Palazzo, Assisi

Tordibetto is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 255 metres above sea level. At the time of the Istat census of 2001 it had 235 inhabitants.

Sterpeto is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 344 metres above sea level. At the time of the Istat census of 2001 it had 45 inhabitants,

Rocca Sant'Angelo is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 349 metres above sea level. At the time of the Istat census of 2001 it had 27 inhabitants.

Petrignano is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 212 metres above sea level on the right bank of the Chiascio River, c. 8 km east to Assisi. At the time of the Istat census of 2001 it had 2536 inhabitants.It has a 13th-century castle.

Bastia Umbra (Italian pronunciation: [baˈstiːa ˈumbra]) is a comune (municipality) in the Province of Perugia in the Italian region Umbria, located about 15 km southeast of Perugia. As of 31 December 2004, it had a population of 20,523 and an area of 27.6 km2.Bastia Umbra borders the following municipalities: Assisi, Bettona, Perugia, Torgiano.

Santa Croce is a Gothic style, Roman Catholic church in Piazza Mazzini, in the center of Bastia Umbra, in the region of Umbria, Italy.

Torchiagina is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 220 metres above sea level. At the time of the Istat census of 2001 it had 601 inhabitants.

San Gregorio is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 279 metres above sea level. At the time of the Istat census of 2001 it had 13 inhabitants.

Santa Maria degli Angeli is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 218 metres above sea level. At the time of the Istat census of 2001 it had 6,665 inhabitants, and is located c. 4 km south from Assisi. The name of the city was used by the Spanish Franciscan missionaries as the name of Los Angeles, currently one of the largest cities of the United States. It is home to the Basilica of Santa Maria degli Angeli, which includes the Porziuncola, the most sacred place of the various Franciscan Orders. St. Francis of Assisi himself died here.

The Basilica of Saint Mary of the Angels (Italian: Basilica di Santa Maria degli Angeli) is a papal minor basilica situated in the plain at the foot of the hill of Assisi, Italy, in the frazione of Santa Maria degli Angeli. The basilica was constructed in the Mannerist style between 1569 and 1679, enclosing the 9th-century little church, the Porziuncola, the most sacred place for the Franciscans. It was here that the young Francis of Assisi understood his vocation and renounced the world in order to live in poverty among the poor, and thus started the Franciscan movement.

Assisi railway station (Italian: Stazione di Assisi) serves the town and comune of Assisi, in the Umbria region, central Italy. Opened in 1866, it forms part of the Foligno–Terontola railway, which also links Florence with Rome. The station is currently managed by Rete Ferroviaria Italiana (RFI). However, the commercial area of the passenger building is managed by Centostazioni. Train services are operated by or on behalf of Trenitalia. Each of these companies is a subsidiary of Ferrovie dello Stato (FS), Italy's state-owned rail company. Regional train services calling at the station are operated by Ferrovia Centrale Umbra, which sub-contracts on behalf of Trenitalia.

San Martino Chapel (Italian: Cappella di san Martino) is a chapel in the Lower Basilica of San Francesco in Assisi, Umbria, central Italy. Commissioned and funded by Cardinal Gentile Portino da Montefiore, it features a cycle of frescoes by Simone Martini (1313–1318), portraying the life of Saint Martin of Tours in 4th-century France. The frescoes are neither dated nor signed, but art historians tend to agree in identifying Martini as their author, based on stylistic and historical reasons.