Teater Galeasen

Moderna Museet (Museum of Modern Art), Stockholm, Sweden, is a state museum for modern and contemporary art located on the island of Skeppsholmen in central Stockholm, opened in 1958. In 2009 the museum opened the Moderna Museet Malmö in Malmö.

Tyghuset (Swedish: "The Arsenal"[1]) is a building on the islet Skeppsholmen in central Stockholm, Sweden, today housing the Museum of Far Eastern Antiquities.

The Museum of Far Eastern Antiquities (Swedish: Östasiatiska museet), located in Stockholm, Sweden, is a museum launched by Sweden's Parliament in 1926, with the Swedish archaeologist Johan Gunnar Andersson (1874–1960) as founding director. The museum is located on Skeppsholmen in the building Tyghuset and since 1999 the museum is a part of the public Swedish National Museums of World Culture.

Lenin Monument April 13th 1917 is a 1977 public art installation by Swedish artist Björn Lövin. It is part of the outdoor collection of Moderna Museet in Stockholm and is located on Skeppsholmen near the museum's main entrance. The artist made the installation based on a 1917 Axel Malmström photograph of Vladimir Lenin and entourage leaving the Stockholm Central Station on foot. The installation was first exhibited in 1977 at Kulturhuset, Stockholm, as part of Lövin's exhibition Minnet sviker (Failed Memory), and was purchased by Moderna Museet the same year.The work recreates a cobblestone street section in which the title character is absent and only represented by a cross-mark. Unlike a huge number of Lenin monuments and statues around the world, this work is not a celebration of the disputed Russian revolutionary. Instead, it is rather an anti-monument – a "nonument" – that challenges the underlying power structures that determine which sites, people and dates are recognized as historically significant. A similar approach can be seen in works by artists such as Braco Dimitrijević, Jochen Gerz and Walid Raad. The work is not a tribute to a person or a deed, as is often the case with monuments. Instead, it raises questions of what and how we remember, or want to remember, collectively.

The Skeppsholmen Church (Swedish: Skeppsholmskyrkan) is a former church on the islet of Skeppsholmen in central Stockholm, Sweden.

Skeppsholmen is one of the islands of Stockholm. It is connected with Blasieholmen and Kastellholmen by bridges. It is accessible by foot from Kungsträdgården, past the Grand Hôtel and Nationalmuseum, by bus number 65, or by boat from Slussen, Djurgården or Nybroplan. Positioned strategically at the Baltic Sea entrance to Stockholm, it has traditionally been the location of several military buildings. Today, the military presence is low, and several museums can be found there instead, such as the Museum of Modern Art (Moderna museet), the main modern art museum of Stockholm, the architectural museum in the same building, and the East-Asian museum (Östasiatiska Muséet). It is also home to the Teater Galeasen. On the southern shore is the old sailing ship af Chapman which is now used as a youth hostel. Stockholm Jazz Festival is a popular annual summer event held on Skeppsholmen. Eric Ericsonhallen (formerly Skeppsholmen Church) was the venue for an official dinner for foreign royalty, celebrating the Wedding of Victoria, Crown Princess of Sweden, and Daniel Westling in June 2010.

The Four Elements is a monumental mobile sculpture created by the American sculptor Alexander Calder in 1961. The sculpture is a motorized moving group of four metal sheets. The artwork is about 30 feet high. The sheets are painted in plain colours. This sculpture is made after a Calder model from 1938. The Four Elements is a long-term installation and located in front of the entry to Moderna Museet in Stockholm, Skeppsholmen. The artwork was brought from New York by Pontus Hultén (that time, the director of Moderna Museet). The Four Elements was a part of the exhibition Movement in Art (Rörelse i konsten), and the exhibition was on display in Moderna Museet from 16 May till 10 September 1961. As a memory of the artist's extensive presence in the exhibition, Calder's The Four Elements was left standing outside the museum. The artwork became a signature and a veritable symbol of the Moderna Museet. It was donated to the museum by Alexander Calder and the engineer Allan Skarne in 1967. The Four Elements is a part of the Sculpture park (Swedish Skulpturparken) outside the Moderna Museet.

