place

All Nations Baptist Church

Churches in BrooklynKorean churches in the United StatesKoryo-saram organizations

All Nations Baptist Church (Russian: Баптистская церковь Всех Наций) is a Russian-language Baptist congregation in Brooklyn, New York City, United States. It shares facilities with the Park Slope Community Church. The congregation is often associated with Koryo-saram: ethnic Koreans of the mainland former Soviet Union. It has been described as the only such Koryo-saram church in New York City.

Excerpt from the Wikipedia article All Nations Baptist Church (License: CC BY-SA 3.0, Authors).

All Nations Baptist Church
12th Street, New York Brooklyn

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: All Nations Baptist ChurchContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 40.6679 ° E -73.9888 °
placeShow on map

Address

Park Slope Community Church

12th Street 251
11215 New York, Brooklyn
New York, United States
mapOpen on Google Maps

Share experience

Nearby Places

Grand Prospect Hall
Grand Prospect Hall

Grand Prospect Hall, also known as Prospect Hall, was a large Victorian-style banquet hall at 263 Prospect Avenue in the South Park Slope neighborhood of Brooklyn, New York City. It was primarily an event space, hosting weddings, bar and bat mitzvahs, and high-school proms. The hall was housed in a building that architect Ulrich J. Huberty designed in the French Renaissance style. The first Prospect Hall was built in 1892 by local entrepreneur John Kolle. The original structure burned down in 1900 and was replaced by a new building, which opened in 1903. It was operated by the Kolle family through 1940, when John Kolle's son, William, sold the building to a Polish-American organization. Greek-American couple Michael and Alice Halkias bought the hall in 1981 and renovated it, gaining some local celebrity for their cheaply produced television commercials. In 2020, it was sold to contractor Angelo Rigas, who announced plans to demolish and redevelop it, along with adjacent properties. Local activists organized to save the building, but the effort was unsuccessful and Grand Prospect Hall was demolished in February 2022. Grand Prospect Hall was four stories tall and faced in buff-gray brick, with pressed metal decoration that was originally colored to resemble limestone. The front portion of the building was arranged around a large central staircase and was designed with a bar, a banquet hall, and various reception and parlor rooms. The rear of the building was arranged around the ballroom, which was overlooked by two balcony levels. The basement also had facilities, including a bowling alley. The building was listed on the National Register of Historic Places.

Morbid Anatomy Museum
Morbid Anatomy Museum

The Morbid Anatomy Museum was a non-profit exhibition space founded in 2014 by Joanna Ebenstein, Tracy Hurley Martin, Colin Dickey, Tonya Hurley, and Aaron Beebe in the Gowanus neighborhood of Brooklyn, New York City. The museum was an expansion of Ebenstein's long-running project, the Morbid Anatomy Blog and Library and drew heavily on her experiences with the also defunct art groups Observatory and Proteus Gowanus, as well as Beebe's work in the Coney Island Museum and Dickey's interest in the arcane and the esoteric. The museum building had a lecture and event space, a cafe and a store. The museum's closing was announced on December 18, 2016.The Museum was conceived, organized and planned by Joanna Ebenstein, Tracy Hurley Martin, Colin Dickey, and Aaron Beebe and located at 424a Third Avenue in Brooklyn, a former nightclub building the interior of which was re-modeled by architects Robert Kirkbride and Tony Cohn in 2014. In Ebenstein's words, the new space was designed to give a home for a "regular lecture series and DIY intellectual salon that brings together artists, writers, curators and passionate amateurs dedicated to what [Joanna Ebenstein] sums up as 'the things that fall through the cracks'".The space focused on forgotten or neglected histories through exhibitions, education and public programming. Themes included nature, death and society, anatomy, medicine, arcane media, and curiosity and curiosities broadly considered. The artifacts featured in its rotating exhibitions were drawn from private collections and museums' storage spaces.At its closing, the museum board consisted of Tracy Hurley Martin, Joanna Ebenstein, Jacob Nadal, Amy Slonaker, Renee Soto, Tonya Hurley, and Evan Michelson, and is staffed by Joanna Ebenstein, Laetitia Barbier and Cristina Preda.