Herzog-Max-Palais

The Ludwigstraße in Munich is one of the city's four royal avenues next to the Brienner Straße, the Maximilianstraße and the Prinzregentenstraße. Principal was King Ludwig I of Bavaria, the avenue is named in his honour. The city's grandest boulevard with its public buildings still maintains its architectural uniformity envisioned as a grand street "worthy the kingdom" as requested by the king. The Ludwigstraße has served also for state parades and funeral processions.

Staatsarchiv München is located in Maxvorstadt, Munich, Bavaria, Germany.

The Ministry of War (German: Kriegsministerium) was a ministry for military affairs of the Kingdom of Bavaria, founded as Ministerium des Kriegswesens on October 1, 1808 by King Maximilian I Joseph of Bavaria. It was located on the Ludwigstraße in Munich. Today the building, which was built by Leo von Klenze between 1824 and 1830, houses the Bavarian public record office, Bayerisches Hauptstaatsarchiv und Staatsarchiv München.

The Leuchtenberg Gallery was the collection of artworks of the Dukes of Leuchtenberg, on public display in Munich. The collection was widely known in 19th-century Europe, due to being open to the public and having a high-quality illustrated catalogue in different languages, and was considered one of the most important private collections of the time. The collection was a heritage from Napoleonic times through Joséphine de Beauharnais, but with new additions by the subsequent Dukes, especially Eugène de Beauharnais. In 1810, Eugène de Beauharnais bought part of the collection of Giovanni Francesco Arese, including at least one painting by Peter Paul Rubens. By 1841, the collection was largely complete. The Gallery was located in the Palais Leuchtenberg, the house of the Leuchtenberg family in Munich, built by Leo von Klenze between 1817 and 1821. It was opened to the public from at least 1837 on. The collection was catalogued in French and German from 1825 on, with a new version in German from 1841 on, and in an illustrated catalogue in English in 1852. After the death of Duke Maximilian in 1852, the Gallery was closed, the collection divided between his children, and the Palace sold to Luitpold, Prince Regent of Bavaria. Part of the collection was transferred to Saint Petersburg in 1854, where it was displayed in the Mariinsky Palace, and from 1870 on was lent to the Imperial Academy of Arts. The remainder moved together with Eugen Maximilianovich, Duke of Leuchtenberg, from Munich to Saint Petersburg in 1863. While the collection was still growing in the 1860s with purchases by Grand Duchess Maria Nikolaevna of Russia, by the end of the century, some works were being sold off. The majority of the collection remained together until the Russian Revolution in 1917, when it was dispersed and a number of paintings sold in Sweden. Many works were acquired by the Hermitage and the Pushkin Museum, with others ending up in museums all over the world. For example, Parmigianino's Circumcision of Jesus is now housed at the Detroit Institute of Arts. The remaining works are either lost or in private collections.

The Palais Leuchtenberg, (known between 1853 and 1933 as the Luitpold Palais or Prinz Luitpold Palais) built in the early 19th century for Eugène de Beauharnais, first Duke of Leuchtenberg, is the largest palace in Munich. Located on the west side of the Odeonsplatz (Odeon Square), where it forms an ensemble with the Odeon, it currently houses the Bavarian State Ministry of Finance. It was once home to the Leuchtenberg Gallery on the first floor.

The Bavarian State Library (German: Bayerische Staatsbibliothek, abbreviated BSB, called Bibliotheca Regia Monacensis before 1919) in Munich is the central "Landesbibliothek", i. e. the state library of the Free State of Bavaria, the biggest universal and research library in Germany and one of Europe's most important universal libraries. With its collections currently comprising around 10.89 million books (as of 2019), it ranks among the best research libraries worldwide. Moreover, its historical stock encompasses one of the most important manuscript collections of the world, the largest collection of incunabula worldwide, as well as numerous further important special collections. Its collection of historical prints before 1850 number almost one million units.The legal deposit law has been in force since 1663, regulating that two copies of every printed work published in Bavaria have to be submitted to the Bayerische Staatsbibliothek. This law is still applicable today. The Bayerische Staatsbibliothek furthermore is Europe's second-largest journals library (after the British Library). The BSB publishes the specialist journal Bibliotheksforum Bayern and has been publishing the Bibliotheksmagazin together with the Berlin State Library since 2007. Its building is situated in the Ludwigstrasse.

