San Benedetto fuori Porta San Paolo

The Foundation audiovisual archive of the labor and democratic movement (AAMOD)is a foundation born in Italy in the late 1970s with the aim of researching, collecting, storing historical audiovisual documents, repertory, current affairs and narrative reconstruction. It works in the field of audiovisuals (cinema, TV, multimedia) to promote the construction of a collective memory of social movements and their protagonists. The foundation organizes research activities and sets up exhibitions on topics related to history and society, curating specialized publications. Its headquarters are in Rome. The first president of the Foundation was Cesare Zavattini who held this role until his death in 1989. The audiovisual archive of the labor and democratic movement was founded in 1979 as an association, with the name of the Historical Audiovisual Archive of the workers' movement (ASAMO), and inherits the film heritage of the PCI and Unitelefilm - film production company, linked to the PCI. In 1983 the archive's heritage was declared of considerable historical interest by the Archives Superintendent for Lazio. It is the first Italian audiovisual archive, which thanks to the consistency and importance of its heritage, receives this notification. In 1985 the Archive was recognized as a foundation, for the need to better protect its heritage: the archive therefore takes on the current name: Audiovisual Archive Foundation of the workers' and democratic movement (AAMOD).

Angel of Grief or the Weeping Angel is an 1894 sculpture by William Wetmore Story for the grave of his wife Emelyn Story at the Protestant Cemetery in Rome. Its full title bestowed by the creator was The Angel of Grief Weeping Over the Dismantled Altar of Life.This was Story's last major work prior to his death, dying a year after his wife. The statue's creation was documented in an 1896 issue of Cosmopolitan Magazine: according to this account, his wife's death so devastated Story that he lost interest in sculpture, but was inspired to create the monument by his children, who recommended it as a means of memorializing the woman. Unlike the typical angelic grave art, "this dramatic life-size winged figure speaks more of the pain of those left behind" by appearing "collapsed, weeping and draped over the tomb".The term is now used to describe multiple grave stones throughout the world erected in the style of the Story stone. A feature in The Guardian called the design "one of the most copied images in the world". Story himself wrote that "It represents the angel of Grief, in utter abandonment, throwing herself with drooping wings and hidden face over a funeral altar. It represents what I feel. It represents Prostration. Yet to do it helps me."Prominent replicas of the Angel of Grief sculpture include the Henry Lathrop monument, located in the Stanford University Arboretum. Lathrop was the brother of Jane Stanford, the co-founder of the university. The original replica was built in 1901, but was severely damaged in the San Francisco earthquake of 1906, leading to its replacement in 1908. After years of neglect, the 1908 replacement was fully restored in 2001. Another example is the Cassard angel, erected around 1908 in the Green-Wood Cemetery in Brooklyn, New York.The image has also been used in popular culture, such as in an album covers for The Tea Party's The Edges of Twilight (1995), Evanescence’s EP (1998) and Nightwish's Once (2004) and in the 2012 film The Woman in Black.

Ruth Milles (19 April 1873 – 11 February 1941) was a Swedish sculptor and writer. She is mainly known for her figurines and reliefs.

The Rome Porta San Paolo Railway Park Museum is a museum in Rome (Italy), concerned with railway and tram transportation. It is housed next to the Roma Porta San Paolo railway station and the Piramide station of the metro (line B).

The Cimitero Acattolico (Non-Catholic Cemetery) of Rome, often referred to as the Cimitero dei protestanti (Protestant Cemetery) or Cimitero degli Inglesi (English Cemetery), is a private cemetery in the rione of Testaccio in Rome. It is near Porta San Paolo and adjacent to the Pyramid of Cestius, a small-scale Egyptian-style pyramid built between 18 and 12 BC as a tomb and later incorporated into the section of the Aurelian Walls that borders the cemetery. It has Mediterranean cypress, pomegranate and other trees, and a grassy meadow. It is the final resting place of non-Catholics including but not exclusive to Protestants or British people. The earliest known burial is that of a Dr Arthur, a Protestant medical doctor hailing from Edinburgh, in 1716. The English poets John Keats and Percy Bysshe Shelley are buried there.

Campo Testaccio was a multi-use stadium in Rome, Italy. It was initially used as the stadium of A.S. Roma matches, before the team moves to Stadio Nazionale PNF, located in Flaminio quarter in 1940. The capacity of the stadium was 20,000 spectators. The stadium was rebuilt for use by a local team in 2000, but demolished in 2011.

Monte Testaccio ([ˈmonte teˈstattʃo]; alternatively spelled Monte Testaceo; also known as Monte dei cocci) is an artificial mound in Rome composed almost entirely of testae (Italian: cocci), fragments of broken ancient Roman pottery, nearly all discarded amphorae dating from the time of the Roman Empire, some of which were labelled with tituli picti. It is one of the largest spoil heaps found anywhere in the ancient world, covering an area of 2 hectares (4.9 acres) at its base and with a volume of approximately 580,000 cubic metres (760,000 cu yd), containing the remains of an estimated 53 million amphorae. It has a circumference of nearly a kilometre (0.6 mi) and stands 35 metres (115 ft) high, though it was probably considerably higher in ancient times. It stands a short distance away from the east bank of the River Tiber, near the Horrea Galbae where the state-controlled reserve of olive oil was stored in the late 2nd century AD. The mound later had both religious and military significance.

The pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia) is a Roman Era pyramid in Rome, Italy, near the Porta San Paolo and the Protestant Cemetery. It was built as a tomb for Gaius Cestius, a member of the Epulones religious corporation. It stands at a fork between two ancient roads, the Via Ostiensis and another road that ran west to the Tiber along the approximate line of the modern Via Marmorata. Due to its incorporation into the city's fortifications, it is today one of the best-preserved ancient buildings in Rome.

Piramide is a station on Line B of the Rome Metro. It was opened on 10 February 1955 and is sited on Piazzale Ostiense (across which is the Pyramid of Cestius that gives the station its name) just outside Porta San Paolo, in the Ostiense quarter. Its atrium houses mosaics that have won the Artemetro Roma by Enrico Castellani (Italy) and Beverly Pepper (United States). The station has escalators.

Roma Porta San Paolo is the terminal train station of the Rome–Lido railway line in Rome (Italy). The station is connected to the station Piramide of the metro (line B) and to the Roma Ostiense railway station of the Ferrovie dello Stato Italiane. It has six tracks. The edifice houses the ticket office and service structures, as well as a news-stand and a coffee shop. It also includes the Porta San Paolo Railway Museum.

The Almone (Latin: Almo) is a small river of the Ager Romanus, a few miles south of the city of Rome. Today the river is polluted and is channelled to a sewage treatment plant and no longer reaches its natural confluence with the Tiber.

Testaccio [teˈstattʃo] is the 20th rione of Rome, identified by the initials R. XX, deriving its name from Monte Testaccio. It is located within the Municipio I. Its coat of arms depicts an amphora, referencing to the broken vessels that Monte Testaccio is made of.