Exercishuset (Swedish: “The Drill House”) is a building on the islet Skeppsholmen in central Stockholm, Sweden, is as of 1995 incorporated as part of the new building for the Moderna Museet and Swedish Centre for Architecture and Design.Built just south of the Skeppsholmen Church in 1853 and designed by Fredrik Blom, the original purpose of the building was to train the Navy staff in the complicated handling of the cannon sloops and dinghies. The former were 20 metres (66 ft) in length and operated by 14 pairs of oars pulled by 54 men, and the latter half the size. Another benefit of the building was the shipyard on the eastern shore being sealed off, as the main entrance at the time was found on the eastern side. However, the rowing vessels were discontinued in 1871, and the building therefore enlarged in 1881, as designed by Blom’s successor Victor Ringheim to adapt to new warfare technology. In 1955, the National Museum of Fine Arts moved into the building. Three years later, the art exhibitions continued as the new institution Moderna Museet under Pontus Hultén. As the latter museum was rebuilt and enlarged to the design by Rafael Moneo starting in 1994, the Drill House became an integrated part of the new complex. Since 1998 the building accommodates the Museum of Architecture, since 2013 the Swedish Centre for Architecture and Design.

The Swedish Centre for Architecture and Design (Swedish: Statens centrum för arkitektur och design) or ArkDes, previously known as the Museum of Architecture (Arkitekturmuseet), is a Swedish national museum dedicated to architecture and design. It is located on the island of Skeppsholmen in Stockholm, Sweden, in the same complex as Moderna Museet. The museum exhibits architecture, urban planning and design under its current director Kieran Long. It is an administrative authority under the Ministry of Culture.

Prästgården (Swedish: "The Parsonage") is a building on the islet Skeppsholmen in central Stockholm, Sweden. In the 1730s it became increasingly apparent the working force on the island needed a place to spend their resting time, and in 1739 a one-storey building was built south of the present-day Moderna Museet, the stone floor giving the building the nickname Stenkrogen ("The Stone Tavern"). By the end of the century, the building was then used as a canteen and as barracks for naval reserve force By the 1840s, the first classrooms established in the building in the early 1920s had been expanded to occupy the entire building, subsequently enlarged and repaired in 1865, and, as the large windows in the western end can tell, meeting the new state policy for school buildings. In 1926–1927, the building was repaired again to accommodate the naval station's priest, a chapel, and idyllic garden - since bearing the name Prästgården ("The Parsonage") Today it is part of the Modern Museum, who use it for its sculptural park.

The Nautical Chart Department (Swedish: Sjökarteverket) is a building located on the islet Skeppsholmen in central Stockholm, Sweden. Built in 1871-1872 to the plans of Victor Ringheim, head of the Engineering Department and successor of Fredrik Blom, this building was originally a well-proportioned two-storey structure, in 1910 heightened with one floor, and in 1937-1938 lengthened with three window rows. The building replaced a small log house on the site, for long, 1747–1861, known all over town as the tavern Tuppen ("The Rooster") and praised by Carl Michael Bellman in his 67th epistle. The Department, originally located on Riddarholmen, used the building to store the partly secret nautical charts before a various shipping departments were gathered under one body, the Swedish Maritime Administration in 1956, and the scattered institutions physically united under a single roof on Gärdet in 1965. The building then housed the Museum of Architecture during the period 1966–1993, to serve the architecture department of the school of fine arts, before accommodating Designforum Svensk Form, an exposition space promoting Swedish design from 2005.

The Admiralty House (Swedish: Amiralitetshuset) is an admiralty house on the islet Skeppsholmen in central Stockholm, Sweden. Built in 1647-50 as the Admiralty Board moved over to Skeppsholmen, and probably designed by Louis Gillis, a Dutch architect operating in Stockholm since the 1620s, it was built in a Dutch Renaissance style with stepped gables, much like the present building, but the limestone portal is the only part remaining from this period. In 1680-1750 it was used as an archive, and then as a corn stable until 1794 when rebuilt as a barrack. Still used as the latter, it was redesigned in 1844-46 by the architect Fredrik Blom as a Neo-Renaissance building with turrets added on the corners. It was rebuilt in 1952 by Rudolf Cronstedt to accommodate the Admiralty again, but today houses the Swedish Tourist Association (Svenska Turistföreningen, STF).