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Le Caveau de la Huchette

1946 establishments in FranceJazz club stubsJazz clubs in Paris
Le Caveau de la Huchette
Le Caveau de la Huchette

Le Caveau de la Huchette is a jazz club in the Latin Quarter of Paris. The building dates to the 16th century, but became a jazz club in 1949. The design has been compared to a cellar or labyrinth and allegedly it was once used by Rosicrucians and by those linked to Freemasonry. Since becoming a jazz club it has been a venue for American greats like Lionel Hampton, Count Basie, and Art Blakey, as well as leading French jazz musicians like Claude Luter and Claude Bolling. Sidney Bechet and Bill Coleman were American expatriates in France who are also associated with the club. It was featured in the 1958 film Les Tricheurs by Marcel Carné and Bonjour Tristesse (1958) at 00:32:28. The club appears briefly in the 2016 film La La Land by Damien Chazelle, and also in other French language films. It is considered one of the important part of Paris's nightlife in general. At present it is owned by French vibraphonist Dany Doriz. The club inspired the creation of The Cavern Club, Mathew Street, Liverpool in 1957. The Beatles performed at the Cavern Club nearly 300 times in their early years. The Cavern was similar inside to Le Caveau with tunnels and thick brick arches.

Excerpt from the Wikipedia article Le Caveau de la Huchette (License: CC BY-SA 3.0, Authors, Images).

Le Caveau de la Huchette
Rue de la Huchette, Paris 5th Arrondissement (Paris)

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Geographical coordinates (GPS)

Latitude Longitude
N 48.852777777778 ° E 2.3463888888889 °
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Rue de la Huchette 3
75005 Paris, 5th Arrondissement (Paris)
Ile-de-France, France
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Le Caveau de la Huchette
Le Caveau de la Huchette
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Le Chat Qui Pêche

Le Chat Qui Pêche is a Parisian jazz club and restaurant founded in the mid-1950s, located in a cellar in rue de la Huchette in the Latin Quarter, on the left bank of the Seine. It was run by a woman called Madame Ricard, who had been in the French Resistance during the war, and "who looked so small and delicate that people likened her to the 'Little Sparrow', Edith Piaf. According to legend, Ricard had become a heroine of the French Resistance by informing against the Nazis. As she floated through the club she was all maternal warmth, however, calling the musicians 'mes enfants' and housing them in an apartment she kept over the club."According to the recollections of Jimmy Wormworth, who was invited to perform at Le Chat Qui Pêche in August 1957 with his American Jazz Quintet (comprising Wormworth as drummer and leader, Roland Ashby on piano, Sal Amico on trumpet, Barry Rogers on trombone and George Braithwaite on alto saxophone): "I was told that we made her club so successful, because there were many bus tours coming to hear us, that, after us, Madame Ricard hired many famous American jazz musicians, so that she had the funds to add another floor in the club....I don't know if that's true, but I think it was the late Al Levitt, who told me that, because he stayed in Paris, after we came back to the USA."In the 1960s numerous jazz legends played there, including Bud Powell, Chuck Israels, Chet Baker, Eric Dolphy Jackie McLean, Johnny Griffin, Lucky Thompson, Oscar Pettiford Donald Byrd, whose 1958 Au Chat Qui Peche date (with pianist Walter Davis, Jr., bassist Doug Watkins, drummer Art Taylor and featuring Bobby Jaspar on tenor sax) was one of his earliest live recordings as a leader.The club lasted up to 1970, when Madame Ricard sold her license. A restaurant with the same name now operates at the location.