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Rosenthaler Platz

MitteSquares in BerlinYear of establishment missing
Bikes and Trams (DSC 5163)
Bikes and Trams (DSC 5163)

Rosenthaler Platz in Berlin's Mitte district, district Mitte, forms a crossroads where Rosenthaler Strasse, Brunnenstrasse and Weinbergsweg meet Torstrasse, and is therefore not a square in the true sense of the word. It is located on the site of the former Rosenthaler Tor of the Berlin customs wall, from which a road led to the village of Rosenthal. This gate was one of the few through which Jews were allowed to enter Berlin until the 19th century. Those who were not allowed to enter could stay overnight in a special Jewish hostel. Directly in front of the gate, at the behest of Friedrich II, the Rosenthal suburb was built, a colony in which Saxon guest workers were settled. The Rosenthaler Tor was demolished around 1867 during Berlin's expansion and the demolition of the customs wall. In Alfred Döblin's novel Berlin Alexanderplatz, published in 1929, Rosenthaler Platz plays the central role in his second book; the construction work on the underground between Alexanderplatz and Rosenthaler Platz is also mentioned in it.The Rosenthaler Platz underground station was opened on 18 April 1930. When construction of the Berlin Wall began in the night of 13 August 1961, it was closed because the line led to West Berlin on both sides. Shortly after reunification in the GDR, from 22 December 1989 until the summer of 1990, the station functioned as a temporary border crossing. To the north of Rosenthaler Platz is the Weinbergspark.

Excerpt from the Wikipedia article Rosenthaler Platz (License: CC BY-SA 3.0, Authors, Images).

Rosenthaler Platz
Torstraße, Berlin Mitte

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Geographical coordinates (GPS)

Latitude Longitude
N 52.53 ° E 13.4 °
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Sparkasse

Torstraße 131
10119 Berlin, Mitte
Germany
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Clärchens Ballroom
Clärchens Ballroom

History Fritz Bühler (1862–1929) [1] and his wife Clara Bühler (1886–1971) [2] opened Bühler's Ballhaus on September 13, 1913, in the rear building at Auguststrasse 24/25. [3] The house was built around 1895 [4] with two halls [5] : the dance hall on the ground floor and the hall of mirrors on the upper floor. [6] After Fritz Bühler's death, Clara initially continued to run the dance hall, popularly known as Clärchens Ballhaus after its owner, on her own. In 1932 she married Arthur Habermann (1885-1967), who supported her in her work. [7] The front building was in World War IIdestroyed, [8] but operations resumed after the end of the war. Clärchens Ballhaus always remained a private company during the GDR era. [9] In 1965, after much pressure, the ruins of the former front building were removed, the area is still undeveloped today. From 1967 to 1989 the management of the ballroom went to Clärchen's stepdaughter Elfriede Wolff (daughter of Arthur Habermann). Then their son Stefan took over the business. After German reunification, Clara Habermann's biological daughter was granted the property, whose son in turn sold the building in 2003 as the next heir. The new owner, Hans-Joachim Sander, left the family business, which then ceased operations after 91 years. [10] After the previous operators left the Ballhaus on New Year's Eve 2004, Christian Schulz and David Regehr took over the location and left it largely unchanged. Since then, the space in front of the Ballhaus has also been managed, where the front building stood before the Second World War. [11] The hall of mirrors on the upper floor, which was only used as a storage room for years, has since been used as an event room. [12] In the summer of 2018 the house was bought by Yoram Roth. He chose the Berlin catering company Berlin Cuisine Jensen GmbH as a partner for the construction of a new restaurant and as the operator of the location, with which Clärchens Ballhaus reopened in July 2020. Importance Clärchen's ball house is one of the last remaining ball houses from around 1900 in Berlin. During the GDR era, it was known to both East and West Germans as a meeting place. In the media it was repeatedly represented in reports, for example in the film by Wilma Pradetto about the cloakroom operator Günter Schmidtke, in the documentary Edith bei Clärchen ( Andreas Kleinert 1985) or on ZDF . It also served as a filming location for movies Stauffenberg (2004), Inglourious Basterds(2009) and We Do It For Money (2014). In 2019 Max Raabe's MTV Unplugged concert was recorded in the Ballhaus . In addition to evening events, dance courses also take place in the Ballhaus.

Samurai Museum Berlin
Samurai Museum Berlin

The Samurai Museum Berlin is a private museum of artifacts and art objects of the Japanese samurai warrior class, from the private collection of the builder Peter Janssen. It opened in 2022 and is located in the Mitte district of Berlin, Germany. The museum displays about 1000 exhibits on 1500 square meters of exhibition space. The entire collection of the museum includes nearly 4000 objects. Among them are about 40 complete suits of armor, 200 helmets, 150 masks, 160 swords, and numerous other evidences of samurai culture dating back nearly a millennium.The oldest pieces in the collection date back to the Kofun period (300-538 AD). The majority of the objects date from the late Middle Ages and the early modern period (15th-18th centuries). Top pieces of the collection represent three samurai armors of the Kato clan from the Edo period (1603-1868). Another focus is on blades of famous master smiths of the Kamakura and Namboku-chō periods, which roughly corresponds to the European High Middle Ages (11th-14th centuries).In addition to armor, helmets, masks, weapons, swords, and sword jewelry, the permanent exhibition also offers insights into wide-ranging areas of samurai culture, society, religion, and craftsmanship. These also include sculpture and painting, a lifelike Nō theater and Nō masks, and a freestanding teahouse with utensils used in the Japanese tea ceremony.Through interactive installations and touchscreens attached to the exhibits, the exhibits are described in detail in either German or English. In parallel, a quiz available on the touch screens allows visitors to test or expand their own knowledge of samurai culture. The technology behind the interactive installations was designed by Ars Electronica.In addition to the permanent exhibition, temporary exhibitions are also held.