Edward Hain Hospital

St Ives railway station is a railway station which serves the coastal town of St Ives, Cornwall, England. It was opened in 1877 as the terminus of the last new broad gauge passenger railway to be constructed in the country. Converted to standard gauge in 1892, it is today served by Great Western Railway services on the St Ives Bay Line from St Erth. It is 325 miles (523 km) from London Paddington via Bristol Temple Meads.

St Ives (Cornish: Porth Ia, meaning "St Ia's cove") is a seaside town, civil parish and port in Cornwall, England. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial emphasis, and the town is now primarily a popular seaside resort, notably achieving the title of Best UK Seaside Town from the British Travel Awards in both 2010 and 2011. St Ives was incorporated by Royal Charter in 1639. St Ives has become renowned for its number of artists. It was named best seaside town of 2007 by The Guardian newspaper.

St Ives Guildhall is a municipal structure in Street An Pol, St Ives, Cornwall, England. The structure, which is the meeting place of St Ives Town Council, is a locally listed heritage asset.

Tregenna Castle, (Cornish: Kastel Tregenow, meaning "Kenow’s settlement") in St Ives, Cornwall, was built by Samuel Stephens in the 18th century and is named after the hill on which it stands. The estate was sold in 1871 and became a hotel, a purpose for which it is still used today. The castle is a Grade II Listed building. It is surrounded by 72 acres (29 ha) of gardens and natural woodland, and has views along the coastline of Cornwall.

St Ia's Church, St Ives, is a parish church in the Church of England in St Ives, Cornwall, UK. It is dedicated to Ia of Cornwall, a 5th- or 6th-century Irish saint, and is a Grade I listed building.

St Ives Lifeboat Station is the base for Royal National Lifeboat Institution (RNLI) search and rescue operations at St Ives, Cornwall in the United Kingdom. The first lifeboat was built for the town in 1840 and the present boathouse was opened in 1994. It operates a Shannon-class all weather boat (AWB) and a D-class (IB1) inshore lifeboat (ILB).

Belgrave St Ives is a commercial art gallery, specialising in modern British and contemporary art in St Ives, Cornwall, southwest England. It gives emphasis to work produced in Cornwall from the 1930s onwards, when the town of St Ives became an internationally important modernist artistic centre.

The Palais de Danse is a former cinema, dance hall, ballet school and auction house in St Ives, Cornwall which was a studio for sculptor and artist Barbara Hepworth from 1961 until her death in 1975. After her death, the Palais was kept by her family until it was donated to Tate in 2015. In 2020, Historic England designated it a Grade II listed building.

The Barbara Hepworth Museum and Sculpture Garden in St Ives, Cornwall preserves the 20th-century sculptor Barbara Hepworth's studio and garden much as they were when she lived and worked there. She purchased the site in 1949 and lived and worked there for 26 years until her death in a fire on the premises in 1975.

St Ives School is a coeducational secondary school with academy status, located in St Ives, Cornwall, England.

The Sloop Inn is an inn in St Ives, Cornwall, England, located on the wharf. It is one of the oldest inns in Cornwall, the public house is dated to "circa 1312" although the present building was built in the 17th or 18th century. Made of granite rubble, with a slate roof, the Sloop Inn was the favourite haunt of Victorian artists including Louis Grier and many of his paintings hung there in earlier years. Today the public house is a traditional bar, with low ceilings but with an outside decking area. It also includes accommodation for guests.

Alfred Wallis (18 August 1855 – 29 August 1942) was a British fisherman and artist known for his port landscapes and shipping scenes painted in a naïve style. Having no artistic training, he began painting at the age of 70, using household paint on scraps of cardboard. He achieved little commercial success, although his work was championed by progressive artists such as Ben Nicholson and Christopher Wood.