Bulevar

Novi Sad Synagogue (Serbian: Новосадска синагога, Novosadska sinagoga) is one of many cultural institutions in Novi Sad, Serbia, in the capital of Serbian the province of Vojvodina. Located on Jevrejska (Jewish) Street, in the city center, the synagogue has been recognized as a historic landmark. It served the local Neolog congregation. The new synagogue, the fifth to be erected at the same location since the 18th century, became a major project for the entire Jewish community of Novi Sad, on which construction began in 1905 and was completed in 1909. Projected by Hungarian architect Baumhorn Lipót, it was part of a bigger complex of buildings that included on both sides of the synagogue two edifices decorated in a similar pattern: One building served as the Jewish school and other as offices of the Jewish community. More than 4,000 Jews lived in Novi Sad before the Second World War, out of a total population of 80,000. Only about 1,000 of them survived the Holocaust that followed the German invasion of Yugoslavia in 1941 and the annexation of Bačka region by Hungary. Many moved to Israel after the war. There are an estimated 400 Jews living in Novi Sad today. Currently, while the synagogue is not used for religious ceremonies, it is used for many cultural concerts and events. In 1991 Novi Sad Synagogue was added to Spatial Cultural-Historical Units of Great Importance list, and it is protected by Republic of Serbia.

Eđšeg (Serbian: Еђшег, Eđšeg, Hungarian: Egység) is a city type chateau castle located in Novi Sad, Vojvodina, Serbia. It was designed by architect Molnár György and built by Karl Lehrer in 1890.

Rotkvarija (Serbian: Роткварија), also known as Žitni Trg (Serbian: Житни Трг), is an urban neighborhood of the city of Novi Sad, Serbia.

Novi Sad (Serbian Cyrillic: Нови Сад, pronounced [nôʋiː sâːd] ; Hungarian: Újvidék, pronounced [ˈuːjvideːk], literally 'New Countryside'; see below for other names) is the second largest city in Serbia after the capital Belgrade and the capital of the autonomous province of Vojvodina. It is located in the southern portion of the Pannonian Plain on the border of the Bačka and Syrmia geographical regions. Lying on the banks of the Danube river, the city faces the northern slopes of Fruška Gora. According to the 2022 census, the population of the administrative area of the city totals 368,967 people, while its urban area (including the adjacent settlements of Petrovaradin and Sremska Kamenica) comprises 306,702 inhabitants. Novi Sad was founded in 1694, when Serb merchants formed a colony across the Danube from the Petrovaradin Fortress, a strategic Habsburg military post. In subsequent centuries, it became an important trading, manufacturing and cultural centre, and has historically been dubbed the Serbian Athens. The city was heavily devastated in the 1848 Revolution, but was subsequently rebuilt and restored. Today, along with the Serbian capital city of Belgrade, Novi Sad is an industrial and financial center important to the Serbian economy. Novi Sad was the European Youth Capital in 2019 and the European Capital of Culture in 2022. It became a UNESCO Creative City of Media Arts in 2023.

The Serbian National Theatre (Serbian: Српско народно позориште, Srpsko narodno pozorište), located in Novi Sad, is one of the major theatres of Serbia.

Karađorđe Stadium (Serbian: Стадион Карађорђе, Stadion Karađorđe) is a multi-purpose stadium in Novi Sad, Vojvodina, Serbia. It is currently used mostly for football matches and is the home ground of FK Vojvodina. The stadium is one of the most modern stadiums in Serbia and has one of the best pitches in the country. The stadium has a total of 14,853 seats after new renovations were made in 2013. The stadium is also the home ground for the Serbian U-21 football team.

The Novi Sad Theatre (Serbian: Новосадско позориште, Novosadsko pozorište; Hungarian: Újvidéki Színház) is a small Hungarian language theatre in Serbia. It is located in the Rotkvarija neighborhood, near city centre on Jovana Subotića street 3–5, in Novi Sad, the capital of the Serbian province Vojvodina.

