place

St James's Theatre

1835 establishments in England1957 disestablishments in EnglandBuildings and structures demolished in 1957Demolished buildings and structures in LondonFormer buildings and structures in the City of Westminster
Former theatres in LondonSt James'sTheatres completed in 1835Use British English from May 2015
St Jamess theatre 1836(Crop)
St Jamess theatre 1836(Crop)

The St James's Theatre was in King Street, St James's, London. It opened in 1835 and was demolished in 1957. The theatre was conceived by and built for a popular singer, John Braham; it lost money and after three seasons he retired. A succession of managements over the next forty years also failed to make it a commercial success, and the St James's acquired a reputation as an unlucky theatre. It was not until 1879–1888, under the management of the actors John Hare and Madge and W. H. Kendal that the theatre began to prosper. The Hare-Kendal management was succeeded, after brief and disastrous attempts by other lessees, by that of the actor-manager George Alexander, who was in charge from 1891 until his death in 1918. Under Alexander the house gained a reputation for programming that was adventurous without going too far for the tastes of London society. Among the plays he presented were Oscar Wilde's Lady Windermere's Fan (1892) and The Importance of Being Earnest (1895), and A. W. Pinero's The Second Mrs Tanqueray (1893). After Alexander's death the theatre came under the control of a succession of managements. Among the long-running productions were The Last of Mrs Cheyney (1925), Interference (1927), The Late Christopher Bean (1933) and Ladies in Retirement (1939). In January 1950 Laurence Olivier and his wife Vivien Leigh took over the management of the theatre. Their successes included Venus Observed (1950) and for the 1951 Festival of Britain season Caesar and Cleopatra and Antony and Cleopatra. In 1954 Terence Rattigan's Separate Tables began a run of 726 performances, the longest in the history of the St James's. During the run it emerged that a property developer had acquired the freehold of the theatre and obtained the requisite legal authority to knock it down and replace it with an office block. Despite widespread protests the theatre closed in July 1957 and was demolished in December of that year.

Excerpt from the Wikipedia article St James's Theatre (License: CC BY-SA 3.0, Authors, Images).

St James's Theatre
King Street, City of Westminster Mayfair

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: St James's TheatreContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 51.506666666667 ° E -0.13694444444444 °
placeShow on map

Address

King Street 1
SW1Y 4JE City of Westminster, Mayfair
England, United Kingdom
mapOpen on Google Maps

St Jamess theatre 1836(Crop)
St Jamess theatre 1836(Crop)
Share experience

Nearby Places

Guards Club

The Guards Club, established in 1810, was a London Gentlemen's club for officers of the Guards Division, originally defined by the club as being the Coldstream Guards, Grenadier Guards or Scots Guards, traditionally the most socially elite section of the British Army. Officers of the Welsh and Irish Guards were not able to join until the second half of the 20th century. Its clubhouse at 70 Pall Mall was the first to be built on that street, which later became noted for its high concentration of clubs; earlier clubs had been focused on the adjoining St James's Street.Stephen Hoare states that: "Three Guards officers, Captain Rees Howell Gronow, Jack Talbot and that well-known acrobatic dandy Colonel Dan MacKinnon established the Guards Club at the St James's Coffee-House at number 88 St James's Street opposite Lock's the hatter. The link between coffee-houses and the club formation remained as strong as it was a century earlier. The establishment provided exactly the kind of relaxing and informal atmosphere where officers home on leave or waiting to be posted could enjoy decent hospitality. In fact, not long afterwards St James's Coffee-House became the St James's Club in 1840. Meanwhile, the Guards Club acquired premises at 49 St. James's Street, opposite Whites, finally moving to a newly commissioned clubhouse at 70 Pall Mall in 1849".In 1975 it gave up its premises and merged with the Cavalry Club in nearby Piccadilly to form the present-day Cavalry and Guards Club.

Boydell Shakespeare Gallery
Boydell Shakespeare Gallery

The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting. In addition to the establishment of the gallery, Boydell planned to produce an illustrated edition of William Shakespeare's plays and a folio of prints based upon a series of paintings by different contemporary painters. During the 1790s the London gallery that showed the original paintings emerged as the project's most popular element. The works of William Shakespeare enjoyed a renewed popularity in 18th-century Britain. Several new editions of his works were published, his plays were revived in the theatre and numerous works of art were created illustrating the plays and specific productions of them. Capitalising on this interest, Boydell decided to publish a grand illustrated edition of Shakespeare's plays that would showcase the talents of British painters and engravers. He chose the noted scholar and Shakespeare editor George Steevens to oversee the edition, which was released between 1791 and 1803. The press reported weekly on the building of Boydell's gallery, designed by George Dance the Younger, on a site in Pall Mall. Boydell commissioned works from famous painters of the day, such as Joshua Reynolds, and the folio of engravings proved the enterprise's most lasting legacy. However, the long delay in publishing the prints and the illustrated edition prompted criticism. Because they were hurried, and many illustrations had to be done by lesser artists, the final products of Boydell's venture were judged to be disappointing. The project caused the Boydell firm to become insolvent, and they were forced to sell the gallery at a lottery.