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Rocquencourt, Yvelines

Former communes of YvelinesPages including recorded pronunciationsPages with French IPAPopulated places disestablished in 2019
Rocquencourt 78 Mairie
Rocquencourt 78 Mairie

Rocquencourt (French pronunciation: [ʁɔkɑ̃kuʁ] ) is a former commune in the Yvelines department in the Île-de-France in north-central France. On 1 January 2019, it was merged into the new commune Le Chesnay-Rocquencourt. It is about 4 kilometres (2.5 mi) north-west of Versailles and 19 kilometres (12 mi) west of center Paris. The commune is mainly known as the location of a research unit of INRIA (in the Domaine de Voluceau, formerly Camp Voluceau, used by SHAPE) as well as a freeway exchange known as the Rocquencourt Triangle (triangle de Rocquencourt, junction of the A12 autoroute and the A13 autoroute), which is often mentioned in traffic news.

Excerpt from the Wikipedia article Rocquencourt, Yvelines (License: CC BY-SA 3.0, Authors, Images).

Rocquencourt, Yvelines
Rue de l'Horloge, Versailles

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Geographical coordinates (GPS)

Latitude Longitude
N 48.8369 ° E 2.1117 °
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Rue de l'Horloge 1
78150 Versailles, Rocquencourt (Rocquencourt)
Ile-de-France, France
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Rocquencourt 78 Mairie
Rocquencourt 78 Mairie
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Hameau de la Reine
Hameau de la Reine

The Hameau de la Reine (French pronunciation: [amo də la ʁɛn], The Queen's Hamlet) is a rustic retreat in the park of the Château de Versailles built for Marie Antoinette in 1783 near the Petit Trianon in Yvelines, France. It served as a private meeting place for the queen and her closest friends and as a place of leisure. Designed by Richard Mique, the queen's favoured architect, with the help of the painter Hubert Robert, it contained a meadowland with a lake and various buildings in a rustic or vernacular style, inspired by Norman or Flemish design, situated around an irregular pond fed by a stream that turned a mill wheel. The building scheme included a farmhouse, (the farm was to produce milk and eggs for the queen), a dairy, a dovecote, a boudoir, a barn that burned down during the French Revolution, a mill and a tower in the form of a lighthouse. Each building is decorated with a garden, an orchard or a flower garden. The largest and most famous of these houses is the "Queen's House", connected to the Billiard house by a wooden gallery, at the center of the village. A working farm was close to the idyllic, fantasy-like setting of the Queen's Hamlet. The hameau is the best-known of a series of rustic garden constructions built at the time, notably the Prince of Condé's Hameau de Chantilly (1774–1775) which was the inspiration for the Versailles hamlet. Such model farms, operating under principles espoused by the Physiocrats, were fashionable among the French aristocracy at the time. One primary purpose of the hameau was to add to the ambiance of the Petit Trianon, giving the illusion that it was deep in the countryside rather than within the confines of Versailles. The rooms at the hameau allowed for more intimacy than the grand salons at Versailles or at the Petit Trianon. Abandoned after the French Revolution, it was renovated a first time under Napoleon I, then in the 1930s and again in late 1990. Buildings are still being periodically renovated until this day. It is open to the public.

Théâtre de la Reine
Théâtre de la Reine

The Théâtre de la Reine (Queen's Theater) ou Théâtre du Trianon (Trianon Theater) is a theater built for Queen Marie-Antoinette by the architect Richard Mique from June 1778 to July 1779. It is located in the grounds of the Petit Trianon, in the park of the Palace of Versailles, hidden between the tree tunnel of the French Garden and the tall trees of the Alpine Garden. The exterior of the building, which looks like an outbuilding, contrasts with the sophisticated decoration of its interior, which is adorned with blue silk and velvet and gilded sculptures, yet is all pretense. It was inaugurated in 1780, ten years after the opening of the "Grand Théâtre", as the Royal Opera of Versailles was then called. This small comedy hall was a secret place for the Queen, far from the court of Versailles and its torments. She herself came to play comedy, with a troupe reduced to her intimate entourage, in memory of her taste, since childhood, for theater and declamation. The authors in fashion were performed, some of them, such as Beaumarchais, were even forbidden at court. The stage, twice as large as the hall, as well as the machinery, complex and of the most modern, are the work of the machinist Boullet, of the Paris Opera. The theater was spared during the French Revolution, as it was considered worthless. Several queens and empresses, Marie-Louise, Marie-Amélie and Eugénie, appropriated the place in the course of the 19th century, which became a sort of women's privilege. It has been assigned to the museum, but is rarely visited and, after several restoration campaigns, has remained intact to this day, including its machinery, an almost unique example of the eighteenth century.