The Greek Catholic Church (Serbian Cyrillic: Црква Светих апостола Петра и Павла, romanized: Crkva Svetih apostola Petra i Pavla, lit. ''The Church of the Holy Apostles Peter and Paul'') is a Greek Catholic church in Novi Sad, Serbia. Built in 1847, it is located in Stari Grad at the corner of Jovan Subotić and Svetozar Miletić streets. The church is consecrated to the Holy Apostles Peter and Paul. It is also known as the Uniat Church. Along with the parish house across the street, it is one of the buildings that was not damaged in the 1849 bombardment that took place during the Serb uprising of 1848–1849, thanks to General Pavle Kiš, who himself was a Uniate. The icons are believed to have been painted by either Arsa Teodorović or Ivan Ivanić, while the iconostasis was carved by the Marković brothers. The church has 156 seats and can accommodate up to 300 people. The liturgy is celebrated in Church Slavonic, and the sermons are delivered in Rusyn and Ukrainian. The Greek Catholic parish in Novi Sad was established in 1780 and is part of the Greek Catholic Eparchy of Ruski Krstur.

Svetozar Marković Gymnasium (Serbian: Гимназија "Светозар Марковић", Gimnazija "Svetozar Marković") is a secondary school in Novi Sad, Serbia. It is named after Svetozar Marković, a famous Serbian political activist, literary critic and socialist philosopher. It was founded as an independent teaching institution in 1963, but its roots stem from the Novi Sad Orthodox Gymnasium which was founded in 1811. The school provides education for grades 9 through 12, with 36 classrooms in total. Classes are done through a general course in Serbian and Hungarian.

Isidor Bajić Music School (Serbian: Музичка школа "Исидор Бајић", Muzička škola "Isidor Bajić") is a secondary school of music located in the city of Novi Sad, Vojvodina, Serbia. Specifically, it is located at Cara Lazara Boulevard. The school was established on September 1, 1909. It is one of the 15 secondary schools in Novi Sad. The school was named after Isidor Bajić, a famous Serbian composer, pedagogue, and publisher, who was also the school's first principal and instructor of theory.

The Novi Sad City Hall (Serbian: Градска кућа, Gradska kuća, Hungarian: Újvidéki Városháza, Slovak: Novosadská Radnica, Rusyn: Новосадска Ратуша) or the Magistrate is a neo-renaissance building housing the municipal institutions of Novi Sad, the capital of the autonomous province of Vojvodina, Serbia. Due to its heritage value, it is listed as a protected cultural monument of the Republic of Serbia. The building is located on Trg slobode (Freedom Square), in the Stari Grad (Old Town) district. The current building has been the center of the city administration for over 100 years while the institution of the Magistrate itself dates back to 1748, the year Novi Sad gained the status of a free royal city.

The Gallery of Fine Arts – Gift Collection of Rajko Mamuzić, which represents a modern museum-gallery type of institution, was founded in 1972 and opened to the public in 1974. It is located in Novi Sad, Serbia, in a building built according to the designs of architect Filip Smith for the Radulović family of Novi Sad. The basic fund of the Gallery represents an anthology of Serbian fine arts from the second half of the 20th century and it contains over 800 works of art, including paintings, sculptures, and drawings by 35 artists: Danica Antić, Miloš Bajić, Slavoljub Slava Bogojević, Kosara Bokšan, Lazar Vozarević, Lazar Vujaklija, Matija Vuković, Angelina Gatalica, Ksenija Divjak, Aleksandar Zarin, Boža Ilić, Nikola Koka Janković, Ljubinka Jovanović, Olivera Kangrga, Majda Kurnik, Aleksandar Luković - Lukijan, Stevan Maksimović, Mario Maskareli, Milorad Bata Mihailović, Mirjana Koka Mihać, Edo Murtić, Petar Omčikus, Vladeta Petrić, Boško Petrović, Zoran Petrović, Milan Popović, Mića Popović, Milica Ribnikar, Ljubica Cuca Sokić, Jovan Soldatović, Mladen Srbinović, Aleksandar Tomašević, Stojan Ćelić, Branko Filipović - Filo and Dragutin Cigarčić. Collector and donor Rajko Mamuzić chose the first post-war generation of artists who, having rejected the laws of socialist realism, took the way of liberated art without any prejudices and dogmas. Nowadays, they represent the most prominent names of Serbian modern arts with the seven of them being members of the Serbian Academy of Sciences and Arts (SANU). The Gallery is organized thematically, including individual and retrospective exhibitions as well as lectures on authors, and seminars on art and concerts.