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Santi Gioacchino e Anna ai Monti

1780s establishments in Italy18th-century Roman Catholic church buildings in ItalyItaly Roman Catholic church stubsReligious organizations established in 1781
Monti ss Gioacchino e Anna 1050933
Monti ss Gioacchino e Anna 1050933

Santi Gioacchino ed Anna ai Monti (Saints Joachim and Anne on the hills) is a church on the Via Monte Polacco in Rome. Pope Clement XIII demolished a thirty-seven-year-old Minim monastery on this site (founded in 1723 by Fr. Francesco Narici) in 1760 to make way for a new monastery and the present church. The church, on a Greek cross plan, barrel-vaulted and with a central dome, was consecrated in 1781 by Pope Pius VI. Its 18th-century façade has four pilasters with Corinthian capitals and is crowned by an undecorated tympanon. The main decorations are stucco cherubs, including a tympanum above the high altar with cherubs in glory and a painting of the Madonna, St Anne and St Joachim. The church is served by diocesan clergy.

Excerpt from the Wikipedia article Santi Gioacchino e Anna ai Monti (License: CC BY-SA 3.0, Authors, Images).

Santi Gioacchino e Anna ai Monti
Via Monte Polacco, Rome Municipio Roma I

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N 41.894501 ° E 12.493948 °
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Santi Gioacchino e Anna ai Monti

Via Monte Polacco
00184 Rome, Municipio Roma I
Lazio, Italy
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Monti ss Gioacchino e Anna 1050933
Monti ss Gioacchino e Anna 1050933
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Tomb of Pope Julius II
Tomb of Pope Julius II

The Tomb of Pope Julius II is a sculptural and architectural ensemble by Michelangelo and his assistants, originally commissioned in 1505 but not completed until 1545 on a much reduced scale. Originally intended for St. Peter's Basilica, the structure was instead placed in the church of San Pietro in Vincoli on the Esquiline in Rome after the pope's death. This church was patronized by the Della Rovere family from which Julius came, and he had been titular cardinal there. Julius II, however, is buried next to his uncle Sixtus IV in St. Peter's Basilica, so the final structure does not actually function as a tomb. As originally conceived, the tomb would have been a colossal structure that would have given Michelangelo the room he needed for his superhuman, tragic beings. This project became one of the great disappointments of Michelangelo's life when the pope, for unexplained reasons, interrupted the commission, possibly because funds had to be diverted for Bramante's rebuilding of St. Peter's. The original project called for a freestanding, three-level structure with some 40 statues. After the pope's death in 1513, the scale of the project was reduced step-by-step until, in April 1532, a final contract specified a simple wall tomb with fewer than one-third of the figures originally planned.The most famous sculpture associated with the tomb is the figure of Moses, which Michelangelo completed during one of the sporadic resumptions of the work in 1513. Michelangelo felt that this was his most lifelike creation. Legend has it that upon its completion he struck the right knee commanding, "now speak!" as he felt that life was the only thing left inside the marble. There is a scar on the knee thought to be the mark of Michelangelo's hammer.

Oppian Hill
Oppian Hill

The Oppian Hill (Latin, Oppius Mons; Italian: Colle Oppio) is the southern spur of the Esquiline Hill, one of the Seven Hills of Rome, Italy. It is separated from the Cispius on the north by the valley of the Suburra, and from the Caelian Hill on the south by the valley of the Colosseum. The Oppius and the Cispius together form the Esquiline plateau just inside the line of the Servian Wall. In the divisions of the Septimontium (seven hills) Fagutal appears as an independent locality, which implies that originally "Oppius" was strictly applied to this spur except the western end. The northern tip of this western end was also called Carinae, which extended between the Velian Hill and the Clivus Pullius, looked out to the southwest (across the swamps of the Palus Ceroliae towards the Aventine), incorporated the Fagutal and was one of ancient Rome's most exclusive neighborhoods. At least for religious purposes the name Oppius continued in use to the end of the republic; no later instance has been found. According to Varro its name derives from Oppius, a citizen of Tusculum who came to the Romans' assistance during Tullus Hostilius's siege of Veii. However, the word's true etymology is obscure. It may possibly be that of a clan that lived in this area, a gens name of plebeian status. Detlefsen's conjecture that Oppius is derived from Oppidus was revived by Pinza, who regards the name as comparatively late. The Oppian Hill Park (Italian: Parco del Colle Oppio) covers about eleven hectares. It was developed in 1871, as part of the urban reorganization that followed the establishment of Rome as the capital of Italy. From that time the area was used as a public garden. But it was during the fascist era when work was carried out to give the park its present appearance. This was planned in 1928 under the guidance of the architect Raffaele De Vico, and completed in 1936. Work included the fountains, statues and marble sculptures that decorate the park today. A central avenue leads down the hill to the Colosseum, providing an attractive view. The Oppian Hill Park is considered to be an archaeological park. Much of the Domus Aurea (Golden House of Nero) lies under it, and it also contains the ruins of the Baths of Trajan and the earlier Baths of Titus.