Valfabbrica

Pieve San Nicolò is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 603 m (1,978 ft) above sea level. At the time of the Istat census of 2001 it had 26 inhabitants.

Rocca Sant'Angelo is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 349 metres above sea level. At the time of the Istat census of 2001 it had 27 inhabitants.

San Gregorio is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 279 metres above sea level. At the time of the Istat census of 2001 it had 13 inhabitants.

Sterpeto is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 344 metres above sea level. At the time of the Istat census of 2001 it had 45 inhabitants,

Palazzo is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 236 metres above sea level. At the time of the Istat census of 2001 it had 1343 inhabitants.

Tordibetto is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 255 metres above sea level. At the time of the Istat census of 2001 it had 235 inhabitants.

Torchiagina is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 220 metres above sea level. At the time of the Istat census of 2001 it had 601 inhabitants.

San Presto is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 672 metres above sea level. At the time of the Istat census of 2001 it had 15 inhabitants,

The Castle of Petroia is a castle near Gubbio in Umbria, Italy.

San Martino Chapel (Italian: Cappella di san Martino) is a chapel in the Lower Basilica of San Francesco in Assisi, Umbria, central Italy. Commissioned and funded by Cardinal Gentile Portino da Montefiore, it features a cycle of frescoes by Simone Martini (1313–1318), portraying the life of Saint Martin of Tours in 4th-century France. The frescoes are neither dated nor signed, but art historians tend to agree in identifying Martini as their author, based on stylistic and historical reasons.

The Sacro Convento is a Franciscan friary in Assisi, Umbria, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, which contains the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell (Collo d'Inferno - here were the gallows where criminals were put to death), because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem.

The Basilica of Saint Francis of Assisi (Italian: Basilica di San Francesco d'Assisi; Latin: Basilica Sancti Francisci Assisiensis) is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a Papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage Site since 2000. The basilica, which was begun in 1228, is built into the side of a hill and comprises two churches (known as the Upper Church and the Lower Church) and a crypt, where the remains of the saint are interred. The interior of the Upper Church is an important early example of the Gothic style in Italy. The Upper and Lower Churches are decorated with frescoes by numerous late medieval painters from the Roman and Tuscan schools, and include works by Cimabue, Giotto, Simone Martini, Pietro Lorenzetti and possibly Pietro Cavallini. The range and quality of the works give the basilica a unique importance in demonstrating the outstanding development of Italian art of this period, especially if compared with the rest of Christian Europe.