland helped Russia become the dominant power in the north of the continent. Peter the Great led his troops to both victories. By order of emperor Paul I, the inscription "To Great Grandfather from Great Grandson" (Прадеду - правнук) was made on the pedestal, a subtle but obvious allusion to the Latin "Petro Primo Catherina Secunda", the dedication by Catherine the Great on the Bronze Horseman. During World War II, the equestrian statue of Peter I was removed from its pedestal and sheltered from the 900-day German siege of the city. In 1945, the statue was restored and returned to its pedestal.

Stieglitz Museum of Applied Arts
Stieglitz Museum of Applied Arts

The Stieglitz Museum of Decorative and Applied Arts ranks among the most significant museums in Saint Petersburg, Russia. The project had its beginnings in 1878 when Baron Alexander von Stieglitz (1814–84), a millionaire philanthropist, donated funds to build a museum for the benefit of students of the Central School of Engineering Design, which had been established by him earlier. The new museum was to accommodate Stieglitz's private collection of rare glassware, porcelains, tapestries, furniture, and tiled stoves. The museum's first director, Maximilian Messmacher, based his design upon a similar museum in Vienna. Constructed between 1885 and 1896, the building is an example of the Neo-Renaissance at its most stylistically forceful. The ground floor with arched windows is heavily rusticated and the upper storey is turgid with ornate details and statuary. The central hall is set between two-storey Italianate arcades, while interiors of other halls are styled so as to conform with items exhibited therein. A room patterned after the Terem Palace particularly stands out as "an opulent knockout", in the words of Tom Masters of the Lonely Planet. Out of some 30,000 items stored in the museum at the time of the Russian Revolution of 1917, the Communist authorities handed over the most precious exhibits to the Hermitage Museum. The Stieglitz Museum continued as a branch of the Hermitage until 1926, when it was abolished, only to be restored three years later as a separate institution. During the Soviet years luxurious interiors fell into disrepair, with one hall used as a gym, its walls painted over. It was not until the fall of the Soviet Union that slow and painstaking restoration began.