The Kunstverein München (km) is a non-profit art association located in the Hofgarten in Munich, Germany. It was founded in 1823 and is one of the oldest German art associations. The Kunstverein, a privately sponsored association with almost 1,300 members, focuses on solo and group exhibitions by international artists. It belongs to the Arbeitsgemeinschaft Deutscher Kunstvereine (ADKV), an umbrella organization for non-profit art associations.Since July 2019, Maurin Dietrich is the director of Kunstverein München. In October 2019, Gloria Hasnay joined the institution as curator.

The Deutsche Theatermuseum in Munich is a museum focused on history of the theater, and primarily devoted to the German-speaking theater history. It has its headquarters in the Churfürstlichen Gallerie (Electoral Gallery), built in 1780–1781 by Carl Albert von Lespilliez, and located in the Galeriestraße 4a at Hofgarten. Director of the Museum is currently the theater, art and literary scholar Claudia Blank. She is also director of the photography collection. The museum was founded in the House of the Royal Bavarian Court actress Clara Zeiger, on 24 June 1910. In 1932, the Odyssee halls of the Munich Residenz were used as an exhibition space. The Clara-Ziegler Foundation established the Deutsches Theatermuseum in September 1979, and since then it has become a state museum. The museum does not have a permanent exhibition. For special exhibitions related to a specific topic, various exhibitions including stage sets, theatrical construction plans, props, costumes and masks, as well as audiovisual documents are displayed. In addition, the museum houses the largest collection of theater photographs and an extensive archive and library with about 100,000 publications.

Munich Digitization Center (German Das Münchener Digitalisierungszentrum (MDZ)) is an institution dedicated to digitization, Online publication and the long-term archival preservation of the holdings of the Bavarian State Library and other cultural heritage institutions. It was founded in 1997 under the leadership of Mark Brantl. It operates as a unit of the Bavarian State Library.

The Café Stefanie was a coffeehouse in Munich which around the 1900s till the 1920s was the leading artist's meeting place in the city, similar to the Café Größenwahn atmosphere of the Café des Westens in Berlin and the Café Griensteidl in Vienna. The cafe was located on the corner of Amalienstraße and Theresienstraße in the Maxvorstadt not far from the Simplicissimus cabaret and Die Elf Scharfrichter. At the time it was one of the few establishments in Munich which stayed open till 3:00 in the morning. Regular patrons and visitors included Johannes R. Becher, Hanns Bolz, Hans Carossa, Theodor Däubler, Kurt Eisner, Hanns Heinz Ewers, Leonhard Frank, Otto Gross, Emmy Hennings, Arthur Holitscher, Eduard von Keyserling, Paul Klee, Alfred Kubin, Gustav Landauer, Heinrich Mann, Gustav Meyrink, Erich Mühsam, Erwin Piscator, Alexander Roda Roda, Ernst Toller, B. Traven and Frank Wedekind.

The Max Planck Institute for Social Law and Social Policy (German: Max-Planck-Institut für Sozialrecht und Sozialpolitik) is a research facility located in Maxvorstadt, Munich, Bavaria, Germany.

The Odeon is a former concert hall in the Odeonsplatz in Munich, Bavaria, Germany, which is named after it. Built in the early 19th century to a design by Leo von Klenze and forming a counterpoint to the externally identical Palais Leuchtenberg, it was rebuilt after being almost totally destroyed in World War II and now houses the Bavarian Ministry of the Interior.