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Teatro Avenida

Theatres in Lisbon

Teatro da Avenida, better known as Teatro Avenida, was a theatre located at 150 to 156 Avenida da Liberdade in the city of Lisbon, Portugal, which operated from 1888 to 13 December 1967, when it was completely destroyed by fire. Following the 1755 Lisbon earthquake, the city was rebuilt under the instructions of Sebastião José de Carvalho e Melo, 1st Marquis of Pombal. The reconstruction included the development of a park, oriented south-east to north-west, known as the Passeio Público. The park's borders rapidly became a popular location for the elite to build their homes and, over time, it was considered necessary for a road to be built through the park. The Avenida da Liberdade was completed in 1886. The Teatro Avenida opened on 11 February 1888 and until 1906 was the only entertainment facility on the Avenida da Liberdade. It had a very simple appearance, with little architectural distinction. On the ground floor of the façade were four wooden doors, while on the first floor there was an iron balcony across the width of the façade. The initial reception of the interior by Lisbon's newspapers was very positive although, over the years, it became criticised for being small, cramped and lacking in suitable emergency exits. In part, this criticism may have been because an additional 96 seats were added in the 20th century. Theatre companies occupying the Teatro Avenida often experienced difficulties in making a profit, particularly in its early years. Almost all genres passed through the theatre, but it found it easier to fill the house for operettas, variety shows, farces, comedies, and sentimental dramas. It had its greatest public and commercial successes in the 1920s and 1930s with popular shows, such as those put on by the Satanela-Amarante company and the Maria Matos- Mendonça de Carvalho company, and with plays involving such stars as Palmira Bastos, Alves da Cunha, and Chaby Pinheiro. Other actors to perform there included Beatriz Costa, Eunice Muñoz, João Villaret, Laura Alves and Vasco Santana. By the 1950s, however, serious consideration was being given to the future of Teatro Avenida. The owner had announced his intention to sell the building and had tried, without success, to evict the tenant. There were several proposals regarding what to do with the site, including one that involved the construction of a larger, modern theatre. In 1964 the Rey Colaço-Robles Monteiro theatre company moved into the theatre following the destruction by fire of the D. Maria II National Theatre, which it was then occupying. It carried out some remodelling as the Avenida had suffered from considerable neglect. Amélia Rey Colaço, the actress and impresario, used much of her own money in this upgrading and the theatre reopened on 6 February 1965 to a favourable reception, with the Diário de Lisboa noting that it was "newly dressed to hide its old age", stating that it had been transformed into a small theatre in the style of Paris. In less than three years, however, the Avenida was also destroyed by fire, which broke out 30 minutes before a performance of The Birthday Party by Harold Pinter was due to begin on 13 December 1967. The cause of the fire was believed to have been an electrical fault. The theatre was completely destroyed, with the firefighters having been hindered by a lack of water pressure. In September 1970 the Lisbon municipality approved the demolition of the building and it was replaced by an office building.

Excerpt from the Wikipedia article Teatro Avenida (License: CC BY-SA 3.0, Authors).

Teatro Avenida
Avenida da Liberdade, Lisbon Santo António

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Latitude Longitude
N 38.719611111111 ° E -9.1443055555556 °
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Avenida da Liberdade
1250-146 Lisbon, Santo António
Portugal
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Teatro Variedades, Lisbon
Teatro Variedades, Lisbon

The Teatro Variedades was a theatre in Lisbon, capital of Portugal, that offered variety or revue shows of the type known in Portugal as Teatro de Revista. Opened in 1926, it has not been used since 1992, but as of 2020 there were active plans to construct a new theatre on the site, incorporating elements of the existing building. The Teatro Variedades is located in the Parque Mayer in Lisbon, close to the Avenida da Liberdade. It was part of a complex of theatres at the park that included the Teatro Maria Vitória, which was the first to be constructed. Its construction was first considered in 1922 by the entrepreneur Luís Galhardo, and building began two years later, under the direction of the architect Urbano de Castro. The theatre was inaugurated on 8 July 1926, with a variety show called Pó de Arroz (Rice Powder), with a cast that included Vasco Santana, as the main attraction and Augusto Costa as the compère. There were two shows: one at 21.00 and the other at 22.45. Although the theatre was well-received and the performances were acclaimed by the audience it was not an auspicious opening because the following day it had to close for a day when the Ditadura Nacional (National Dictatorship) overthrew the short-lived presidency of General Manuel de Oliveira Gomes da Costa. Teatro Variedades produced about five long-running variety shows a year until the 1960s, usually involving two shows a day and three on Sundays. Famous Portuguese performers to perform there include Laura Alves, Palmira Bastos, Beatriz Costa, Irene Isidro, Raul Solnado, and the fado singer Amália Rodrigues. In time there was a falling off in the popularity of such shows, due to the increased popularity of television. After having been renovated in the early 1960s, the theatre suffered from a fire in 1966, as did other buildings in the park. Some renovation was carried out at the beginning of the 1990s and Teatro Variedades was used for a 26-part RTP (Rádio e Televisão de Portugal) series of variety programmes in 1992, directed by Filipe La Féria, with a range of guest artists who had distinguished themselves in some of the shows at the theatre, in addition to a fixed cast with younger performers. There was a desire to make the theatre return to its former glory but, in fact, these were the last performances it would see.

Teatro Maria Vitória
Teatro Maria Vitória

The Teatro Maria Vitória is a theatre in Lisbon, capital of Portugal. It is located in the theatre district of Parque Mayer. Dedicated primarily to revues, which are known in Portugal as Teatro de Revista, the Teatro Maria Vitória opened on 1 July 1922 in the Parque Mayer (Mayer Park) district of Lisbon, which was at one time known as the “Broadway” of Lisbon. The theatre was named in honour of a fado singer, Maria Vitória, who had died at a young age in 1915. It started life as a wooden building. The playwrights, Ernesto Rodrigues, Félix Bermudes and João Bastos, played an important role in the theatre's early performances, working under the pseudonym of the “Troianos”. It was the first of the four theatres in the area, the others being the Teatro Variedades and the Teatro Capitólio, which both still exist, and the Teatro ABC, which was demolished in 2015. Teatro Maria Vitória suffered a fire on 10 May 1986, which destroyed the entire building and contents, forcing the performing company to temporarily transfer to the Teatro Maria Matos. In 1940, the fado singer Amália Rodrigues made her debut as an actress at the Maria Vitória. Shows also featured international attractions, such as the Brazilian Bibi Ferreira, who drew large crowds to the theatre. The 1960s were particularly fruitful, with the Portuguese actor Raul Solnado starring in two shows that would mark his career: A guerra de 1908 (The war of 1908) and História da minha vida (The story of my life). After the Carnation Revolution of 25 April 1974, which overthrew the Estado Novo dictatorship, the theatre quickly changed the name of the revue being performed from "See, listen ... and shut up" to "See, hear ... and speak", assuming a turning point had been reached in the creative freedom and expression for theatrical writers. For much of its life the theatre has been used by the impresario, Hélder Freire Costa, who celebrated 50 years of promoting shows at the Maria Vitória in 2014. It was Costa who, together with Vasco Morgado Júnior, was responsible for rebuilding the theatre after the 1986 fire, with the reopening taking place in 1990. Until the COVID-19 pandemic, when it closed its doors temporarily in 2020, the Maria Vitória was the only theatre in Lisbon still presenting revues on a regular basis. This is despite the fact that Costa has stated that it is too small to be profitable for revues that require a large cast.